Eyot Tapes – Paradise Lost
(Debut release)

Artist: Eyot Tapes @eyottapes
Title: Paradise Lost
Format: C45 cassette / 7" single, DL
Catalog: Muscut 26C
Release date: January 6, 2023
File under: Electronica, Experimental

Inspired by films he grew up watching and a passion for vintage recording equipment, Eyot Tapes has crafted ten pieces of music recording only to cassettes, using cassette loops, spring reverbs, tape delays and a modular synthesiser. Weaving in and out of different moods, with ‘Edgar Rice Burroughs’ stories never far from his mind, he takes you on a trip through an off world, tropical fantasy.


Tracklist
1. Open The Book
2. Jungle Tapes
3. Rock Shelter
4. Mama Gone
5. Grog
6. Geothermal
7. Path of Snakes
8. Ajor
9. Lagoon 
10. Volcano S 
11. Labyrinth (tape only)

All tracks written, mixed and recorded throughout the Summer of 2022 by Alexander Green
Mastering by Gennadiy Boychenko
Artwork by (DN) daynight.info
Muscut, 2023

Paradise Lost

Ajor

Buy / Pre-order 7"

Eyot Tapes - Ajor (Muscut 26, 2023)

doubt

seal untouch

Odd Nosdam 'End Is Important'
Clear 7" Vinyl in hand assembled silver risograph sleeve / Digital
Release Date 25.08.23

A) End Is Important
B) Here To Know

Odd Nosdam really doesn’t need an introduction, unless you’ve been living under a rock for the last 20 years then undoubtedly you’ll know what’s up, and what an absolute humbling pleasure it is to now introduce Odd to the Where To Now? Catalogue with two new cuts that flow from ethereal, meditative contemplation through to downtown abstracted machine damage..

The record opens with ‘End is Important’, A looping, spiritual lament which forces observation, or resolution around the concept of ‘Endings.’ Passages from Tsunetomo Yamamoto’s ‘Hagakure’ seep in and out of the mix throughout, where spiraling and glistening arpeggios dance across a glorious choral mantra, intended to elevate minds towards some kind of plume of awakening. This is a heady and deep cut which finds Odd Nosdam in full introspection mode.

‘Here to Know’ recalls the work of Patrick Cowley in his best downtown ultra slow swinging funk suit, or the more obvious nods to John Carpenter’s Assault on Precinct 13 OST.  However, this is far from a straight up ode to creeping machine funk - Odd’s injection of energetic, pulsing synth stabs move the piece into a more surreal territory, creating a masterful and experimental injection of life and colour into an otherwise smoked out landscape.

“Where I found myself when Where To Now? reached out - asking if I'd consider a vinyl release with the label - was in Barcelona spending time with loved ones at my family's apartment in the district of Sant Gervasi.  

After my initial contact with WTN?, I ventured north to Cadaqués to visit Salvador Dalí's house in Port Lligat, where Gala & Dalí spent some 50 summers. While inspired asf touring the glorious property, I captured recordings from a looping video screening in an open air theater. These recordings became the foundation of Here To Know. 

Sometimes there’s a break in the road. End Is Important was realized after re-watching the Jim Jarmusch film, Ghost Dog. Stealthy and evanescent, a familiar voice carries this slow diver with a message to the world warped cruiser in all of us.” - Odd Nosdam

A)  Odd Nosdam - End Is Important

lyrics?  

neva 2 be known 
neva 2 be known 

it's a gift, to be swallowed 
to be to be known

neva 2 be known 

I ache for the day you say 
I ache for the day you say 
I ache for the day you say 
I ache for the day you say 

I see you 
but I like you 
so I can't get to close to you

written, performed, and produced by  Deuén
Mixed by Tom O Donell

Somewhere on 1301 Crossing Place, The Dust Made Me Reconsider Time

bodies, coming together

bodies coming together
to cry, out, loud

bodies coming together to cry
out, loud

for freedom

it won't stop until it stops

Taken from ‘Songs Of The Red Dragon’ byCroche [LP-PSR 4]

Out 10 June 2024

Pre-order : www.petya-sasser-rike.com

1. ‘Lying Down’
2. ‘Red Dragon’
3. ‘I Am A Stone’
4. ‘Aliens Calling’
5. ‘Falling Walls’
6. ‘Ange / I Am A Stone (Reprise)’
7. ‘Where Is My Mind’

Album art by Fregant Cloarec
Distributed by Office PSR (EU) & All Night Flight Records (UK)

Songs of the Red Dragon

Croche - Lying Down

info + tracklist: https://radio.syg.ma/episodes/wide-mesh-riforma-somaticae-cloak-of-kings-not399093
https://riforma.bandcamp.com/album/blue-lagoon
https://riforma.bandcamp.com/album/ayont

Wide.Mesh (Riforma) – Somaticae, Cloak Of Kings & Not399093

“A Typical Night in the Pit” is a collection of new music by Los Angeles’ Nick Malkin. It is an album that finds the artist absorbed in the density and chaos of the urban complex. It is unquestionably an “LA album,” but not the LA of hi-fi listening bars and twinkling, Instagram-ready New Age. Rather, Malkin navigates something more akin to the LA found in the films of Robert Altman or Alan Rudolph— overheated, tense, hazy, frayed— with blue-lit, nocturnal compositions that at times recall Mark Isham’s noirish scores for those subversive (anti-)Hollywood pictures. Enlisting a revolving cast of LA experimentalists, Malkin has assembled a record that is as chameleonic as it is cohesive, offering up vignettes ranging from the skewed MIDI-jazz of “Sixth Street Conversation” to the skulking menace of “Estacionamiento Privado,” before giving way to the wide-eyed, cloudy closer “View From Two Perspectives.” C’mon, let’s go in here and get outta this heat.

Releases January 17, 2020
Mastered by Kassian Troyer at D&M
Artwork by Alex McCullough and Niall Wynne Lewis

https://sodagong.bandcamp.com/album/a-typical-night-in-the-pit

Nick Malkin - Perfect Terminal

Whisper for What’s to Come

Stories concerning the heroes and rituals

Bodymoving
Est. 2008
wheretonowsounds@gmail.com