Нам пора feat s0.any

bblisss comp
Now available on cassette!

(artwork on this upload by nat marcus)

DJ Paradise - Ssumo

https://soundcloud.com/pontiacstreator
+
https://soundcloud.com/ullastraus

out 5 July 2018
12" & Digital >>>
http://westmineral.ltd/releases/chat-ouest097/

~get in the chat~

Chat (OUEST097)

Pontiac Streator & Ulla Straus – A2 Chat Two – Chat EP (OUEST097)

Ghostride The Drift - B1

meet Silent Observer with a debut collection of exclusive deconstructed bnr of jazz future. “4 boxes of tape” is a freeform ride through night streets from those who see beyond what is real feat. foamy on sax.
∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙   https://silentobserverr.bandcamp.com/releases

i came to observe
nothing is ever the same
stone pose in the middle of a night street
4 boxes of tape
soft control
is this what it is?
now here or before?
motionless scan
fragmental reality

DRAMA WORLD DON'T DO ME BABY DON'T STOP

SILENT OBSERVER – WET FLOOR ACROSS THE STREET

With Contemplative Figuration we see Broshuda pushing his amorphous, impossible-to-pin-down music in exciting new directions. Stitched together in various European cities over the last few years, it is the artist’s most dynamic and ambitious release thus far, drawing equally from musique concrete, beat research, ambient, tape collage, and spoken word. Episodic in nature, the collection functions well as a sort of impressionistic travelogue, with romantic, hazy atmospheres coaxed from borrowed equipment, serendipitous recording sessions with old friends, and even a drum sequence programmed with Mario Paint, among other curios and sleights of hand. Broshuda deftly wrings bonafide cohesion and balance from these disparate source materials, tools, and locations, as on opener “Kakigori,” which allows a snaking harmonic drone the space to evolve before exploding it into a sort of seething, dubbed out pointillism. Later, “Lied Fuer Hase” concocts a potent, humid atmosphere of beautifully evolving acoustic piano loops and elegant narration. Taken as a whole, Contemplative Figuration is a weightless, transportive record, one that is bursting at the seams with ideas, mischief, and a restless spirit. 

Mastered by Helmut Erler at D&M
Artwork by Alex McCullough and Niall Wynne Lewis

Available 09/25/20 via sodagong.com / sodagong.bandcamp.com

Broshuda - "Obj. Contraire (feat. Elen Huynh)"

Let Me Put Myself Together

Saltwater

saved - J. Albert "Young American Artist"

Taken from Opinion - YT (QTT21)
Available Friday December 11 on our Bandcamp: https://quiettimetapes.bandcamp.com/album/yt
50 copies on cassette

Opinion - Transcontinental

"i am a room with a big glass window" 
@perila

from a self-released collection "reflections"
https://perilazone.bandcamp.com/album/reflections

perila – everything aligns in gentleness

Originally composed for livestreaming events during the ongoing lockdown of 2020, Felisha Ledesma presents two extended pieces as a debut album, “Sweet Hour”. Ledesma’s first full length release arrives after much experience in creating collaborative works with artists such as Isabella and Angelo Harmsworth, site-specific installations, and high-profile festival performances.

Both pieces were realized using a new software synthesizer, called “AMQR”, which Ledesma built for personal use in collaboration with Ess Mattisson. Contrary to many digitally-based compositions, a distinctly warm and organic palette pervades these recordings. An almost playful leisurely pace is employed, engaging the listener to listen deeper; the pieces gracefully evolve with special attention to subtle shifts in stereo field and sonic coloration.

The time-of-day titles illustrate the two distinct moods conveyed: "7:00 AM" integrates field recordings and a hardware modular synthesizer, taking the listener through a psycho-acoustic journey exploring various nooks and crannies of subdued auditory rivulets: perhaps a hidden woodland brook, a sunny glen, a crunchy gravel walkway. "2:00 AM" harkens to the memories of nightclubs, opening with a synthesized arpeggio which could lead into a dancefloor-ready stomper. But instead, Ledesma steps back, allowing the arpeggio to develop into an encompassing ASMR-like timbral massage. The two compositions are united in a slightly melancholic grasping for connection; are they unfolding or are they unraveling? Ledesma does not answer the question outright, but instead finds joy in superposition and sublimation - while creating a space for the listener to inhabit, to live in, and to re-connect. 
credits
releases January 29, 2021

Ghostride The Drift - B1

xpq?

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