Under the Radar is an indie music magazine that prints five issues a year, is distributed across North America and internationally, and bills itself as “The solution to music pollution.” The independent magazine was founded in 2001 by publishers (and now husband and wife) Mark Redfern (a writer) and Wendy Lynch Redfern (a photographer) and is known for in-depth and characterized interviews with bands large and small, as well as their accompanying unique and stylistic photo-shoots. It offers intelligent, and sometimes humorous, articles that go far beyond a band’s major influences, often accompanied by exclusive photo shoots. Under the Radar conducted the last interview and photo-shoot with the late Elliott Smith in 2003 and also garnered media attention for its 2004 and 2008 music and politics issues (The Protest Issues) and their associated charity auctions that benefited such organizations as War Child. The tastemaking publication strives to be ahead of the curve, interviewing exciting young artists months or years before the mainstream media catches on and has helped to break such artists as Fleet Foxes and Vampire Weekend, being the first nationally distributed print magazine to interview either of those bands. Under the Radar was also an early supporter of artists like Bright Eyes, Interpol, Death Cab for Cutie, Rilo Kiley, M. Ward, TV on the Radio, and Feist, and was the first American magazine to interview such international artists as The Duke Spirit, Friendly Fires, Glasvegas, The Pipettes, The Dears, Mew, Los Campesinos!, Mystery Jets, The Go! Team, Editors, Love Is All, and many others. Each issue includes up to 200 reviews of the most interesting releases in music, film, television, DVDs, books, comic books, and video games. Under the Radar’s website features web-exclusive reviews, news, interviews, and media, as well as an extensive archive of back issue content. 

Bookings:
jmoss@teamwass.com

Management:
sunsetent@icloud.com

T-R-O-Y-B-O-I

DJ, Producer and Multi-Instrumentalist

Though its DNA touches on classic soul, rock, disco, and acid house, London-based producer and DJ Marcus Marr makes music for today. Marr’s work - released through DFA Records, Detail and New Finger Records - has been championed by Annie Mac, BBC Radio One, Pitchfork, SPIN, Clash Magazine and The Fader.

A regular at Berlin’s famed nightclub Berghain/Panorama Bar since 2014, Marcus Marr recently released the Familiar Five EP and performed a string of co-headline dates in North America with The Juan Maclean. He has previously appeared with the likes of Hot Chip, Floating Points, The Black Madonna and Optimo, and has performed at the highly-regarded MoMa PS1 Warm Up series, Day For Night Festival, and Art Basel Miami. Marcus has also contributed mixes to Beats in Space and Boiler Room

The FADER is the definitive voice of emerging music and the lifestyle that surrounds it. Through in-depth reporting and a distinct street sensibility, The FADER aggressively covers the most dynamic breadth of music and style emanating from the fringes of the mainstream to the heart of the underground. The FADER is the authority on what's next.

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French Pop Garage
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