Brilliant production & vibe.  Congratulations 🌈

Cool fast figures. I like a lot the build here, the fine harmonics incoming

Diese Komposition schreibt das Thema "Pulse Of Steel" fort, welches sehr rhythmusbetonte, kraftvolle Elektronikmusik darstellt, die zum Teil Techno-Passagen enthält oder Ausflüge ins Progressive unternimmt. Part V enthält in den abschließenden Schlagzeugpassagen sowie in der sich auf- und abwärtsbewegenden Melodie eine bewusste Anleihe an das ursprüngliche erste Stück, welches auch schon auf dem Album "Neverending" erschien, wo es die Vertonung eines Bildmotives darstellt. Part V ist Teil des gerade erschienenen neuen Albums "Dancing Pulse", welches die Themen "Dancing Spirits" und "Pulse Of Steel" vereint. Ihr findet es auf Spotify und Bandcamp.

This composition continues the theme "Pulse Of Steel", which is very rhythmic, powerful electronic music, some of which contains techno passages or ventures into progressive. Part V contains, in the final drum passages and in the up and down moving melody, a conscious borrowing from the original first piece, which also appeared on the album "Neverending", where it sets an image motif to music. Part V is part of the newly released new album "Dancing Pulse", which combines the themes "Dancing Spirits" and "Pulse Of Steel". You can find it on Spotify and Bandcamp.

Pulse Of Steel Part V - Neverending Flow

ELECTRONIC MUSIC, AMBIENT, PROGELECTRO, PIANO and more ...
Artist contact via E-Mail: jens-hinrich@t-online.de

The instrument I learned first was the cello, later on the piano. In my childhood and youth I took part in several orchestras and choirs. At the age of 17 I started playing in rock bands; in 1989 me and my friend Daniel ("Vocebasso" and "Liedschmied", you find him here) founded the progressive rock band "The Lynx"
(my functions: keyboards, cello, backing vocals, songwriting and arrangement). In the early 90s I became more and more enthusiastic about electronic music and the German broadcast radio show "Schwingungen" with Winfrid Trenkler. With the help of my first synthesizers Kawai K1 and Korg T3 I started to compose tracks. After using the internal sequencers I discovered the possibilities of Cubase. 
Beside my activities in the cover rock band "Silent Sound", several projects I initiated in my function as a teacher for music in a secondary school and the singer- /songwriter project "WortSpiel" (https://www.facebook.com/DuoWortSpiel) I never stopped composing electronic music in the last 20 years. 
My music is most influenced by orchestral music (classic, soundtracks), progressive rock and pop music and - of course - by electronic music. I will never forget, when I was six years old and my brother put on the record "Oxygene IV" by Jean-Michel Jarre. Another track, which gave me magic moments, was "Force Majeure" by Tangerine Dream. The year 1990 meant the final electronic wake-up call, namely in the form of Ron Boots and his great record "Dreamscape". It's one of my favorites to this day.
The themes of my music are generally the nature, journeys and landscapes, personal relations and emotions and - within these associations - often the longing for inner and outer freedom, for the breakout of boundaries and fears. 
Wiesenberg: That's the maiden name of my mother (by trade a vocalist), which refers back to my roots and to the long way, my ancestors took from Salzburg (Austria) through Königsberg / Kaliningrad (Russia) to Rheda-Wiedenbrück (Germany, North Rhine Westphalia). I walked on - through Lower Saxony to Rhineland-Palatinate. Next stop: Who knows? In the end I am an expellee and a hermit - an "eremit".

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Big Beech

DavidSvensson

DavidSvensson

Tim.Christensen

Ana Danch

y. isobe🇺🇦

y. isobe🇺🇦

Heidi-Marie Arapa