Aloha everybody and thanks for comin round!! 
Chopstick Dubplate
Congo Natty
JingBong Ting
Itchy and Jacky
Kion and Murda

Matt Interject AKA Interjector FKA Shuffling Strangefoot (RIP)
DM me for DJ Bookings

From the desert wastes came a band of men armed to the teeth loaded with gold. 

For bookings:  theband@barehunter.co.uk

Band website: barehunter.co.uk

British comedian Adam Buxton talks with interesting people. The rambly conversations are sometimes funny, sometimes more serious with funny bits. Adam records the intros and outros for most episodes while walking with his dog friend Rosie in the East Anglian countryside where he lives with his wife and three children. 

Adam has appeared in films such as ‘Hot Fuzz’, ‘Stardust’ and ‘Son Of Rambow’ as well as a variety of TV shows in the UK. Since 2007 he has hosted ‘BUG’, a live show that combines music videos and comedy that became a TV series on Sky Atlantic in 2012. From time to time he also does live shows featuring just his own material. Along with lifelong friend Joe Cornish he also is one half of award winning TV, radio and podcast duo Adam & Joe who have worked together since 1995. 

You can find many of the insanely catchy jingles Adam makes for the podcast as well as amazing bonus material, beautiful merchandise and a selection of his incredibly funny and brilliant YouTube videos on the free Adam Buxton app.

Adam is writing this himself using the third person.

Cate Le Bon is an artist hailing from Carmarthenshire, rural West Wales. Be it on her more minimalist, acoustic-leaning 2009 debut album Me Oh My or critically acclaimed, liquid-riffed 2013 LP Mug Museum as well as 2016s Crab Day and the Mercury Award nominated Reward, Cate Le Bon’s solo work — and indeed also her production work, such as that carried out on the recent John Grant album, Boy From Michigan, or  Deerhunter's Why Hasn’t Everything Already Disappeared?  (4AD, January 2019) — has always resisted pigeonholing, walking the tightrope between krautrock aloofness and heartbreaking tenderness; deadpan served with a twinkle in the eye, a flick of the fringe and a lick of the Telecaster.

New album Pompeii bears a storied title summoning apocalypse, but the metaphor eclipses any “dissection of immediacy,” says Le Bon. Sonically minimal in parts, its lyrics jog between self-reflection and direct address. Written primarily on bass and composed entirely alone in an “uninterrupted vacuum,” Le Bon plays every instrument (except drums and saxophones) and recorded the album largely by herself with long-term collaborator and co-producer Samur Khouja in Cardiff, Wales.

The songs of Pompeii feel suspended in time, both of the moment and instant but reactionary and Dada-esque in their insistence to be playful, satirical, and surreal. From the spirited, strutting bass fretwork of “Moderation”, to the sax-swagger of “Running Away”; a tale exquisite in nature but ultimately doomed (The fountain that empties the world / Too beautiful to hold), escapism lives as a foil to the outside world. Pompeii’s audacious tribute to memory, compassion, and mortal salience is here to stay.

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