TheDayYouLeftNothingFeltTheSame

New Single "The Obvious Choice" Out Now!
Watch the Music Video here: https://youtu.be/FJVQIGsM9gU

Multi-Instrumentalist | Vocalist | Producer

All my music is written, composed, performed, recorded, produced, and released by myself, unless otherwise stated.

afternightbeats@gmail.com or DM me on Instagram.

NEW ALBUM -- BEST OF ELTON COSTELLO 



-- PHILADELPHIA CITY PAPER -- "Best Underexposed Potential Pop Star"
-- #1 - INDIE CHARTS 2022

DISCOGRAPHY - 

(1997) - Silent Too Long -  Steve Cohen
(2000) - Crazy - Steve Cohen
(2006) - American Troubadour  - Elton Costello 
(2006) - Hiptronic Funkadelphia - Elton Costello 
(2006) - Electronic Phonics - Elton Costello  
(2010) - Back in Philadelphia - Elton Costello  
(2012) - Livin’ in the USA - Elton Costello Band feat. Steve Cohen
(2013) - Summer Jams - Steven Sean Cohen + Elton Costello Band
(2014) - Springsteen (Single) - Steven Sean Cohen
(2014) - Bradford County (Single) - Steven Sean Cohen
(2014) - Colorado (Single) Steven Sean Cohen
(2019) - Find Your Way Home (Hidden Tracks) - Exit Jones 
(2020) - Radio Philadelphia - Elton Costello

Steve Cohen’s first album was released back in 1997 to critical acclaim from Billboard Magazine, Philadelphia City Paper & The American Society of Musician’s Composer’s & Publishers. The Philadelphia native has since released 10 albums and multiple singles featuring his original songs recorded under his birth name and his alter ego Elton Costello. The music embraces various genres including Singer/Songwriter on “Silent Too Long”: & Rock on “Crazy” where you’ll find a full band with a horn section mastered by Grammy Award winner Glenn Barratt.

A simple Americana influenced Piano/Voice demo written around the time of the 911 attacks named “American Troubadour” found itself embraced by Pandora Radio and played 1,000’s of times (a respectable feat for an album recorded with one mic on a piano).

Steven Sean Cohen released “Summer Jams” in 2013 with a music video by Victor Mignatti for the song “Thinkin’ Bout Leavin’. The album was followed up in 2014 with 4 singles including “Springsteen” a tribute to the artist, “Bradford Country” focusing on the environmental hazards of fracking and “Colorado” in memory of those who continue die to to the mass shooting epidemic.

MUSIC FOR THE THINKING FEW.

(NOTE for RepostEx users: I don't repost AI if I can detect it, and I only repost songs I like or show some level of competence or promise...and they usually don't involve an 808, misogyny, Autotune or singing off key over a prerecorded track...and at my age I'm FAR more interested in quality connections with listeners than going "viral". ALSO: mostly an aging rock/folk/prog/indie guy...can't really judge or really relate to Hip-Hop, Auto-Tune and other more modern styles...sorry.)

John Ludi is a musician/singer-songwriter/cultural relic with a diverse and "arty" array of influences and lyrical interests who was "Indie" before the term even existed. Working outside of the music industry by choice has given Ludi the ability to release songs of a level of lyrical depth that are anathema to the current culture.  Ludi lives off-grid in a yurt in the woods of WI and finds the materialistic priorities of our civilization incredibly wrong and destructive.

⚫️🕸616 Çlîqüê🕸⚫️
PRINCE of the UNDERWORLD bitch 🫶🏽😌😈

Started playing again, during lock down in 2020, play bass & guitar, put together a home recording Studio set up , so everything wrote, recorded at home, got loads of idea`s, just trying to make sense of them. hope you enjoy.

333
I love you all <3

Instagram: whoskevin333

(INSTRUMENTAL PROGRESIVE URBAN DANCE MUSIC) #DANCETRAP  #HOUSETRAP #CUMBIATRAP #TRIPHOP #DANCE  #EDM #HIPHOP"Dance music and hip hop music  mix creator DJ RMG MACH1N 
All beats mixed by me DjRMG MACH1N AND DJAK47  

YouTube chanel: RMG MACH1N
Facebook: Rmg Machin
Instagram: rmgmachin
Have a few years 2 to be real ( 2019) , I start to create music as a hooby  HOPE U LIKE IT  GREETINGS FROM MÉXICO, APATZINGAN MICHOACAN.

FAV ARTISTS :  (DR DRE) (TIMBALAND)(SNOOP DOOG) (ICE CUBE) (GORILLAZ) (DAFTPUNK) (LIL JON) (DJ QUIK) (DJ TIESTO) (VAN BUREN) (DASH BERLÍN) (GIGI D AGOSTINO) (OVY ON THE DRUMS) 🇲🇽🇺🇸🏴󠁧󠁢󠁥󠁮󠁧󠁿🇨🇵🇨🇴🇱🇺🇬🇧

Darkwave is my experimental music project built on the backbone of old-school metal riffs, with an outlook to a wide variety of musical scenes. Despite its intimate connections with progressive – and even thrash – metal, the musical dynamics I try to accomplish in Darkwave often deviates from the classical concept of the genre (e.g. the catching tempo generated by tight rhythmicity), and incorporates elements with significantly different tonal and emotional characteristics, ranging from thrash, power, doom or symphonic metal themes to electronic, classical or even jazz elements.

Such a diverse mixture of different styles is seldom intentional, but rather a mixture of instinctual and intentional elements reflecting the character of the composer and the impact of influences shaping the songwriting process. Balancing on the razor-sharp edge between these domains of human consciousness, I think it’s always revealing to indentify the composer’s primary influences to understand the core philosophy behind the final product. Despite their essential innervation with thrash metal, my main influences come from somewhere far beyond, from the distant realms of hard rock, NWOBHM (New Wave of British Heavy Metal), and – in certain extent – from classical (or even gregorian) music. I see it as some kind of an evolutionary process: first it was the intensity, then the complexity of the music that grabbed my attention and put a significant emphasis on my way of looking at all things music. Regarding the metal frontrunners, the complexity of the Shermann-Denner duo’s guitarwork as well as the dark, monumental, epic atmosphere of Tony Iommi‘s musical skyscrapers clearly shaped my personal attitude to music. Still, the artistic genius of the late Jon Lord (who aimed at building bridges between “old” and “new”, traditional and modern) was that characteristical influence that put its almost deterministic mark on my musical taste and creations. I started to listen to bands that somehow unite various territories of the world of music: it felt amazing to listen to Mekong Delta’s Suite for Group and Orchestra or the jazz-metal fusions by Atheist until the point that I could finally identify a third essential element besides intensity and complexity: the gloomy, epic, emotional (sometimes sad) and monumental atmosphere: something that I could find so often not only in music, but also in my favorite books and poems. And this is that exact point, where the intentional and instinctual motifs become somewhat indistinguishable from each other, and form a distinct entity of thoughts, feelings, desires and aims that might be characterized as my personal attitude to music, art – and in general, life.

It’s not that hard to grip the essence of that attitude. I tend to agree with G. K. Chesterton‘s paradoxical jeremiad from 1905 on the loss of universals (“…we are more and more to discuss details in art, politics, literature… Everything matters — except everything.“) and accept that it’s always the core philosophy behind art (or “everything“…) that we must understand, if we ever want to grab the creator’s personality that is mirrored in the final product. The secondary details in composition, performance or production are merely consequences of this primary attitude or basic approach behind the creative process. My primary aim with Darkwave has always been (and will ever be) nothing else but to formulate, express and transmit feelings and thoughts without words, while constantly realizing that there exists nothing more suitable to facilitate this communication between human souls than music itself.

“When words fail, music speaks.”

Just chillin making music

Contact: asher@ashershashaty.com

Music is life it never dies.
Destined For Greatness #barbados🇧🇧
Father lead the way 🙌

TheDayYouLeftNothingFeltTheSame

whoskevin?