Listen, buy & support here: https://fanlink.to/icr002

After a very well received first EP made up of 5 powerful experimental Bass cuts produced by Leeds based artist Renslink, Teki Latex and Brice Coudert's Impossible City Records decides to strike at a more dancefloor level this time with a straight up banger by US artist Chants.

Teki Latex:
"I have known Chants since his brilliant post-club EPs for Astral Plane in the mid 2010s but what happens when the Wisconsin-based producer takes his mastery of precise sound design and puts it to use in order to create a ravy piano dancefloor belter? The answer is Dance The Crevice, the new release on Impossible City Records."

Mastered by Precise Mastering
Visuals and logo by Pierre Thyss & Studio Jimbo
Distributed & published by Underscope

Chants - Dance The Crevice [Impossible City Records]

Barely stuck to the ass of a partially blind bee. In a resin-soaked wasteland that's not sweet or melodious - butchered ecology tells a really bad joke. Is there a room left on the station? A corner of the shelter? A rapturous t u l i p ?

Gaul Plus | Soiled Ether

https://soundcloud.com/tobiasz-jankowski
https://soundcloud.com/lotusreaction
https://soundcloud.com/kanalowa8
🛒 https://kanalowa8.bandcamp.com/track/friiiiik
🔊 https://youtu.be/dnILmRmRvu0

Producer/live-act duo TBH & Lotus Reaction once again combined forces to prepare FRIIIIIK - a bass-heavy, skate-ish track that rolls through with its sample cuts.

PREMIERE: TBH & Lotus Reaction - FRIIIIIK [K8]

All Centre kick off the new year with a two tracker from label mainstay Holloway. Following a busy 2023 for the London-based artist, holding down a residency on Rinse FM, tearing up parties around the world and launching his own label Waylo, Holloway starts the year as he means to go on with two incendiary club tracks.

Beans opens in atmospheric fashion with lush pads and dubbed-out sirens held together by enthrallingly syncopated percussion. The structure then strips down to allow a wistful, jazz-inflected theme to come to the fore, deftly complimented by a bouncing, descending bassline and a deep kick pattern. Lightly swung drums give an edge of UKG stylings to this deep, introspective cut.

On the flip Holloway ramps up the tempo with Trinco. Soulful chords fuse the sound of 90s DnB into precise, stepping percussion. The track launches into another dimension at the drop, driven by techy drums, growling basslines and warped vocal samples. The track breathes with the reintroduction of the atmospheric pads, before the bassweight emerges again with renewed force.

Beans is available across all digital platforms from the 12th January 2024.

Beans

Holloway - Beans [ACEN055]

Mossambi makes his return to All Centre to follow up the stunning debut Resurf EP from the beginning of 2023. On The AI Told Me To, he delivers 3 more experimental techno exertions backed by a heavy-duty club remix from Holloway.

Reptate opens proceedings with otherworldly vocals stuttering over Mossambi’s distinctively inventive sound design. The track enters an off-kilter, compelling groove composed of deep kicks, growling subs and snippets of microtonal melodies, building up and playing out like an extra-dimensional take on dubstep.

The title track keeps up the momentum with deep kicks and shuffling hats, allowing a lush choral pad to stutter and proliferate amongst the percussive intricacies. The chord is manipulated, filtered and triggered in unpredictable patterns as the track progresses, keeping the listener on their toes whilst Mossambi holds down a transfixing groove.

Mossambi’s final track, Miscellaneous Vegetable Platter, slows things down to a hypnotic 110 bpm pace. A disorienting blend of scrambled vocals, fried digital synths and dubbed-out bass and chord hits are kept in check by steady drums, whilst a frenzied snare roll pushes and pulls at the track’s intensity as the track progresses, crafting an engrossing low-tempo workout.

Holloway translates Mossambi’s glitched vocals and heady sound design onto a ferocious four-to-the-floor groove. A warbling bassline bubbles underneath driving percussion, whilst a syncopated hard house siren brings the energy levels to a fever pitch.

Mossambi - The AI Told Me To [ACEN056] (PREVIEWS)

Djina is co-founder of the Attraction Corp label. His debut EP, “North”, gives free rein to the Nordic landscape and takes you into its icy abyss. Halfway between breakbeat and dubstep, Djina brings the cold of the North face to face with the heat of vibrant bass. Explore this musical collision with him and let yourself be carried away in a captivating sonic experience.

©
Produced by Djina
Mastered by Lorenzo Targhetta
Artwork by Djina and David Superzdar

North Youth

Djina - North Youth

embark on a genre-defying journey through electronic landscapes with ultrascope's debut EP - gash. Blending elements of bass, techno, IDM, breaks, leftfield, and dubstep, this release showcases the artist's dynamic range and innovative sound.

papaya kicks off the EP with half-tempo beat and slowly creeping bassline that rapidly turns into stealthy dagger, piercing right through sub frequencies.

gash will release on 12th April 2024, and as the inaugural offering from ŚLINA, it sets a bold precedent for the label's future.

gash

ultrascope - papaya (gash [SLV001])

Podcast No. 223 by @youngwoman for @oramicspl platform
www.oramics.pl

YoungWoman is an Amsterdam-based Egyptian DJ, producer, radio host and co-founder of the @losanglescollective. With a unique mixing style and a big playful energy, she weaves all genres to tell her stories while exploring the endless possibilities of music and of being a young woman.

Tracklist:
EPROM - Solina VCF
MIMI ZIMA - Back of the Truck (Chong The Nomad Remix)
Cassius Select - TRICKNOLOGY!
Teqmun - Slug No Escargot (Ma Sha Remix)
Oldyungmayn & Estoc - Grapple
DJ GÄP - Burning Brakes
Grindalf - BARS OF STEEL RIDDIM
False Persona - Headrush
Wraz. - Wraith
KAVARI, Marilyn Manson - Ingesting Poison x This Is The New Shit
TDJ ALYX - UIN PÉ GELADO AGRESSIVO
RRRitalin - Naga
Hedo Hydr8  - Analyze, Reproduce
dvidevat - pigments
COIDO - Deschets Electronique
YTP - Sumovtha
Evian Christ - Xkyrgios
ANMON - BassFatigue
NAKANO BLU - Ortiga
5amaseen - ID
ZULI - Where Do You Go
Nahshi - Bis Like Acceptance
NC-17 & Fade - The Lobster
Hassan Abou Alam - Shalfata
DJ LIFELINE - VI
Altermis - Domain Breached
.｡*ﾟ+.*.Curren｡+..｡*ﾟ+ - City Lights

ORAMICS 223: YoungWoman

*Vocals from EDEN - Woah

-english translation down below-

🇮🇹: perché questo album è così importante per me?
esso racconta una storia di cambiamento, conflitto, suicidio, tristezza.
è stato il modo più bello che ho trovato per condividere con altre persone un evento che mi ha svoltato la vita in meglio, passando il peggio.
molti dicono che quando tocchi il fondo puoi solo risalire. 
cel' ho fatta.
abbandonando quelle emozioni negative, quella situazione tossica, lontano dal posto che non avrei mai chiamato casa.

nei sogni vedo ancora la sua faccia, vivo le stesse situazioni. una persona tossica ma che vale un' esercito, contro un ragazzo solo in cerca di fortuna all' estero.
sono cresciuto, ho maturato.
ho capito una cosa importante scavandomi dentro: non è completamente colpa sua. potrei essere stato pronto ad affrontare la strada, la povertà, le risse e la violenza. ma quello che ho passato richiedeva maturità emotiva.
per questo ho toccato il fondo. pensavo che la mia esperienza mi avrebbe salvato da una situazione in cui contava poco. ho affrontato la discesa verso il baratro per colpa mia e della mia insolenza. la sopravvivenza alla fine è per chi si adatta e cresce.

detto questo, ti perdono. credo che solo questo mi darà pace.


🇺🇸: why is this album so important to me?
it tells a story of change, conflict, suicide, sadness.
it was the most beautiful way i found to share with other people an event that turned my life around for the better, going through the worst.
many people say that when you hit rock bottom you can only rise again. 
i did it.
leaving those negative emotions, that toxic situation, away from the place i would never call home.

in my dreams i still see her face, i live the same situations. a toxic person but worth an army, versus a lonely guy looking for his fortune abroad.
i grew up, matured.
i realized one important thing by digging myself in: it's not completely her fault. i might have been ready to face the streets, poverty, fights and violence. but what i went through required emotional maturity.
that's why i hit rock bottom. i thought my experience would save me from a situation where it mattered little. i faced the descent into the abyss because of me and my insolence. survival in the end is for those who adapt and grow.

With that said, I forgive you. i think that alone will give me peace.

Descent (touch the bottom), Bonus track of "8 Months"

8 Months

Descent (touch the bottom) [BONUS TRACK]

Inexistent

Specter of the Dream

WhyPeopleWar Fundraiser for Ukraine: https://whypeopledance.bandcamp.com/

The Why people dance question was asked for the first time in Lithuania back in 2013 but it gained a worldwide echo in its 8 years of existence. Run by @pauliuskamblevicius with the help of @experimentsserial and a network of collaborators, the online electronic music platform and label keeps its heart open for new friends and treasure finds but its filter tight and deep underground. Tune into WPD channels on Soundcloud, YouTube and Bandcamp.

PREMIERE: TBH & Lotus Reaction - FRIIIIIK [K8]

whypeopledance

Recent comments

ALLG

ehh hahah

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