Yugoslavian New Wave from 1983 reworked by @djblech

Slađana - Neko Je Tu (Blech's Cosmic Dub)

https://optimomusic.bandcamp.com/album/making-excuses-for-you-ep

1 Amsterdam
2 Back
3 Ingredients

When I was doing the club Pure in Edinburgh in the 1990s, the other big night in the same venue was Tribal Funktion whose main (and fab) DJ was George T. We stayed in touch over the years. A few years ago I did a remix for him and now I'm delighted to be releasing some of his music, made along with Quinn who I also know from playing numerous gigs on the same bill as his wonderful act, Paranoid London. The stars truly aligned on this one. I'll let George tell you a bit more....


"Quinn & I first met in London around 97/98, raving both sides of the river, releasing the occasional banger and generally larking about. By the time his Different Gear Police bootleg with Gino Scaletti became a huge hit we lost touch, became parents, moved on. 

15 years later (it’s 2015) and realising that the guy in Paranoid London looked suspiciously like Quinn, we met up. First for beer and stories then for bass and echo. It wasn’t long before we started trying things out in the studio. Creating drones with guitar pedals, imaginary soundtracks with noisy old Bontempi organs. Things began to have a particular sonic shape, but we had other fish to fry. Quinn always had countless projects on and I was immersed in Greco-Roman’s Jeanga and George, so we were often busy, only meeting up in fits and starts every couple of months.

By 2019 though, without realising or intending anything in particular, we had quite a body of work. What to do? Knowing Keith from Pure in Edinburgh back in the day it almost seemed a no brainier. We love Optimo. Let’s send it to Keith.

We did, and then lockdown numero uno began. We’re now halfway through 2021 and very happy to finally share three pieces of music with you. An introduction if you will to the upside down, not quite this or that world of Quinn and I. We hope you love it too”.

Artwork by Andrew Beltran. Mastered by James Savage

Out on Optimo Music Digital Danceforce on October 15th.

Optimo Music Digital Danceforce 038 - George T and Johnny Aux - Making Excuses For You EP

https://soundcloud.com/transmigration_records
🛒 https://transmigration.bandcamp.com

Once off collaboration between Drum Club’s Charlie Hall and Subsurfing’s Obi that threads a fine line between balearic and drum n’ bass.

The perfect chill out record from a once off collaboration between Drum Club’s Charlie Hall and Subsurfing’s Obi. It threads a fine line between balearic and drum n’ bass creating something remarkably unique. Originally released as an extremely limited run on Japanese label Paratone.

Tracklist: 

a1. Labanba
a2. Housepod
b1. Dreamtech

PREMIERE: Obi and Chalrie Hall - Housepod [Transmigration]

Khidja continue to develop their tripped out vision with their first full EP for Hivern since 2019's 'Impossible Holiday'. In 'Something In The Water' the Romanian duo presents three new tracks that drift between genres and moods through open minded studio experimentation. “The Future Has Disappeared” and “Back To Vid” rely on contrasting sound palettes and a smart use of the stereo field to build up tension while 'Science of Ghosts' is an expansive number of galactic electro-funk. The 12” features a stripped out mystical remix by Azu Tiwaline while the digital release includes two extra oddball dancefloor cuts.

Artwork by cm-dp.

pre-order 
https://khidja.bandcamp.com/album/something-in-the-water

B1. Khidja - Science Of Ghosts

SMILES OVER TIME *REMAKE*

Wonders Ovze World - Edits by Alexis Le-Tan 
Medley Mix by @alexisletan

CD / Out 22.12.2018 

There was once The Path. The dusty core - always the reactor: Where bodies internally motivated the Robots Dance. We chose Different Ways of evolution To Move the epicentre of pace flux. But they took it and cast it from us: Who breaks Butterflies upon a wheel? Beating the Devil that haunted our concrete past, A  new  life  set  us  back On a Journey that belonged to transformation. Towards Heaven we continue, Once More Fanning the flames, In the eternalised valley of nowhere, here: The molten aural core - there are no books, no words. Has Van Gogh’s Ear reached its Destination?  We are Full Circle.

- Tom Colebrook

Mastered by Gordon Pohl
Designed by Ill-Studio

IP 03 © Idle Press 2018

Wonders Ovze World

IP 03 - Wonders Ovze World - Edits by Alexis Le-Tan (Medley Mix)

Lemmi Ash is a Swedish duo comprised of producers Samo and Martinou, and their debut EP with ESP Institute, 'Osmin Uratoma', has been a long time coming. Samo has been a friend of the family since prior to the institute’s inception — dropping in on us in NYC, occasionally as a guest DJ at The Stallions’ residency in Chinatown — and ever since those halcyon days in the late Noughties, we’ve been slowly circling a moving target, poking at his potential contribution to the label. It wasn’t until recently, when fellow Stockholm depth-charger Martinou stepped into the picture, that stars finally aligned and Lemmi Ash was born. Now a steadily growing lovechild, the collaboration displays a finely balanced ratio of the duo’s DNA, complimentary in both aesthetic and character. Across four seemingly disparate tracks, we can sense Samo’s penchant for Dub is subliminally leading the way — from minimal organ stabs and off-kilter hi-hats on the relentlessly pounding 'Apsu', to the hybrid-Dancehall rhythm box and hazy familiar vocal snippets on the late night stormer 'To Dare Is To Do' — while Martinou’s masterful brush is a bit more broad and subtle, shifting the shape of Lemmi’s arsenal into a deep and ethereal Techno head-space full of warm pads, softened percussion and sub bass on both the iconic 'Lemmie Ash Theme' and the EP’s melancholy closer, 'Horror Vacui'. The artists explain that this music was “made with birds in mind” — a somewhat poetic and abstract notion which (to us) symbolizes their stoned veil of indifference, a carefree fluidity of influences, and an ease of traversing stylistic positions — alluding to the rewards of an effortless and non-compulsory collaboration, a genuine creative simpatico.

[ESP050] Osmin Uratoma

Buy from ESP

[ESP050] LEMMI ASH - A1 - Lemmi Ash Theme

brutalism in music

@eshu-est

release date: january

Primer

Impromptu muscovite supergroup Lilipulu turn the needle neon with a quartet of unexpected killers for club cosmonauts, rainforest ravers, anxious insomniacs and giddy punks. 

Unplanned, inspired and all the way live – the pin is glowing! Ever wondered why the Growing Bin releases sound so damn good? Well, it has more than a little to do with mastering magician Sergey Luginin, whose eagle-ears and technical know how have been a part of the process since GBR002. For the latest Glowing Pin powerplay, our man in Moscow joins some close friends on the other side of the console, letting the creative juices flow for ‘Four Amazing Tracks’. Luring Simple Symmetry brothers Sasha & Sergey and DJ & photographer Ivan Pustovalov into his studio with the promise of an afternoon stroll through the nearby Elk Forest, Sergey set the circuitry in motion and the quartet got lost in music. What begin with a plan for some simple edits and a woodland walk quickly became a full scale studio throw down, reimagining forgotten favourites amid a multi-instrumental stew of propulsive polyrhythms, low slung bass, cosmic synths and frazzled guitars. There’s techno-tribal hypnosis on the mind bending, brain blending A1, poetic post punk on the angular, janglier A2, outrageous Afro-cosmic on the freaky Floyd-in-Lagos B1 and languid ambience on the lysergic lullaby which closes the set. Recorded as they worked and presented in chronological order, this EP is a triumph of inspiration over perspiration - a snapshot of a moment which will last forever.
Patrick Ryder

LILIPULU - Four Amazing Tracks - B1 (6min40sec)

Slow Motion is back with ‘Italian Synth Planetarium’, the ultimate mammoth dance compilation featuring three volumes of heterogeneous night anthems. Deriving from the on-going Italian Dance Wave series, this compilation showcases the best Italian electronic artists from around the world. The unmissable grooves weave through the best of the Slow Motion roster including eight debut artists. This massive release will be distributed digitally plus a cassette with a megamix of the tracks provided by maestros Franz Scala and Fabrizio Mammarella.

Trent - Zanzibar  (Italian Synth Planetarium)

odopt.bandcamp.com/releases

Our first digital release is a collection of secret edits, mixes, and dub versions. All were made during the last 5 years for private use, experimental live gigs, and podcasts and it was recently decided that these five music pieces deserve an independent release. Each pack includes a pdf-poster. The second part will come out next year. Art by Kei. 

If you want to pre-order a vinyl, you can crowdfund on the project's qrates page.
https://qrates.com/projects/21817

Lower Ground Floor I

WhyPeopleWar Fundraiser for Ukraine: https://whypeopledance.bandcamp.com/

The Why people dance question was asked for the first time in Lithuania back in 2013 but it gained a worldwide echo in its 8 years of existence. Run by @pauliuskamblevicius with the help of @experimentsserial and a network of collaborators, the online electronic music platform and label keeps its heart open for new friends and treasure finds but its filter tight and deep underground. Tune into WPD channels on Soundcloud, YouTube and Bandcamp.

PREMIERE: Obi and Chalrie Hall - Housepod [Transmigration]

whypeopledance

Recent comments

Habitacion615 Radio Show-Hugo Tasis-

NAAZ

folcadelic

Related tracks