Cafe Futuro

Telephone Boy

The Catalan prince of darkness Adrian Marth and his label Italo Moderni are one of the underground figures in the European scene mixing the darkest corners of the new avant-garde Italo/Acid/Electro. Adrian has been DJing & performing Live sets internationally in the last 5 years, at spots like Panorama Bar Berghain, HÖR radio, Nitsa, Le Sucre, Kapput, Funk, Laut, Human-Razz, Ombra Festival, Intergalactic Festival, SAT Montreal. 

He also makes a live set where he does vocals and plays the Octatrack. His label work in Italo Moderni includes vinyl releases from The Hacker, Legowelt, Djedjotronic, Timothy J. FairPlay, and Krishna Goineau from Liaisons Dangereuses, Marcel Dettmann.

SoundCloud: @adrian_marth
Instagram: https://www.instagram.com/adrianmarth_/

PDU Guest Mix 54 - Adrian Marth

DEATH IN VEGAS - DIRGE (SILVERTOOTH DUB FROM OUTER SPACE)

Digital Diogenes - Chicago EP [FLR062]
BUY LINK: https://flumo.bandcamp.com/album/chicago-flr062
Label: Flumo Recordings (https://soundcloud.com/flumo)
http://instagram.com/flumorecordings/
> Digital Diogenes (https://soundcloud.com/digitaldiogenes)
https://www.instagram.com/digitaldiogenes/

Digital Diogenes, the multifaceted DJ, producer and visual artist hailing from Seville, Andalusia, presents his latest EP on Flumo Recordings – Chicago – a pulsating ode to the origins of house music and a candid reflection on the complex relationship between a city and its beloved, yet sometimes disappointing, sports team. Known for his groundbreaking contributions to the Sevillian scene, being part of groups like Califato 3/4 and Industrias94, Digital Diogenes now turns his attention to The Windy City, the birthplace of house, weaving its raw energy and gritty spirit into a captivating sonic tapestry.

This EP dives deep into the sonic landscapes of Chicago house, exploring its foundational rhythms and soulful melodies, all while infused with Diogenes' distinct Andalusian flair. However, the inspiration extends beyond the city's musical legacy. A profound influence on this project is the agonizing decline of the Bulls in their latter seasons – a narrative of fallen giants that resonates deeply with the artist. The EP masterfully captures the highs and lows, the triumphant swagger, and the melancholic disillusionment that defines this duality. Expect tracks that are both celebratory and elegiac, echoing the joy of a slam dunk and the sting of a buzzer-beater loss. Through intricate beats, evocative samples, and Diogenes’ signature production, listeners are transported to the streets of Chicago, experiencing both its undeniable musical heritage and the bittersweet emotions tied to its basketball dynasty.

Written & produced by Digital Diogenes
Mastered by The Greys
Artwork by Jacobo Carmona

BUY LINK

PREMIERE : Digital Diogenes - & that was 4 me (DVJ Mix)

A trio of hypnotic, shapeshifting grooves from Thomass Jackson that blur the lines between party and paranormal. Unpredictable yet always danceable.

Transcend into orbit with Uritorco Times. (Probably) an ode to Argentina’s most mystical peak, UFO synthesisers flash and bleep around a wonky bassline. The result is equal parts mystic ritual and late night mischief.

Sly yet crunchy Push Comes To Shove rides a killer bassline over off kilter percussion. Sleazy mechanical funk that teeters, entranced between tension and release.

Sonic Witchcraft ensues in Junk Be Gone as the shadowy yet playful bassline twists like smoke around the acid melody summoning rhythm from strangeness.

Junk Be Gone gets the Felix Dickinson treatment for the EP’s remix delivering an extra long rework that stays respectfully true to the original in all the right ways. Live acid bass envelops the original bassline whilst ever intensifying synth solos build to an Eastern flavoured crescendo.

Releases November 21, 2025

Credits: Thomass Jackson for the music, Felix Dickinson on remix duties, James Savage for the masters, Edward Tuckwell on artwork and to Jessica Lau on graphic design.

50 white label dub plates of Junk Be Gone and Junk Be Gone (Felix Dickinson Remix), available to pre-order now! Act fast!

https://visceratransmissions.bandcamp.com/album/push-comes-to-shove

@thomassjackson
@felix-dickinson

Pre-Order

Thomass Jackson - Push Comes To Shove [VTD003]

out now on nein
https://neinrecords.bandcamp.com/album/another-way

Yerno Vil - Sourness

This month we have our mate Karassimeon, known for his bold lives and part of the Ritmo Fatale family.

Otto Diva invite Karassimeon - 18 Octobre 2025

Mike Nasty - Sketches In Deep
Label: Nasty Tracks (https://soundcloud.com/nastytracksnyc)
https://www.instagram.com/nastytracksnyc
BUY LINK : https://album.link/gpdxnbjdrcknr
> Mike Nasty (https://djmikenasty.com)
https://www.instagram.com/djmikenasty

Set within a kaleidoscope of uplifting pianos, soaring harmonies, and infectious rhythms, label head Mike Nasty returns to Nasty Tracks with ‘Sketches in Deep’, a musical experience that beams with joy and delivers endless listening pleasure…

Mike Nasty’s sound is as quintessential as it is effortlessly dynamic, and it draws from sources of vitality that cross multiple threads of expression. His passion draws from multiple facets, with his DJing style and music-making outputs matching each other in terms of depth and diversity. Anchored firmly within the genre of House, he aims to explore many of the genre’s core fundamentals, with a particular focus on injecting Jazz motifs in all the right places. To say that his musical universe is unlimited is perhaps an understatement - it is perhaps easier to say that his music feels boundless, coated in an ethereal quality that makes each track simmer with feel and meaning as he criss-crosses between genres with joyous ease. At the core of each of his records reside a series of memories, experiences, and stories, with Mike’s flair for instrumentation providing plenty for which to delve within and be immersed within the music’s engrossing atmospheres.


PREMIERE : Mike Nasty - Copper Tones

https://soundcloud.com/simone-franky-besana https://soundcloud.com/nubiansofplutoniarecords
🛒 https://nubiansofplutoniarecords.bandcamp.com/album/nopo017-o-p-s-interstellar-ep

Our spacecraft drifts once again beyond the last known coordinates. The stars around us vibrate like synthesizers, bending light into rhythm. After the encounter with the Black Lotus and the Chimera, our systems have never fully recovered—nor have we. The pulse that once guided us now expands through the void, resonating in waves that distort time itself.

This is Interstellar, a transmission from an unknown quadrant. Each track a fragment of stellar dust, each beat a signal from the deep. As we cross nebular corridors and electromagnetic storms, we feel the gravity of sound pulling us forward—faster, farther, until all notions of direction dissolve.

Somewhere, beyond the edge of frequency, we might find a new home. Or maybe we’ll just keep dancing, forever suspended in orbit around the next cosmic pulse.

Tracklist:

O.P.S. - Interstellar | O.P.S. - Timeless

PREMIERE: O.P.S. - Interstellar [Nubians of Plutonia Records]

White Chief - The Backgound Character For Self_Sabotage Deconstruction 
PRE-ORDER LINK: https://www.deejay.de/White_Chief_The_Background_Character_For_Self_Sabotage_Deconstruction_ACTREC009_Vinyl__1191322
Label: Activities Records (https://soundcloud.com/activities-records)
https://www.instagram.com/activities_records/
> Gatasanta (https://soundcloud.com/gatasanta)
https://www.instagram.com/djgatasanta/

The White Chief project has been defined by her creator as the background character for self_sabotage deconstruction. Deeply inspired in early Industrial, Noise and Power Electronics taking, musically and conceptually some development model acts like Throbbing Gristle or Whitehouse, and certain complex lyrical compositions like could be some Fad Gadget tracks, Maria Barros, a colombian dj and producer known as Gatasanta delivers 5 dense, raw, noisey and dark cuts with the aesthetical connotation of the violent modern times, created among other analogical sounds with multiple Moog bass lines. This record includes also, two tracks from AMAS, Gatasanta's first live project with artist performer Ivana Ray Singh, both artists based in Barcelona. These two tracks appears on the EP as a tribute to the duo's early years of electronic production and performance tours around. All tracks has been produced 100% hardware.

PRE-ORDER LINK

PREMIERE : White Chief - Alien Feeling

Yacko's House

WhyPeopleWar Fundraiser for Ukraine: https://whypeopledance.bandcamp.com/

The Why people dance question was asked for the first time in Lithuania back in 2013 but it gained a worldwide echo in its 8 years of existence. Run by @pauliuskamblevicius with the help of @experimentsserial and a network of collaborators, the online electronic music platform and label keeps its heart open for new friends and treasure finds but its filter tight and deep underground. Tune into WPD channels on Soundcloud, YouTube and Bandcamp.

PREMIERE: O.P.S. - Interstellar [Nubians of Plutonia Records]

whypeopledance

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