Available on Audio Cassette and digital download directly from the label’s Bandcamp: https://cclurl.bandcamp.com/album/a-night-in-the-skull-discotheque

Side A: Bass is Eternal
Side B: 2-step Mutual Dream

A Night in the Skull Discotheque by the beloved underground selector CCL is the latest offering in the T4T LUV NRG label’s highly limited DJ mix series of cassettes. This immersive journey through a wonderland of proto-dubstep sounds from the late 1970s through the year 2000 is a sonic sibling to CCL’s acclaimed 2018 mix Ode to Queer Steppas.

Inspired in part by Eris Drew’s use of “old records to create new styles out of fragments” on her Raving Disco Breaks Vol. 1 mixtape (T4T LUV NRG, 2019), CCL approached this recording with a parallel frame of mind. Created with 3 CDJs, one Turntable, and a Boss Digital Delay 200, the tracks included in the mix are deconstructed from their whole, and constituent parts are intertwined, sampled, and dubbed out while being further stretched beyond their physical limits. CCL mixed many tracks at the 'wrong speed', pitched beyond their original recognizable tone; others are recontextualized through imaginative layering.

With a solid nod to seminal mixtapes of the early 90s, CCL references the namesake for Side A, Bass Is Eternal, an unreleased 1992 mixtape by influential Bristolian producers Smith & Mighty, an important sonic fulcrum amongst the musical tributaries of the hardcore continuum that continues to reverberate to this day. CCL experienced the after-effects of this ‘proto’ sound genesis in 2008, while living in Bristol, by which point its emergent whispers had coalesced into what became known as dubstep. Tracing a rich history of reference through the samples, basslines, moods, and drum patterns emanating from Bass Is Eternal while looking for connections that predate it became a long-term fascination for CCL. The result is a DJ mix that connects the oft-forgotten dots between proto eras and modern developments in bass and dubstep.

For the resulting sonic ride on A Night in the Skull Discotheque, CCL leads us to a fantastical place of timeless surreality – a majestic haunted dancehall soundtracked by a giddy rush of steppers and dubbed-out delights. Subs rattle through syncopated percs, and moody synths glisten in macabre glory. Fantastical dancers wriggle in wispy eternity, liberated from their corporeal forms in all their greatest spiritual wonder. Both extravagant and dusky, A Night in the Skull Discotheque is a world of seductive in-betweens, a place caught between the moodiest depths and the highest exuberance – A love letter to one of the most impactful formative sounds of the last decades.


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A portion for the proceeds from this release will go to fundraiser "SUPPORT PALESTINIAN SOLIDARITY IN EUROPE!". You can also directly donate via:
https://www.gofundme.com/f/support-palestinian-solidarity-in-europe
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Tape design: Nina Muro
Mastering: TJ Hertz
Additional tape mastering: Eris Drew
Photography: CCL 
Linear notes: Nevan Jio

A Night in the Skull Discotheque [T4T015]

CCL - A Night in the Skull Discotheque

This is a re-recording of my SR set. Unfortunately, the audio recording had stopped due to a power cut earlier in the evening.

Thanks for having me Sustain Release! I'll never forget this <3

DJ Plead - Sustain Release, Year 9

Dekmantel celebrates the 10th anniversary of Dekmantel Festival with a 44-track, 7-record box set compilation, with each record representing a stage at the festival. CCL has created a mix containing tracks exclusively from the box set. Early copies of the box set will be available during the festival, with the official release date in September. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/guests/episodes/dekmantel-ten-a-decade-of-dekmantel-festival-mixed-by-ccl-18th-july-2024

Dekmantel Ten: A Decade of Dekmantel Festival w/ CCL 180724

(tracklist below) 

This is part 1 of 3 of the recording from my set at Nowadays Nonstop on April 7, 2024.

I played from 9am-3pm, between JASSS and Bearcat, and it was one of the most creatively fulfilling sets I can remember playing – one of those sets where the audience, environment, atmosphere, tech setup, phase of the moon, whatever, all somehow lined up for a full 6 hours. And happily, the recording is maybe my favorite I’ve managed to capture to date. Huge thanks to Kristin for inviting me and to everyone who was there that morning.


TRACKLIST – PART 1 – 9am – 11am

Moritz Von Oswald – Opaco
La Fe – Alta
Xcor – transmission
Levl – Nullpunkt #4
DB1 – B5
Es.Tereo – Temple of Ra
Skeptical, dBridge – Poor & Poverty
Last Life – Hope Killer
Metrist – GMFGR
Fracture & Deft – I Just
Reeko – Rooted
Massive Attack – Inertia Creeps (Floating On Dubwise)
Overlook – Phantom
Scotch Rolex and Shackleton – The Eleventh Voyage
Cortex of Light – Key Hall Mix
Sote – Kangaroo Court
Meo & Steve – Global Village (Funk Version)
Ali – Abyadh Aswad
Kalua feat. Dj Brahms – Brain
Hysterical Love Project – Boyracer
Scorn – Exodus
El Alfa, El Mayor Clasico, Chael Produciendo – Galapin
Osheyack & Nahash – Bait (Florentino Remix)
Material – Reality Dub
Golden Bug – Tokoyo No Kuni (Wolf Müller Remix)
Tammo Hesselink – Work Work Work
Robo-Gnostic – Ghost Rider
Sea Of Disillusions – Voodoo Heaven
Om – Brother That (Tribal Om Acid Remix)
Mosca – Thin That Blood Down
Timeblind – Come Back Wicked (Original Mix)
Pluralist – Body
Einstürzende Neubauten – Yü-gung (Fütter mein Ego)
Piezo – Skinner
Hypna feat. Warrior Queen – Rolling Deep
Kouslin – Michael
Siu Mata – Vaalbara
TEACHI feat. カクマクシャカ – Esther
vromb – emphase
Two Dogs in a House – Dogs DJ Tool
Neon – Voices
The Knife – We Share Our Mothers's Health
Unknown Artist – Spider Crab [Sacred Stones 01]
Ssiege – Drama Lover


Artwork by Brodie Kaman

Live at Nowadays 7 April 2024

Live at Nowadays 7 April 2024 - Part 1

𝔀𝓱𝓪𝓽 𝓲𝓯 𝔀𝓮 𝓽𝓻𝓮𝓪𝓽𝓮𝓭 𝓶𝓾𝓼𝓲𝓬 𝔀𝓲𝓽𝓱 𝓽𝓱𝓮 𝓿𝓪𝓵𝓾𝓮 𝓲𝓽 𝓭𝓮𝓼𝓮𝓻𝓿𝓮𝓼?

interview live on –>–>–> www.wav.world/ –>–>–> @darwinspec

wav.world emerged out of a long-running chat exchange of mixes, tracks, and some playful speculation: If you were going to make a platform for DJ mixes in 2024, what would it look like?

Mixes are a unique type of musical expression. They capture a specific moment in time, determined by the knowledge and style of the artist. A mix is as important a creative statement as an album, remix or EP. One mix can change an artist’s career, one mix can open a listener’s mind to something completely new.

𝔂𝓸𝓾𝓻 𝓯𝓪𝓿𝓸𝓻𝓲𝓽𝓮 𝓶𝓲𝔁𝓮𝓼 𝓪𝓻𝓮 𝓽𝓲𝓶𝓮𝓵𝓮𝓼𝓼.

We miss the importance that mixes used to have. So, we made a platform for mixes.

Each wav.world mix gives one artist the time and resources to create whatever kind of mix they want, to share something sonic about who they are and what they love.

Every wav.world mix will feature a longform interview with the artist which gets to the heart of what moves them—in music and in life—through text, video and image. Each edition of wav.world will feature the commissioned work of music journalists, visual artists and graphic artists.

𝔀𝓮𝓵𝓬𝓸𝓶𝓮 𝓽𝓸 𝔀𝓪𝓿.𝔀𝓸𝓻𝓵𝓭

∿∿∿ WAV•WORLD • DARWIN.wav

The Lot Radio Stage at Making Time ♾️ 2024

https://instagram.com/simocellmusic

Simo Cell @ MAKING TIME ♾️ 2024

OBJEKT
@keinobjekt
WHOLE 2024

Tracklist:
YOUTH – Vox Tenebrae
Atte Elias Kantonen – populus alba (i'm fine)
usof – plonplonk
Atte Elias Kantonen – algae & others
Zaumne – Poison
Commodo – Slushbox
Biogen – Mutylin
Dali de Saint Paul & Maxwell Sterling – 5
Peter Rehberg – at GRM (2016)
Fred Ho feat. The Asian American Art Ensemble and Kulintang Arts – Lapu Lapu's Battle Preparation
Scotch Rolex and Shackleton – Serotonin
Carrier – Lost On Me
EVA808 – Y R U N KET
Blurt – Be There Now
Aphex Twin – Isoprophlex (Slow) (Cr7e Version)
Blotter Trax – Super Conductor
Actress – Its me ( g 8 )
Errorsmith – My Party
Evol – Buggy Betty
Ssiege – Drama Lover
Céline Gillain – Fight or Flight
AT-XYA – Dreamo (feat. James K)
Jules Reidy – Slipstream
ssabæ – le roi est l’oiseau
Drexciya – Draining of the Tanks
IZM – Interlude
Death Is Not The End – Are You Sure?
Stas Karpenkov – 1.1
Sote – Kangaroo Court
GCOM – XO Transmission #1 feat. Qebrus
Gerard Hoffnung – Bricklayer's Story
Moritz Von Oswald – Infinito
Powell + LCO – 14, 23, 18
Evol – Buggy Betty
Mister Water Wet – A Whisper Won't Scale A Wall
Dj Fary – Punani Fantasy (Remix)
Maus & Stolle – Itch & Scratch
EDM – The beautiful symmetry of Sasaki Kojiro
Savage Garden – I Want You (Objekt edit)
Fox – Vacio ft. Trigganom (prod. by Florentino)
Aleksi Perala – Meltman / Meltdown man
Henzo – I Can See The Fatigue In You (Popcaan Devil Mix)
Toto – Georgy Porgy (feat. Cheryl Lynn) [Disco Version]
Aleksi Perälä – FI3AC2262010
2302 – Hold-3
Hateful Head Helen – Sweet Pussy Pauline Acapella
Evol – Semi Colin
Syclops – New Bro's In NYC
Valentina Magaletti – A Queer Anthology of Drums
Nilotika Cultural Ensemble – Ejokawulida
The Chemical Brothers – Galvanize
SOPHIE – Bipp (Autechre Remix)
Tokyo Offshore Project – Magic Melody
downstairs J – Soft Tissue
Alexi Baris – Eye Cast Mirror (feat. Emad Armoush on ney)
Spacetime Continuum – Q 11
Objekt – Silica
Hoavi – Phase 8
Cucina Povera – Olen oluen oljen
Rhythm & Sound – No Partial
Lee Gamble – She's Not

OBJEKT

subglow/live returns with a special recording from @beatricemasters & @bambi-dj, two of the best in the game right now. A special closing set between friends - in Bea's words:

"This mix was closing Supercamp festival’s last ever edition, from 6 to 8pm on a sunday. Therefore we thought we do a reverse journey of intensity, starting with 140 pressure taking our time to slow all the way down to 120 during the 2hours - hitting 130 with mellow dub techno cuts or classic-feel ukg, and ending with a series of (very) warm closing tracks upon closing tracks. You’ll know by now that Bambi and Beatrice M. are pretty different in their approach to DJing, which makes it all the more interesting and fun for them to find the lovely middle ground they pleasantly settle in during their b2bs. For this one, the key word is: dub. »

TASCAM DR-40X

subglow/Live 2: Bambi & Beatrice M. @ Supercamp Festival '24

Dubstep-tech hybrids from one of 2024's most forward-thinking breakouts.

Born in France to English parents, Beatrice M. is a product of two environments. And like many third culture kids, this lends the Rinse France resident and Bait label head a knack for seeing the realm of possibility beyond arbitrary borders and binaries.

Beatrice M. is a part of a wider cohort of artists spearheading an elastic take on dubstep: take Carré and Introspekt in the US, EMA in Dublin and Mia Koden in London, to name a few. Collectively, they are not only pushing greater representation and diversity, but ensuring a broader palette of sounds find home within the genre's renaissance.

Where dubstep got trapped down a brostep cul-de-sac in the early 2010s, 2020s already seems to be all about a charming phrase Beatrice M. employs: siblingstep. Their RA Podcast, a "full femme, non-binary, trans productions set," is testament to that.

RA.961 finds Beatrice M. embracing the softer, more intimate edges of their sonic world. There's cuts from Grace Jones and rRoxymore, a fresh tech-house venture under the alias B. McQueen and heaps of siblingstep. All in, it's an hour of past reverberations, present rhythms and glimmers of future horizons.

@beatricemasters

Read more at ra.co/podcast/961

RA.961 Beatrice M.

ROSAS

Another jam with contact mic and MusicThingModular Workshop system

OBJEKT

WHOLE

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