Magnolia Midnight plays out between dusk and first siren. Barroom breath, magnolia air, and a back-alley heartbeat stitch these songs into a single story. Upright bass, brushed drums, piano, muted trumpet, and clarinet carry a baritone vocal that tells you exactly how it went down: bad bets, roadside confessions, motel corridors, and the kind of love that cuts on both sides.

The mix stays intimate and gritty — small-room mono feel with modern low-end weight — so every whisper, scrape, and horn line sits close enough to smell the whiskey. No filler, no skips. Each track lands a scene and hands the night to the next one.

How to listen
Lights low. Headphones or real speakers. Let it roll in order.

Content note
Explicit language. Crime. Adult themes.

Credits (optional block)
Vocals: Whiskey Deacon • Arrangement: club-jazz/blues with trip-hop noir undertow • Instruments: upright bass, piano, muted trumpet, clarinet, brushed drums, harmonica on select tracks • Produced and mixed for small-room punch. AI.

Short social blurb (140ish chars)
Late-night southern noir: bruised blues, club-jazz smoke, sub-bass weight. One long drive through bad choices. Listen in order.

Say it like a sin—mean it when you do.

Copper Sunburn is dust on the boots and smoke in the rafters. Fiddle, pedal steel, harmonica, and Telecaster ride a rhythm section that knows barrooms, barns, and long drives after last call. The songs trace small-town vows and bad timing: the shine that pays the bills, the love that won’t stay put, and the kind of trouble that starts with a favor and ends with a prayer. Arrangements lean warm and human — front-porch acoustics, two-step shuffles, slow waltzes, and highway ballads — with a baritone vocal telling the truth without polishing it. No filler. Every track lands a scene and hands the night to the next one.

Say it like a sin—mean it when you do.

Whiskey Deacon

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