Lush atmospherics and rowdy dance floor favourites by two of Melbourne’s finest, Millú and Pjenné. These two sonic soulmates have been busy at work channeling their predilection for ethereal 90s electronica and meditative leftfield sounds with the start of their record label, Companion. Intrigued to hear more, we got in touch to get the low-down on the new project and life in Australia, among other things. Furthermore, they found a gap in their busy timetable and laid down a beautiful mix for us, which glides from contemplative mind soothers to fist-pumping party vibes in a seamless, 70-minute transmission.

Check out the interview with Milly & Penny here: https://oddysee.fm/podcasts/millu-pjenne/ ‎

https://soundcloud.com/milluu
https://soundcloud.com/pjenne

Interview

Oddysee 026 | 'Waving At The Sky' by Millú & Pjenné

WHiTMIX #13 is here from the streets of Saigon🇻🇳🏯🗺

Selector & @mograradio curator @teruu67 - has tastefully assembled a mystical mid tempo trip across all corners of planet earth ✨🌍✨

Eclectic trance and tribal beat driven, dubby rhythms 👣 paired with airy analog & ambient synth-works make for a lush, transportive listening experience 💆‍♀️🎋🌸

That inspiring breath of fresh air the world needs right now 🌬🍃

WHiTMIX #13 | Teruu

Number forty seven presented by Melbourne/ Naarm local @jordandunster. Having performed with live jazz acts for the last few years, and with his training as an improvising percussionist, he has an impressive breadth of taste, and this mix showcases his knack for diverse rhythms & feels. 

Here he has put together a beautiful mix of jazzy ambient, idm, electronica and classy deep house, perfect for the incoming Spring mood here in Naarm.

Thanks for this one Jordan <3

Downloads enabled

Animix Forty Seven: Jordan

@acolourfulstorm label boss Moopie presents two hours of music each month, connecting the dots between club cuts, weirdo experiments, indie sensibilities and more.

Tune in for A Colourful Storm every 4th Thursday of the month, from 00h to 02h [CET] on rinse.fr

Rinse France Podcast

Download

A Colourful Storm with Moopie and Dolly - 28 Avril 2022

Another Total Confidence™ archive for you: right here, right now!

Inner T and @parkhar share an excerpt from their 8 hour presentation recorded live upstairs at Paloma, Berlin on 07/10/22. Freestyle house, tech and beyond.  Let's call this 3 hours the 'Peak into Post-Peak' moment. Hope you enjoy :)

Inner Totality & P Relief (Live @ Paloma)

The '22 review is in with a heavy seasoning of space friendly Australian sounds primed for exploring the world's outer limits. Deeply dished downtempo and dubcentric house moods to set your mind free for the next rotation! Mixed by @myles-mac

Tracklist > > >

3.11 - Dissolve In Patience // PRS
1too - In Your Dream // Planet Trip Records
Purelink - Butterfly Jam (xphresh Good Girl No Infringement Dub) // UwU dust bath
a.s.o. - Go On // Low Lying Records
M & Dust - A Day In June // Temple
Midnight Tenderness - Catamaran // Wax’o Paradiso Recordings
D. Tiffany & Roza Terenzi - Spiritual Delusion // Delicate Records
Dentistry - coral reefer // Good Company Records
Cousin - Nemo’s Dream // Nummer Music
Terekke - 2 The World // Plant Age Digital Sound
Benoit B - Behind The Sun // Natural Selections
Norachi - Sunshine // Vessel
DJOKO - Final Checkpoint // Berg Audio
Youandewan & Mculo - Travel Miles (Paradise Lost Mix) // Pure Shores
DJ Pipe - Puttanesca (Ft. Hartman & Fonte) // Global North
Neil E - No Fred // Neil E
Guiding Principles - Holding On 
Tornado Wallace - Sea Translation // Basic Spirit
Central - Motta // Help Recordings
DJOKO - My Crib // Heavy House Society
Jex Opolis - The Best Ever // Bad Timin’
Fantastic Man - Trojan Force // Kalahari Oyster Cult
Retza - Earthchanges // Retza
Billus - Under The Canopy // Animalia

www.melbournedeepcast.net

MDC 2022 Review

‘For home use only’ is an anti-club social, a chance to get to know someone/something. A series of transmissions purely dedicated to exploring the other side.

Wellll shiiiiiiiiit, look here, motherfucking Mosam Howieson is in the building. About time, you say? Yes, you’d be right to ask, but you’re asking the wrong question, more like, what is time? Don’t stress, it’s merely a measuring device that the entire human civilisation revolves around. Anyway, Mos is here to teach you a thing or two about time and what you can do with it. 

I’ve been lucky enough to know Mos for many years. A true gentleman in the game, forever polite and tremendously respectful. A man of many talents, and most revolve around providing for the people. A culinary cowboy by day and dance floor destroyer by night, his exceptional work ethic shining through in both forms. Mos’ production has slowly but surely infiltrated ears across the globe, labels worldwide have been picking up what Mos has been putting down, and we’re better off for it. Mos' live performances are a full-body experience, from ground-breaking ambient soundscapes to rafter-breaking post-primitive drum loops, something to add to that bucket list of yours, whilst waiting patiently for his new album coming out later this year.  For those of you that don’t know Mos, this is the perfect place to start. 

Following with the theme of time, I think Mos has completely encapsulated his existence on this earth through this mix. You can hear him in his different stages of life and all the soundtracks that came with it. From hovering over a tape deck recording tracks straight from the radio, getting up early watching video hits, burning CDs on friend's computers, weeklong mp3 downloads from lime wire riddled with viruses on the family computer, all the way up to the first-time he downloaded fruity loops and set himself on this path, it’s all here and we’ve been invited along for the ride. All of this music holds such a special place in my heart as I was on a parallel path of musical enlightenment (except my productions never made it past a 4x4 loop on a cracked version of fruity loops) a musical diary if you will, filled with ideas, aspirations, and heartache, complete with dogged ears, doodles and torn out pages. On behalf of the people listening, thank you Mos. 

Keep it as real as you can. X

his sounds >>>> https://mosamhowieson.bandcamp.com/
                   >>>> https://soundcloud.com/mos-how

FHUO # 80 // Mosam Howieson

We welcome Tornado Wallace (@tornadowallace), long time friend of the label and whose record 'Falling Sun' we released through Second Circle back in 2016.  Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hey Lewie, how have you been lately?

TW: I dipped out to East Asia and Australia for the infamous Berlin winter and now I’m back ready for the euro warmth. Though it’s in no hurry to arrive here just yet.

MFM: There's a new record coming on Basic Spirit, the label you run with Jamie Tiller, and it all looks rather secretive... Can you tell us more about it Lew E? :) 

TW: I made these tracks when I was holed up sick for a week. Not being able to go to the studio I relied strictly on samples and software, which was fun to change the workflow up a little bit. I wanted to make some very club ready tracks, without any intention for a release. They (rather obviously) sample two well known tracks, but there’s a lot of new ideas too. I use a different name as it felt like a different style and approach to how I usually go about things. I think there will be more Lew E things on the horizon though :D.

MFM: Previous releases on Basic Spirit also had this '90s touch to it. What is it that you like about (music from) that era?

TW: I grew up in the 90s so a lot of the music coming out then really hits the nostalgic feels. But also, really interesting things were happening with technology, and it became a lot more affordable to put together a record. So there were a lot of - for lack of a better term - laymen releasing electronic music. Some of which had very new and out-there approaches to processes like sampling, mixing and arranging. But trends and technology all moved along so quickly that some of these sounds and ideas never had a chance to get fully fleshed out. Which is why it’s nice to pick up where some left off. People are currently very responsive to this late 90s/early 2000s sound, which is great for me because that’s a time when I really fell in love with electronic music. As a DJ, I’m playing these really personal tracks that I discovered as a teenager, and for the first time since I began playing parties/clubs 18 years ago, people seem to really understand them. It’s a very cool feeling.

MFM: You've also started a new more pop oriented project called a.s.o. together with vocalist Alia Seror O’Neill. Has it always been a dream or goal of yours to start a more band kind of project? Does it require a different writing/recording approach compared to when making dance music for the clubs?

TW: I like making music that I like listening to. And with the pandemic in full swing in 2020, I was having a little break from club music, and diving deeper into other styles of music I enjoy. Both from a listening and producing perspective. I found it to be a very different approach. It’s more melody/hook driven and focuses on getting ideas down quickly as they’re forming. A lot of the time I would use a basic keyboard and guitar to record, and Alia would add vocal melodies and harmonies on the fly. Sometimes it could get difficult when we would both want to put our fleeting ideas down at the same time! On that note, collaboration is never easy for me as I like to have full creative control of whatever it is I’m working on, and sometimes the creative paths divide and compromises have to be made. Sometimes the compromised path is thick and thorny, and sometimes it is paved gold and smells of roses.

MFM: How did you go through the selecting and recording process, any specific record or mood you had planned?

TW: I came across a bunch of really nice tracks all in a relatively similar downtempo/shoegaze style, and wanted to make a mix of music like that. For moody home/car/train etc listening. I also included a forthcoming Cousin remix of an a.s.o. single which I love and wanted to share early!

MFM Mix 049: Tornado Wallace

Dubbed out House & Techno is the name of the game on Butter Mix 90, Ménage Live at Lucid!

Butter Mix #90 - Ménage Live @ Lucid

Honey Soundsystem Potcast

HNYPOT 374: Millú's Are We Dreaming Mix

For home use only’ is an anti-club social, a chance to get to know someone/something. A series of transmissions purely dedicated to exploring the other side.

Good day / G’day / I hope this next mix finds you well / how about some precedented times for once! Interpret that as you please. Whatever your poison, it’s time for another dose and the doctor is in. It's with an absolutely full heart that I present to you the next chapter in the ‘stay the fuck home experience’. Our esteemed guest is none other than Mr. Naarm Deepcast himself, Myles Mac, aka a tall glass of water aka captain cloud aka Mt. Killa’dancefloor’o. Literally one of the OG immovable chess pieces of the Melbourne scene. Responsible for bringing Oz music up to date and into the future through the Melbourne Deepcast // TIP!! (for which I owe a lot to in many ways) and for bringing the world to us through a multitude of platforms and ideals thrown together across nearly every venue in Melbourne. For all his merits he’s still remained a very humble dude, he has all the time in the world for others and their harebrained schemes. Myles will gladly lend his ear to munted punter’s telling the same story for the third time, just a bloody good all-rounder, you could take him from kick-ons straight to meet the parents and they would best mates within the hour. I've had the pleasure of knowing Myles for about ten years now and seeing what he’s done and how he’s done it has been a pleasure to watch, he’s paved the way for many a DJ, myself included.

So, you’d think with all this experience in Dj’ing, running parties, and curating one of the better mix series in this audible world that he’d be able to produce a stunning mix that really highlights his knowledge of all of the above and the human psyche in response to those avenues, well, you’re correct. The mix is absolutely sublime. I couldn’t think of a better soundtrack for the introduction to hot weather, pool hangs, spritz’, warm nights, long drives down the beach (which we can now do), and whatever else you associate with summer. The mix itself is an audio-guided tour through a perfectly curated exhibition, gently carrying through from room to room, subtle nods in every direction but with subconscious overarching narrative tying everything together. This is achieved through the lost art of DJ’ing. Scientists say that these “disk jockey’s” would spend years searching for special types of recorded music for which they would then “blend” together on some “banging sound system” to the public to create moments of pure euphoria. This mix will end up in museums as a perfect example of that so people can really understand how their parents met. Anyway, the mix is laden with nostalgia, a 90’s head wet dream, continuously cementing a smile on your face and the overwhelming urge to nod your head. Pack some lunch for this trip, an extended hike through the mind of Myles Mac. This is your cue to stop reading and press play.

Just a quick tip’o’the’hat to Melbourne Deepcast, we, the people would like to thank you for the years of service. (Hopefully, I can finally submit something I’m happy with, in the next 100 years) 

Bless up. Stay as real as possible. Apply sunscreen to your mates back. 

Me: (in blue speech bubble) 

	You got any words you wanna say on the mix? No worries if not

	I've got plenty

Myles Mac: (in grey speech bubble) 

	Haha yeh you go for it 

	Basically wanted to make a 90s chillout mix 

	It’s almost all 90s records except maybe one or 2

	Inspired by old mixes by Mark Pritchard and Tom Middleton (Global Communication), The Big Chill Festival, LTJ Bukem, and the likes 

Could also add to the list Dubtribe, The Primitive Painter, Andrew Weatherall 

Me:
	Done

Myles Mac:

	Sick 😇

(End message transcription) 

His Sounds >>>> https://soundcloud.com/myles-mac

Melbourne Deepcast >>> https://www.melbournedeepcast.net/

FHUO # 47 // Myles Mac

Australian Made Community.
~
We acknowledge the Wurundjeri people of the Kulin nation as the traditional custodians of the land. We pay our respects to their Elders past, present and emerging. Sovereignty has never ceded. This always was and always will be, Aboriginal Land.

WHiTMIX #13 | Teruu

Whitvoir

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