White Cube Salon Archive

In this audio comissioned for White Cube Salon, former Director of the Andy Warhol Museum, Eric Shiner, discusses the 'Hammer and Sickle' paintings of the 1970s.

Andy Warhol begun his ‘Hammer and Sickle’ series in 1975, which were first exhibited at Castelli Gallery, New York in 1977 under the generic title ‘Still Lifes’. 
 
Like Warhol’s well-known paintings of popular consumer products, the ‘Hammer and Sickle’ series highlight his ability to transform quotidian subject matter into highly charged images that reflect an adroit understanding of their role and power.

Learn more about Salon and our collecting programme with White Cube Online: https://whitecube.viewingrooms.com/collecting

Salon: Andy Warhol | Eric Shiner, former Director of the Andy Warhol Museum

In this audio commissioned for White Cube Salon, Contemporary and Modern Art Professor Sarah Wilson of the Courtauld Institute of Art discusses Picabia's 'Transparencies' and the influence of Romanesque frescoes.

Learn more about Salon and our collecting programme with White Cube Online: https://whitecube.viewingrooms.com/collecting

Salon: Francis Picabia | Sarah Wilson, Professor of Modern and Contemporary Art at The Courtauld

In this audio essay commissioned for White Cube Salon, author and curator Mark Godfrey, discusses the work 'Untitled' (2007) by David Hammons. 

In 2016, Godfrey curated ‘David Hammons: Give Me a Moment’ at The George Economou Collection. Here, he recounts his initial reaction to Hammons’ fur coats upon seeing them at L&M Arts in 2007.

Learn more about Salon and our collecting programme with White Cube Online: https://whitecube.viewingrooms.com/collecting

Salon: David Hammons | Mark Godfrey, Curator and Art Historian

White Cube Salon is pleased to present a work by Sophie Calle entitled ’Suite Vénitienne‘, which consists of 81 black and white photographs, texts and maps.
 
As an artist, Calle submitted herself to tasks that were profoundly unexpected, but so matter-of-fact, others had no option but to comply. Conceived in 1980, this work marks a major breakthrough for the artist, and involves Calle shadowing a subject without his prior consent. Casting a man she hardly knows as the unwitting protagonist in a game of cat and mouse, she follows his daily movements around Venice and documents them with a notebook and Leica camera, the results of which comprise the work ’Suite Vénitienne‘. Here, writing no longer serves to assert the artist’s personality, rather, it guarantees her anonymity in a game that is constantly changing.
 
Author Chris Kraus, who jokingly compared herself to Sophie Calle while she was writing the novel ‘I Love Dick’, met up with photographer and writer Juliana Halpert to discuss the lasting impact of ‘Suite Vénitienne’.

Salon: Sophie Calle | Author Chris Kraus and Artist Juliana Halpert, In Conversation

White Cube Salon is pleased to present Hirtenkopf, a large-scale oil painting by Georg Baselitz. Made in 1986, this masterwork references the artist’s earlier, iconic ‘Heroes’ paintings from the mid-1960s and portrays an inverted head engulfed by pastoral motifs. 
 
In this audio essay, the acclaimed art critic, art historian and journalist Martin Gayford guides us through the enigmatic iconographies of Hirtenkopf, which merge art historical themes with personal memories to conjure a sense of pathos and uncertainty.

Learn more about Salon and our collecting programme with White Cube Online: https://whitecube.viewingrooms.com/collecting

Salon: Georg Baselitz | Critic Martin Gayford on ’Hirtenkopf‘ (1986)

Art historian, curator and advisor Dr. Marie-Amélie zu Salm-Salm, who completed her MA on Imi Knoebel’s oeuvre at the Sorbonne (University of Paris) and organised the artist’s major retrospective ‘Works 1966-2014’ in 2014 at Kunstmuseum Wolfsburg, discusses Knoebel’s use of minimal colours to reveal pure vision. Contextualising ’Figur H 142‘ (1986) in relation to his wider studio practice, she discusses his process of transferring patterns to sketches before they become construction models and an eventual painting.
 
As zu Salm-Salm points out, Knoebel felt that art should be considered as normal a profession as carpentry or architecture: a basic structure that encourages attentive perception. In ’Figur H 142‘, a red landscape rectangle on a larger, white portrait rectangle is constructed from four, tightly proportioned elements, with the smallest red panel leaving quiet traces of the artist’s hand.

Learn more about Salon and our collecting programme with White Cube Online: https://whitecube.viewingrooms.com/collecting

Salon: Imi Knoebel | Art Historian Dr. Marie-Amélie zu Salm-Salm on ‘Figur H 142’ (1986)

Damien Hirst - Away from the Flock

Explore selected works in the Broad collection with commentary by the people who built it - founders Eli and Edythe Broad and founding director Joanne Heyler.

More information is available on our website: http://www.thebroad.org/art/anselm-kiefer/n%C3%BCrnberg 

Image © Anselm Kiefer
Douglas M. Parker Studio, Los Angeles

Anselm Kiefer - Nürnberg, 1982

In a discussion chaired by the RA’s Tim Marlow, Anselm Kiefer and David Chipperfield RA explore the ways in which art and architecture interact in Kiefer’s practice. Watch the video: http://bit.ly/1T3ToOQ

Anselm Kiefer in conversation with David Chipperfield

The future of archives with the Chicago-based artist, urban planner, and professor. This conversation was presented by the Schomburg Center for Research in Black Culture.

The New York Public Library Podcast

Theaster Gates—"I'm Trying to Create an Intimate Moment with Our Most Treasured Assets."

Order at: http://www.cafeoto.co.uk

Limited edition of 100 LPs pressed as a fundraiser for Cafe OTO to acquire some new equipment.

Fred Frith - Guitar, Piano 
Christian Marclay - Records and Turntables

Recorded 7 July 2012 at Cafe OTO by John Chantler & James Dunn. 
Mixed and mastered by Myles Boysen at Headless Buddha Mastering Labs.

Design by Laurent Benner, Collages by Christian Marclay.

Fred Frith & Christian Marclay - Live at Cafe OTO 2012 (ROKU004) - excerpt

The Des Moines Art Center invites you to experience moments of exploration, education, and relaxation through our two-to-three minute audio clips. Let your mind spend time in our galleries; focus on a single artwork or listen to several tracks in a row creating a mini-tour. In this Museum Moments audio tour, Director of Security and Visitor Experience Brett Neiderhauser discusses David Hammons’ Untitled (Basketball Drawing).

David Hammons, (American, born 1943)
Untitled (Basketball Drawing), 2004
Graphite on paper applied with a basketball and found copy of "Albert Einstein In His Own Words”
42 3/4 × 29 3/8 in
Purchased with funds from the Coffin Fine Arts Trust; Nathan Emory Coffin Collection of the Des Moines Art Center, 2008.50.a-.b

Museum Moments Audio Tour: David Hammons' Untitled (Basketball Drawing)

The first in a series of audio interventions for BBC Radio 4. Famous for The Clock - a 24-hour video collage - Christian Marclay's Open Air work is another feat of crafted montage-making. Familiar Radio 4 voices combine and compete in not-so-familiar ways...

More info here: http://bbc.in/13lS28T
More on the Open Initiative: http://www.artangel.org.uk/open

Open Air - Christian Marclay

Learn about modern and contemporary art from leading artists, curators and writers on White Cube's SoundCloud.

Salon: Imi Knoebel | Art Historian Dr. Marie-Amélie zu Salm-Salm on ‘Figur H 142’ (1986)

White Cube

Related tracks