Wonderful heartfelt production. I’m sure your mother would be proud.

synths in your tracks are so warm & mellow...lovely

lovely piece of music...very well orchestrated...loved listening Jens..

So Beautiful My Friend .. Sincerest Regards to you

These chilled beats work perfectly with the ambience and uplifting atmosphere, great work my friend :)

Ding dong. Drops On A Hot Roof.
Another track from my New Album : Ornamental Air -:::< !
Enjoy.

jahnneu.bandcamp.com/album/ornamental-air

Drops

The Railroad Earth

Désenchantée

My version of the  1991 song recorded by French singer-songwriter Mylène Farmer. It was released on 18 March 1991 and achieved great success in France, topping the charts for more than two months. It was Farmer's most successful song and is generally considered her signature song.

Désenchantée

https://youtu.be/cx1xMeZ9v1g 🖥️ 🫵 YOU!!! Watch!!!! 😂

Sin is the prison in which we are all born.

Picture by: Jheronimus van Aken
;)

🎬 Video

Fall Of Man

Because Of You

Shelter (Cover)

From my album "Through Trains" available on Bandcamp:

https://soundbymark.bandcamp.com/album/through-trains

Draw

Sometime you just need to put songs together and let it go.

The Sun Is Down

Composed by Roberto García.

Someone says to you the key of happiness.

All of Roberto's music and much more content on www.garciabrothers.es

All rights reserved (2023) ©

Jazzitude!

Summer boots 
When they shine 
We laughed 
We cried 
Under open skies 

Naked skin on the asphalt 
We run 
The joy 
We were so young 

Sometimes we don’t understand 
What it was 
Or what it meant 
I’m sure that I was here before 
Different place 
Same yellow door 

Summer boots 
How they shine 
We laughed 
We cried 
Arms open wide 
Light sparkles through the leaves 
Sweet promises 
We believed 

We’re only fifteen 

Sometimes we don’t understand 
What it was 
Or what it meant 
I’m sure that I was here before 
Different times 
Same yellow door 

Sometimes we don’t understand 
What it was 
Or what it meant 
I’m sure that I was here before 
Different place 
Same yellow door 

Summer boots 
When they shine 
We laughed 
We cried 
Under open skies 

Naked skin on the asphalt 
We run 
The joy 
We were so young


Black Cats and Criminals

Nostalgia

02 Nostalgia

Diese neue Komposition widme ich meiner geliebten Mutter, Ruth Agnes Kruhl, welche heute vor einem Jahr starb. Die Eingangsmelodie basiert auf dem geistlichen Abendlied „Nun ruhen alle Wälder“ von Paul Gerhardt (1607 – 1676). Die vorletzte Strophe daraus hat sie uns Kindern oft als Gute Nacht Lied vorgesungen:

„Breit aus die Flügel beide,
o Jesu, meine Freude,
und nimm dein Küchlein ein.
Will Satan mich verschlingen,
so lass die Englein singen:
'Dies Kind soll unverletzet sein.' “

Der zweite, „elektronischere“ Teil beschreibt zunächst die Gefühle der Trauer und Nachdenklichkeit, zum Ende hin dann aber auch der dankbaren Erinnerung und hoffnungsvollen Zuversicht, dass unsere Lieben auch nach dem Tod bei uns und um uns sind. 


I dedicate this new composition to my beloved mother, Ruth Agnes Kruhl, who died a year ago. The entrance melody is based on the spiritual evening song "Now Resting All Forests" by Paul Gerhardt (1607 - 1676). The penultimate verse of it she often sung us children as a good night song:

"Spread out the wings, O Jesus, my joy, and take in your little one. If Satan will devour me, let the little angels sing: 'This child shall be uninjured.' "

The second "more electronic" part first describes the feelings of grief and thoughtfulness, but then, finally, the grateful memory and hopeful confidence that our loved ones are with us and around us even after death.

WiesenBerg 2017

Home (Back In My Mother's Arms)

ELECTRONIC MUSIC, AMBIENT, PROGELECTRO, PIANO and more ...
Artist contact via E-Mail: jens-hinrich@t-online.de

The instrument I learned first was the cello, later on the piano. In my childhood and youth I took part in several orchestras and choirs. At the age of 17 I started playing in rock bands; in 1989 me and my friend Daniel ("Vocebasso" and "Liedschmied", you find him here) founded the progressive rock band "The Lynx"
(my functions: keyboards, cello, backing vocals, songwriting and arrangement). In the early 90s I became more and more enthusiastic about electronic music and the German broadcast radio show "Schwingungen" with Winfrid Trenkler. With the help of my first synthesizers Kawai K1 and Korg T3 I started to compose tracks. After using the internal sequencers I discovered the possibilities of Cubase. 
Beside my activities in the cover rock band "Silent Sound", several projects I initiated in my function as a teacher for music in a secondary school and the singer- /songwriter project "WortSpiel" (https://www.facebook.com/DuoWortSpiel) I never stopped composing electronic music in the last 20 years. 
My music is most influenced by orchestral music (classic, soundtracks), progressive rock and pop music and - of course - by electronic music. I will never forget, when I was six years old and my brother put on the record "Oxygene IV" by Jean-Michel Jarre. Another track, which gave me magic moments, was "Force Majeure" by Tangerine Dream. The year 1990 meant the final electronic wake-up call, namely in the form of Ron Boots and his great record "Dreamscape". It's one of my favorites to this day.
The themes of my music are generally the nature, journeys and landscapes, personal relations and emotions and - within these associations - often the longing for inner and outer freedom, for the breakout of boundaries and fears. 
Wiesenberg: That's the maiden name of my mother (by trade a vocalist), which refers back to my roots and to the long way, my ancestors took from Salzburg (Austria) through Königsberg / Kaliningrad (Russia) to Rheda-Wiedenbrück (Germany, North Rhine Westphalia). I walked on - through Lower Saxony to Rhineland-Palatinate. Next stop: Who knows? In the end I am an expellee and a hermit - an "eremit".

Home (Back In My Mother's Arms)

WiesenBerg

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