This track I played live on my Korg Stage-Piano SP-250. It took three attempts to coordinate the changes and overlapping of sounds (maximum 2 sounds). In the end I needed one break in the recording session for more concentration on the second piano part (in 5:51). I recorded it with a minidisc deck. An excerpt of it you can find in the nightmare sequence of Til Kuhles' filmlet "Double Life" ("Doppelleben"): http://double-k.org/
For this film I also wrote the end title: https://soundcloud.com/wiesenberg/doppelleben-double-life

Heavy Sleep (Synapse Overflow)

Anglo-French composer / songwriter / singer / smiler, also contains lanolin. Happy to provide music, lyrics, vocals, drinks ... Thanks for popping in :-)

Music is a massive passion that walks beside my soul since ever  I've been educated in composition theory and classical guitar Curiosity and listening stimulate me in discovering harmonies and sonority that, besides widening the musical awareness become a main creative goad  At the moment I am working on some new sound tracks  My pieces could be used for TV and documentaries Corporate Retreat combined with relaxation motivation and spiritual meditation techniques  I would define my music "Soundtrack Ambient" 

  La Musica è una grande passione che mi accompagna da sempre  Sono stato educato in teoria di composizione e chitarra classica. 
La curiosità e l'ascolto mi stimolano a scoprire armonie e sonorità che, oltre ad ampliare la conoscenza delle diverse culture musicali diventano per me importante stimolo creativo  Attualmente sto lavorando alla composizione di nuovi brani per colonne sonore.  I miei lavori possono essere utilizzati per la televisione e per documentari, oltre a corporate retreat in combinazione con supporti per le tecniche di rilassamento motivazione e meditazione.
Definirei la mia musica "Soundtrack Ambient"

IT professional by day, musician by night :)

Pure Ambient Drone is a Professional music and sound designer who's work has been published in many different venues such and the film and video game industry.  www.PureAmbientDrone.com

Relaxing ambient space soundscape music is what Pure Ambient Drone is all about. It is chillout music with flowing electronica drones and ambient ripples of soundscapes. Pure Ambient Drone dedicates his music to those who love to just drift off into the inner space of their minds and find the sweet spot they call "Home".

Pure Ambient Drone's music is just pure untainted cosmic space ambient music to help relax and chillout your mind as the cosmic soundscapes have a hypnotic music effect on your emotions.

Pure Ambient Drone performs all his music on analog gear with just a touch of digital electronic flavor.

FAQ
Q. Why or how did you choose your bandname?
A. Well it wasn't easy picking a name because so many things play into it. I have to say though that after thinking about my music, I noticed that it is PURE within it's genre. I do not mean that as a pun. What I mean by it is this, too many bands/artists move away from their roots. I hope never to do that. Also, I like the way Pure Ambien Drone can be shortened to P.A.D. All of my music involves synthesizer pads so it was fitting.

Q. Do you play live? Where? Do you like it? Any special moments?
A. I can't even imagine playing my genre of music live unless it was at a library or a mattress store ha ha! Ok, maybe a stress clinic LOL.

Q. How, do you think, does the internet (or mp3) change the music industry?
A. It is awesome because now anyone can have their music heard. I love the idea of building a site and placing my music online for everyone to enjoy.

Q. Would you still sign a record contract with a major label?
A. Only if it opened more doors for people to hear my music. I certainly wound not want to be tied down creatively by them though. I would have to think about it.

History:
Oh man, I have been doing this type of music for awhile now, but only recently under the assumed name Pure Ambient Drone. I started around 2002. A friend of mine brought over a keyboard and I got to play with it for awhile and just fell in love. 

It wasn't long before I had my own keyboard and was writing tunes. At first ambient soundscapes were not my focus. One day though I put one together while playing around with some cool sounds and POW I noticed I had a knack for it! 

I actually now own the keyboard my friend brought over that day and it is very special to me because he committed suicide and I have it to remember by.

Q. Who or what are your musical influences?
A. Oh man! REALLY? Everyone and everything! I live in Missouri and we have some of the most beautiful places to visit out here. I was raised in a military family and have been to a lot of places all around the world. I have listened to so many types of music from Germany to Italy to the USA. Movies are a huge influence for me. I love science fiction films. They have a huge impact on my music. As for a short answer to the question, I would say my music sounds a lot like the following artists: Moby, Enigma, Orbital, Enya, Vangelis and Brian Eno

Q. Your favorite spot or city?
A. I use to live in Naples Italy and I really miss it over there. Someday I may return but for now it's good ol' Springfield, MO!

Q. What equipment do you use? 
A. Oh you had to ask! :) I have a select group of analog and digital equipment that I use. My secret weapon is the Yamaha AN1x. Anyone who has ever played one of these will know why! Also my Yamaha SY22, Moby used one on some of his albums. I also have an Roland MC-303 and the Roland F06. I don't use a lot of software synthesizers because of two main reasons. First, I think they sound too think and cold. Second, there is no character to them, they just are. I like the feeling of analog. I love used things that someone use to own and played on. 

ELECTRONIC MUSIC, AMBIENT, PROGELECTRO, PIANO and more ...
Artist contact via E-Mail: jens-hinrich@t-online.de

The instrument I learned first was the cello, later on the piano. In my childhood and youth I took part in several orchestras and choirs. At the age of 17 I started playing in rock bands; in 1989 me and my friend Daniel ("Vocebasso" and "Liedschmied", you find him here) founded the progressive rock band "The Lynx"
(my functions: keyboards, cello, backing vocals, songwriting and arrangement). In the early 90s I became more and more enthusiastic about electronic music and the German broadcast radio show "Schwingungen" with Winfrid Trenkler. With the help of my first synthesizers Kawai K1 and Korg T3 I started to compose tracks. After using the internal sequencers I discovered the possibilities of Cubase. 
Beside my activities in the cover rock band "Silent Sound", several projects I initiated in my function as a teacher for music in a secondary school and the singer- /songwriter project "WortSpiel" (https://www.facebook.com/DuoWortSpiel) I never stopped composing electronic music in the last 20 years. 
My music is most influenced by orchestral music (classic, soundtracks), progressive rock and pop music and - of course - by electronic music. I will never forget, when I was six years old and my brother put on the record "Oxygene IV" by Jean-Michel Jarre. Another track, which gave me magic moments, was "Force Majeure" by Tangerine Dream. The year 1990 meant the final electronic wake-up call, namely in the form of Ron Boots and his great record "Dreamscape". It's one of my favorites to this day.
The themes of my music are generally the nature, journeys and landscapes, personal relations and emotions and - within these associations - often the longing for inner and outer freedom, for the breakout of boundaries and fears. 
Wiesenberg: That's the maiden name of my mother (by trade a vocalist), which refers back to my roots and to the long way, my ancestors took from Salzburg (Austria) through Königsberg / Kaliningrad (Russia) to Rheda-Wiedenbrück (Germany, North Rhine Westphalia). I walked on - through Lower Saxony to Rhineland-Palatinate. Next stop: Who knows? In the end I am an expellee and a hermit - an "eremit".

All songs a written and performed by myself.
                            
                                MAIZE LEE
                                     UK

Producing by the alias J2P, his musical trademarks are orchestral arrangements, melodical, harmonical modulations, full emotional, which are highly suitable for emotional intros and trancebreakdowns.

Working together with DJs and  Producers to mix up the orchestral parts with EDM/Trance Sounds.

Music is the air one breathes and the water one drinks. It is the universal language allowing people to share emotions, feelings, joys and sorrows. it is the soul's essence and one of the most powerful means of communication.
If the audience feels emotional by listening to a song, it means that a symbiotic relationship between the artist and the listener has been built. 

"Massimo Ghianda" - Synths/keyboards, guitars, arrangements, composition, production.

Bio:
Producer, Composer/Musician, Teacher/Trainer, Application developer, Graphic & Sound designer.

Musical style:
Electronica, instrumental, ambient, celtic, neo-classical, progressive. 

Synthetizers used:
Minimoog Voyager, Prophet 08, Kurzweil K2600xs, Memotron, Waldorf Wave, Nord Lead 4, Elka Synthex, Waldorf Q, Emulator III, Roland V-Synth XT, E-Synth Ultra + RFX, Korg Wavestation A/D, Roland JD-990, Roland JD-800, Nord Rack 3, E-MU Morpheus, Yamaha CS6R, Roland XV-5080, Roland Integra 7, Novation Supernova, Korg M3, Roland U-220, E-MU Xtreme Lead-1, E-MU Vintage PRO, Roland XP-50, Korg Trinity, E-MU Ultraproteus, Waldorf Attack, Roland TB-303, Korg Triton.
Guitars used: Fender Stratocaster, Yamaha NTX1200R.

Influences:
Jean Michel Jarre, Tangerine Dream, Zimmer, Mike Oldfield, Jordan Rudess, Depeche Mode, Rush, Yes, Orbital, Vince Clarke, Yanni, Pet Shop Boys, Michael Cretu, Enya, Vangelis, Pink Floyd.

Heavy Sleep (Synapse Overflow)

WiesenBerg