OTOROKU is proud to release one of the most engaging and beguiling Late Junction live sessions we’ve ever heard - the one off first meeting between Korean multi-instrumentalist Park Jiha and writer and performer Roy Claire Potter.

Park Jiha plays the saenghwang, a Korean mouth organ which she blows in long multiphonics to set pace for Potter’s words. Together they unfurl a scene slowly in front of you, rich and focused, shifting your field of vision and drawing you in, elsewhere. It’s impossible not to follow, not to look for where they point. When the piri sounds for a flooded town on the B side, the water flows between your own feet; Potter’s words a sometimes frightening hörspiel in scouse. 

Though the details are fine, the space each artist gives one another and their instruments, their language, is given to the listener in turn. A careful melody picks out a route for words with no fixed meaning, a body with no fixed direction, and we are invited to listen and see a kind of music made visible in its inference. A truly very special record we are very proud to share.

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Influenced by linguistics and performance theory, Roy Claire Potter makes performance, text, drawing, installation and film, and often collaborates with musicians and sound artists to make audio for music festivals and radio. Across the wide range of their practice, Roy tells stories built from fragmented, intense images that depict moving bodies or domestic scenes and architectural settings. Roy’s interest in subtext and narrative sequencing is felt in the way they use fast-paced talking or reading speeds, and restricted or partial views of space. Complicated social or group dynamics and the aftermath of violent events are common themes in Roy’s work and are usually treated with a dark, sometimes wilful humour.

Park Jiha creates exploratory music rooted in traditional Korean instrumental performance. To this session she brings three instruments: a Korean hammered dulcimer called a yanggeum, a saenghwang which is an instrument made of 24 slender bamboo pipes attached to a bowl and played like a harmonica and a double-reed bamboo flute called a piri, which sounds similar to an oboe.

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Park Jiha / yanggeum, saenghwang, piri

Roy Claire Potter / voice

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Recorded and mixed on: 30 January 2020 by Rob Winter, Pete Smith and Andy Rushton at Maida Vale Studios, London for “Late Junction - Roy Claire Potter and Park Jiha in session”. Produced by Rebecca Gaskell, Katie Callin and Alannah Chance at Reduced Listening for BBC Radio 3. Originally broadcast on Friday 28th February 2020, apart from Track 4 which aired on Late Junction the 21st February 2020. 

Mastered by Katie Tavini. Original artwork: “Three Boys” by Claire Cansick. Liner notes by Frances Morgan.

Available as 320k MP3 or 24bit FLAC

 

 

LP version arrives in a gatefold LP. Both CD and LP include a written response to the record by Frances Morgan.

ROKU029 - Park Jiha & Roy Claire Potter "Saenghwang For The Milky Boys"

Crépuscule I & II

Prayer

"All things that have form eventually decay."

After last year's tenuous offering "Another Fall," Craig Tattersall (A Humble Bee) returns with a new collaborator in tow, Erik Williamson. Together the duo unveil a body of collaborative work titled 'remnants', showcasing a near hour-long offering of unfaltering melancholy, with each piece engulfing the listener in an abyss of tape-laden hiss, while drifting ever so slightly into aimless reverie.

VAK66 | Abandoned Bees - Monuments

Odd Nosdam 'End Is Important'
Clear 7" Vinyl in hand assembled silver risograph sleeve / Digital
Release Date 25.08.23

A) End Is Important
B) Here To Know

Odd Nosdam really doesn’t need an introduction, unless you’ve been living under a rock for the last 20 years then undoubtedly you’ll know what’s up, and what an absolute humbling pleasure it is to now introduce Odd to the Where To Now? Catalogue with two new cuts that flow from ethereal, meditative contemplation through to downtown abstracted machine damage..

The record opens with ‘End is Important’, A looping, spiritual lament which forces observation, or resolution around the concept of ‘Endings.’ Passages from Tsunetomo Yamamoto’s ‘Hagakure’ seep in and out of the mix throughout, where spiraling and glistening arpeggios dance across a glorious choral mantra, intended to elevate minds towards some kind of plume of awakening. This is a heady and deep cut which finds Odd Nosdam in full introspection mode.

‘Here to Know’ recalls the work of Patrick Cowley in his best downtown ultra slow swinging funk suit, or the more obvious nods to John Carpenter’s Assault on Precinct 13 OST.  However, this is far from a straight up ode to creeping machine funk - Odd’s injection of energetic, pulsing synth stabs move the piece into a more surreal territory, creating a masterful and experimental injection of life and colour into an otherwise smoked out landscape.

“Where I found myself when Where To Now? reached out - asking if I'd consider a vinyl release with the label - was in Barcelona spending time with loved ones at my family's apartment in the district of Sant Gervasi.  

After my initial contact with WTN?, I ventured north to Cadaqués to visit Salvador Dalí's house in Port Lligat, where Gala & Dalí spent some 50 summers. While inspired asf touring the glorious property, I captured recordings from a looping video screening in an open air theater. These recordings became the foundation of Here To Know. 

Sometimes there’s a break in the road. End Is Important was realized after re-watching the Jim Jarmusch film, Ghost Dog. Stealthy and evanescent, a familiar voice carries this slow diver with a message to the world warped cruiser in all of us.” - Odd Nosdam

A)  Odd Nosdam - End Is Important

TTT SHOP

Aaron Dilloway – Psychic Driving Tapes (excerpt)

Music inspired by Raaijmakers' electronic music from the 1960s, and his writings on sound composition, particularly "Cahier M: A Brief Morphology of Electric Sound".

TA: Serge Modular feedback & sine/pulse generators, contact microphone.

Two short excerpts from a longer piece.

Please use speakers, not headphones, because of the inner-ear phenomena involved.

Homage to Dick Raaijmakers (excerpt 1)

This is Surroundings.

For our new series with Shure we follow three artists as they create new music from the sounds of their cities. Featuring Flava D in London, Kaitlyn Aurelia Smith in Los Angeles and Honey Dijon in Berlin.

We travel to Los Angeles to meet experimental synth composer Kaitlyn Aurelia Smith. We followed Kaitlyn on a trail through Millard Canyon in the San Gabriel Mountains. Capturing the sounds of footsteps, birdsongs, rustling branches and much more, Kaitlyn then returned to her home studio and ran the recordings through synthesisers creating new shapes and tones. The end result is a blissful ambient track built entirely from sounds recorded on the hike with nothing else added.. Watch the full process here: crackm.ag/2w2TDCT

Kaitlyn recorded her surroundings using a Shure MV88 iOS mic which you can find out more about here: crackm.ag/2uznSk4

SURROUNDINGS002: Kaitlyn Aurelia Smith – Sunset Ridge

Carla dal Forno's 'Fever Walk'
B-side to the single 'So Much Better' out April 16th, 2019 via Kallista Records, on digital formats, and April 18th 2019, on 7" vinyl. 

Direct pre-order: www.carladalforno.bandcamp.com/
Retail pre-order: smarturl.it/CarlaSoMuchBetter

Fever Walk

2020 NNA Tapes

https://leya.bandcamp.com/track/wave-actress-remix

https://ffm.to/y2onrq1

LEYA -- "Wave (Actress Remix)"

From the upcoming album "A Visible Length of Light" out on 4/16/21. Available at https://leabertucci.bandcamp.com/

An Arc of the Horizon

Taken from Seance, a new set of songs by Maxine Funke. Out April 26 and available to pre-order now, including immediate download of tracks 'Fairy Baby' and 'Lucky Penny'.

Seance

Maxine Funke - Lucky Penny

Bodymoving
Est. 2008
wheretonowsounds@gmail.com

A) Odd Nosdam - End Is Important

Where To Now?

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