Audio from: ATP Recordings releases, archive artists performing at ATP Festivals, or performing at ATP Concerts.

All Tomorrow's Parties  is an organisation based in London that has been promoting festivals, concerts and records throughout the world for ten years. It was founded by Barry Hogan in 1999 in preparation for the first All Tomorrow's Parties festival, the line-up of which was curated by Mogwai and took place in the unusual setting of Pontins Holiday Camp, Camber Sands. Since then the festival has appeared every year, and continues to set itself apart from festivals like Reading or Glastonbury by staying intimate, non-corporate and fan-friendly. Another vital difference is that the line-ups are chosen by significant bands or artists, resulting in unpredictable and exciting events which combine performances by legendary and influential acts with appearances by the latest crop of experimental artists from any (and every) musical genre. The All Tomorrow's Parties festival has become more successful with every passing year, moving in 2006 to a larger holiday camp. It has taken place in the UK, USA and Australia

ATP Recordings is a record label started in 2001 by London concert promoter Barry Hogan, who heads the All Tomorrow's Parties organisation, which has been promoting its world renowned festivals and concerts since 2000. The label was originally created to bring out a compilation CD featuring artists from the line-up of a Tortoise curated All Tomorrow's Parties event. As well as further compilations released to coincide with their festivals, the label soon expanded, signing bands and releasing their records: sometimes for the European market where their records had no distribution, but also on a worldwide basis with artists old and new.

The label has notably released the first album by the reunited Magic Band, and also acclaimed albums from Bardo Pond, Deerhoof and Australia's The Drones. The label develops new home-grown talent such as Alexander Tucker and Fuck Buttons, and has also worked to release records by such varied luminaries as Apse, Autolux, Spiritualized, Built To Spill, Sleepy Sun, Death Vessel, Fursaxa, Jackie-O Motherfucker, The Scientists, Threnody Ensemble and White Out (with Jim O'Rourke). For more info on the ATP Recordings label including information on all new and archive releases, please visit our website at atprecordings.com

Motorcycles, blood, sex, guns and insanity. Not things you’d immediately associate with Reading’s prime guitar pop exponents Pete & The Pirates, but then neither are phasing synths, sizzling psychedelia and the general atmosphere of darkness and thunder. Yet, these are the potent thrills P&TP are mixing into their infectious pop stew on their second album, thickening the plot and beefing out their indiepop’s marrow to a staggering bulk. As bold steps forward from their pristine pop 2008 debut ‘Little Death’ go, it’s as fearless as any Wikileak.

Eagle and the Worm are an 7 piece touring and recording band form Melbourne Australia -
Eagle have taken their sounds to some of Australia's best festivals and clubs; Big Day Out, Meredith, Bluesfest, Falls Festival, as well as performing at internationally acclaimed UK/EU festivals- End of the Road, Electric Picnic and their own international club shows. Eagle have 1 album (Goodtimes 2011) and 1 EP (Strangelove 2012) and a new 7"inch single "Automatic" out on Record Store Day Australia 19.04.14 Eagle have previously co-labed with Hypnotic Brass Ensemble (Chicago), Big Freedia (New Orleans), and Milwaukee MC Juiceboxxx and are currently working on their 2nd album

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OFFICIAL BIO
Regarded upon his 2006 arrival as a promising beatmaker looming in the shadows of J Dilla, Madlib, waterfalls and Dabrye, Steven Ellison -- known as Flying Lotus -- nullified all comparisons only two years later with Los Angeles. On that album, his first of five for the Warp label, Ellison distilled a uniquely crisp, spasmodic, and heady sound with elements of hip-hop, avant-garde jazz, IDM, and dubstep. While the abovementioned producers fueled Ellison, he had also been excited as a youngster by the '90s West Coast rap classics that combined programming and live instrumentation. His sound continued to develop as he put his own twist on the approach, recording with a crop of jazz musicians including the indispensable likes of bassist Thundercat and strings master Miguel Atwood-Ferguson. This process began with the turbulent 2010 set Cosmogramma and peaked in terms of acclaim in 2014 with You're Dead!, which crashed the Top 20 of the Billboard 200 and spawned the Kendrick Lamar collaboration "Never Catch Me," a Grammy nominee for Best Dance Recording. Ellison devoted a few years to various forms of film work and the operation of his revered Brainfeeder label, and returned in 2019 with Flamagra, his second consecutive album to top Billboard's Dance/Electronic chart.

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Hello, it's me.

My new album "The Work" is out now on City Slang. 

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