chill bill

soundtrack for georgian doc (Lena Tsibizova/Piper Spray)

Assembled to accompany a short film from Manchester-born visual artist, poet and filmmaker Tibyan Mahawah Sanoh, Joshua Inyang and Joshua Tarelle’s newest is a cinematic audit of identity and ancestry. In the film, Sanoh works hard to visually illustrate an honest and vulnerable picture of her soul. Inyang and Tarelle respond by doing the same with sound, collaging disparate elements together in a way that should be familiar to anyone who heard "hybtwibt?" or their jawdropping RA mix from earlier this year.

Warped field recordings, overdriven rhythmic pressure, syrupy pads and disorienting vocals are cut and pasted over each other, generating a living, breathing study of the duo's Northern working class Black British reality. Unlike the duo's acclaimed "Somewhere Decent To Live" full-length, elements mutate and transform: mushy noise bends into street sounds, haunted vocals into echoing drill melancholia and muffled howls into shattered digital remnants.

Special Edition 10" & digital out now. 
Gold metallic Pantone printed on reverse board.  Mastered by Stephan Mathieu at Schwebung, cut by LUPO.

Tracklist:

Untitled (To Describe You) [OST] feat. Tibyan Mahawah Sanoh
Version 1
Version 2
Version 3

@space-afrika

Space Afrika - Untitled (To Describe You) [OST] (SFERIC10") [Preview]

https://wherethetimegoes.bandcamp.com/album/channels-of-time

‘.. If one sat down among the rushes and watched the pool—pools have some curious fascination, one knows not what. Many, many people must have come there alone, from time to time, from age to age, dropping their thoughts into the water, asking it some question.. ’
Virginia Woolf via Cara


Written & produced by Jennifer Moore
Bodhrán by Finn Carraher Mc Donald (God’s work & Halo over Cova do Vapor) Guitar by Luke Smyth (Shadow Loop)

Mastered by The Bastard - masteredbythebastard@gmail.com

Layout & design by DMG & Jennifer Moore.

With thanks to Luke, Dean, Seán, Finn, Éimear, Aisling, Cara and all loving friends x

Made between the mouths of the Liffey and the Tejo.

Published by wherethetimegoes

Funded by MISP, FMC - Department of Department of Tourism, Culture, Arts, Gaeltacht, Sports and Media.

Channels of Time

Pre-order the album

Jennifer Moore - Double Landscape (Channels of Time Album Preview)

Taken from 'Fringe' LP/Download (E064, Ecstatic 03/09/2021)

A gorgeous swell of intimate soundscaping from Felisha Ledesma on this simmering stunner for Ecstatic, despatching two extended, richly absorbing pieces weft from everyday detritius; synths, strings, voicemail, found sounds - hitting a similar spot for us as Ulla’s diaristic 'inside means inside me’ but with a more defined play of sound-as-light that gently and memorably tugs at the earlobes and heartstrings. 

Exploring a music of presence and ultra subtle inference, ‘Fringe’ is the 2nd release by Ledesma, student of Berlin's estimable Universität der Künste, following from a debut for Enmossed x Psychic Liberation earlier this year. Using AMQR - a software synthesiser built by Ledesma together with Ess Mattisson - both pieces here shimmer with elusive timbres that occupy a realm that feels lost between worlds - neither electronic nor acoustic, but more a sort of observational sound that radiates togetherness and warmth. 

Operating at insightful levels of synaesthesia, Ledesma poetically turns ostensibly humdrum sources into clouds of smoke - emails, voicenotes, walking along the water, a poem attached to an email, walking alone in New York during lockdown, going for a swim at sunset in the desert - all turn into a smudge of memory. When ‘Beamsplitters’ opens with a tangible human presence - a voicemail from a friend - it startles with its earthly pull, eventually getting lost in a tangled spool of found sound leaving just a trace of iridescent, intimate reverie. 

On ‘Golden Mirror’ Felisha gently diffracts a lonesome guitar phrase into a humming thizz with a steeply uncanny ability to jog the memory in a similar way to how olfactory stimulus can conjure feelings of nostalgia. It’s a trick familiar from an emergent new realm of lower case composers creating something like submerged, small scale symphonies that work counter to notions of classical excess or anodyne ambient, instead focusing on microcosmic, highly peronalised sort of worldbuilding that’s impenetrable, yet somehow entirely open.

Felisha Ledesma - Golden Mirror [E064]

Playing music at the ocean, an infinite mirror curls upward towards you. Picturesque and perverse, cracked enamel castings sit in lazy but unsettled sands. Something is just right, having once stirred beneath the surface it now hovers misting at eye level. You can put your hand through it; pushing humidity around like a furry catkins flake in a tepid wind.

𝑏𝑎𝑑 𝐿𝑆𝐷 𝑡𝑟𝑖𝑝𝑠 is a collaboration between artists Domingo Castillo and doris dana. Working through the process of developing sounds during the pandemic, the duo amassed large swaths of recordings on a weekly basis from 2020 and 2021 in Miami, Florida. The debut recording of 𝑏𝑎𝑑 𝐿𝑆𝐷 𝑡𝑟𝑖𝑝𝑠 for the ENXPL series is documentation of improvising and honing a sonic vocabulary that is rooted in the tradition of early industrial, dark ambient and tape music. The backdrop of the recorded effort is a geographical conundrum of a city worn threadbare by candied advertising, tourism, and aesthetics. 𝑏𝑎𝑑 𝐿𝑆𝐷 𝑡𝑟𝑖𝑝𝑠 inverts the spectacle of their locale with psychedelic meditations searching for, and occasionally digging inside of, a place of ease.

Recorded by Domingo Castillo and doris dana
𝐿𝐴𝑍𝑌 𝐻𝐼𝐷𝐸𝐴𝑊𝐴𝑌 contains elements of Zabelle Panosian - Groung
Audio finalized by Glyn Maier
Source material for design from 𝑆𝑚𝑖𝑙𝑒𝑦 𝐹𝑎𝑐𝑒 𝑂𝑚
Design by RJM Vanderheyden

bad lsd trips

bad lsd trips - Lavadora Levitando (ENXPL12)

London’s abundant waterways and parks provide an oneiric muse for Cucina Povera and Ben Vince’s resounding debut full-length collaboration, an engrossing suite of weightless sax, synth and disklavier-bedded, noirish nocturnes that land somewhere between Grouper and Terry Riley. 

Centred around Maria Rossi aka Cucina Povera’s muzzy vocal loops and the faintest melodic motifs, London-based composer and multi-instrumentalist Ben Vince accompanies on saxophone, synth and piano, shrouding Rossi's vocals in swirls of dimly lit psychedelic smoke. As a newcomer to London, Rossi was "caught up in a sort of wondrous overwhelm” - a feeling that seeps through every movement of the almost hour long album. Working mostly at the Roundhouse, the pair find a musical confluence between Rossi's words - "fluid, dreamy, hazy ideations" - and Vince's shadowy renditions.

Vince's plasmic echoes and Rossi's aerial delivery form a poetic union, twisting and painting each sound in pearlescent shades. Rossi's folk roots shine through like cracks of dawn sunlight on 'Sumu Puistossa' ("fog in the park"), reverberating over organ and dream-zone sax; her words tip into muted surrealism thanks to the controlled chaos of Vince's bleak treatments. His grasp of jazz is transfixing: bending sax motifs like ghostly memories of music from another timeline, smudging them into the soundfield. It’s most effective on 'Siellä Näen Kaiken' ("there I see everything"), where sickly, dissonant notes flicker like an almost-extinguished candle alongside motorised furniture music courtesy of a Disklavier.

Born out of wonder, daydreaming innocence and creative discovery, 'There I See Everything ‘ is the sound of two exploratory collaborators swimming into each other's ideas. From the Terry Riley-esque transcendence of '∞' to the sacred incantation of long-form closer 'Pikku Muurahaiskeko' ("little anthill"), the pair expose a new layer of creativity with each turn, gradually zooming out from discreet, vulnerable beauty to encompass a gently orchestrated chaos of sustained, sublime tension.

Cucina Povera & Ben Vince - Sumu Puistossa

Rallycross Cars - Rattle and Hum

Recorded in
32bit 96khz audio-stereo

Photo: Harry Perkins

Full sets: aerobluesounds.bandcamp.com/

HD audio available to download

Original location recordings from the world of motor racing.
High quality recordings with minimal background distractions

Ideal for High-Resolution listening

Rallycross Cars - Rattle and Hum

http://www.meditations.jp/index.php?main_page=product_music_info&products_id=16658

Ariel Kalma - Arrival

Composed by David Julyan. String Quartet arrangement of 'Let Me Sleep' originally composed for the soundtrack for Christopher Nolan film 'Insomnia'. This piece is taken from the album ISKRA by the Iskra String Quartet. Download/Stream entire album: https://lnk.to/-pjxU 

Let Me Sleep

For this year I was asked to play a little vacation mixtape at our splendid Bucht der Träumer* Festival. A totally new experience for me to perform in front of a smiling crowd, as I usually design, paint and listen behind the stage. We totally conjured a perfect tropical-memorable-summer-holiday mood.
Thanks to everybody who joined me having this perfect lunch time break on Saturday at the fantastic Archipel floor.
≈ ♥ ≈

PACAYA ≈ Bucht der Träumer* ≈ Archipel ≈

≈ BUCHT DER TRÄUMER* ≈ ARCHIPEL ≈

Ghostride The Drift - B1

Following the comprehensive introduction Le Raccourci, Julien Dechery delves further into Sebastian Gandera’s seemingly endless archive to present Contre-Sens. Culling from various cassette albums, rehearsal tapes, demos and answering machine recordings, the two part mix collages some of the French composer’s earliest work, when the sampler was a core component of his apparatus; tender passages disrupted by moments of lunacy. Returning the source material to it’s intended form, the physical release is limited to 100 metallic silver C60s, with sleeve design from Steele Bonus.

Exclusive to Efficient Space, Commend (New York), Balades Sonores (Paris) and Skydiver (Melbourne)

SEBASTIAN GANDERA - Contre Sens (Excerpt) (ES008.5) OUT NOW

Devenir Maleza was one of those projects that just arrived in our overflowing inboxes one day out of the blue. We opened the link and discovered four finely crafted, beautifully produced and captivating tracks of transformative, percussive music. 

It rare to find music that marries so well recorded percussion, live instrumentation and vocals with deep electronic productions without one dominating on the other. With Devenir Maleza Prisma and Martin Broder, a duo based between Berlin and Buenos Aires, managed to find that sweet spot that we love so much here at Shika Shika: deep, electronic but natural, acoustic and introspective. Or as the duo describes it: “a crackling, soothing, hypnotic lullaby.” 

Devenir Maleza’s was inspired by the concept of “becoming” and of transformation in many aspects. Through their long-distance collaboration the duo’s starting point was to imagine music becoming la maleza or “the undergrowth”, as if it the synths, vocals and instruments were sinking into the humid earth or drawn from the whistling wind or emerging from a rustling forest. 

The duo is joined on the EP by the talented singer and pianist Maria Barone as well as techno-producer / percussionist Merlin Genschel.
credits
released July 25, 2019 

Producido por Prisma & Martin Boder 
Voces: Maria Barone 
Percusion: Merlin Grenschel 

Turbina de amor es originalmente de Rafael "flaco" Ferriaolo 

Mastering: Rob Small
Artwork: JUMU (instagram.com/jumumonster)<3
ShSh 031

Buy on Bandcamp

03. Prisma & Martin Boder - En el aire

≈ Imagine a new era begins, what does it look like, with whom would you be there and which songs would you bring with you? Times are changing with the wind, don’t look back, because the future lies in front of us. ≈
cover painting > The View ≈ Pacaya
https://www.instagram.com/p/B_XOKvxqXzd/

LA NOUVELLE ÈRE

≈ LA NOUVELLE ÈRE ≈

Taken from I Stumble And Then I Fall, the first release in a new series of Intimations by A Colourful Storm. Out now on digital formats and December 30, 2020 on cassette.

Purchase: https://acolourfulstorm.bandcamp.com/album/i-stumble-and-then-i-fall

I Stumble And Then I Fall

Princess Diana of Wales - Cut

Track from the upcoming DE NOR 2020 compilation LP/DL, out on January 11, 2021!

Jennifer Moore - Double Landscape (Channels of Time Album Preview)

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