Eine sehr schöne Musik zum wohlfühlen und genießen 🎶🌈😃😌🎶🎹 Macht Mut für positive und neue Wege zu gehen 💫🍀

Thank you Jens lovely to read your kind words and respect for all our collaborative projects.  It has always been a great honour to accompany your magnificent pieces over the years and even more so now the fact that I have had the opportunity to actually play the piano this time and have you accompany me.  You have really done a brilliant job with the electro-orchestral accompaniment.  Your encouragement and support of all our accompaniments and recognition of my musicianship skills has moulded me to the composer I am today.

I can hear you playing the piano at the end.  Wonderful ending.  Thank you.

Fantastisches Beruhigendes Stück mit Klavier und Strings die schön mitlaufen..Ist sehr Entspannend undwar schön hier einzutauchen..Weiter so

Ding dong. Drops On A Hot Roof.
Another track from my New Album : Ornamental Air -:::< !
Enjoy.

jahnneu.bandcamp.com/album/ornamental-air

Drops

The Railroad Earth

Désenchantée

My version of the  1991 song recorded by French singer-songwriter Mylène Farmer. It was released on 18 March 1991 and achieved great success in France, topping the charts for more than two months. It was Farmer's most successful song and is generally considered her signature song.

Désenchantée

https://youtu.be/cx1xMeZ9v1g 🖥️ 🫵 YOU!!! Watch!!!! 😂

Sin is the prison in which we are all born.

Picture by: Jheronimus van Aken
;)

🎬 Video

Fall Of Man

Because Of You

Shelter (Cover)

From my album "Through Trains" available on Bandcamp:

https://soundbymark.bandcamp.com/album/through-trains

Draw

Sometime you just need to put songs together and let it go.

The Sun Is Down

Composed by Roberto García.

Someone says to you the key of happiness.

All of Roberto's music and much more content on www.garciabrothers.es

All rights reserved (2023) ©

Jazzitude!

Summer boots 
When they shine 
We laughed 
We cried 
Under open skies 

Naked skin on the asphalt 
We run 
The joy 
We were so young 

Sometimes we don’t understand 
What it was 
Or what it meant 
I’m sure that I was here before 
Different place 
Same yellow door 

Summer boots 
How they shine 
We laughed 
We cried 
Arms open wide 
Light sparkles through the leaves 
Sweet promises 
We believed 

We’re only fifteen 

Sometimes we don’t understand 
What it was 
Or what it meant 
I’m sure that I was here before 
Different times 
Same yellow door 

Sometimes we don’t understand 
What it was 
Or what it meant 
I’m sure that I was here before 
Different place 
Same yellow door 

Summer boots 
When they shine 
We laughed 
We cried 
Under open skies 

Naked skin on the asphalt 
We run 
The joy 
We were so young


Black Cats and Criminals

Nostalgia

02 Nostalgia

Hier kommt es: Das Jubiläum! Es ist die 10. Zusammenarbeit von Heidi-Marie Arapa und mir. Aber zum ersten Mal orchestrierte ich IHR Klavierspiel. Bisher war es immer umgekehrt. Ich habe auf meiner KORG KROME Music Workstation gespielt.
Und verpasst nicht das Ende - versteht es als kleine Widmung an Heidi-Marie Arapa. Ihr werdet wissen, was ich meine, wenn ihr die letzte Minute hört.

Here it comes: The Jubilee! It is the 10th collaboration of Heidi-Marie Arapa and me. But for the first time I orchestrated HER piano playing.  So far it has always been the other way round. I played on my KORG KROME Music Workstation.
And don't miss the end - understand it as a little dedication to Heidi-Marie Arapa. You will know, what I mean, when you hear the last minute.

Collaborations

Heidi-Marie Arapa (ambient piano), feat. WiesenBerg on synth cello and orchestra: Tomorrow

ELECTRONIC MUSIC, AMBIENT, PROGELECTRO, PIANO and more ...
Artist contact via E-Mail: jens-hinrich@t-online.de

The instrument I learned first was the cello, later on the piano. In my childhood and youth I took part in several orchestras and choirs. At the age of 17 I started playing in rock bands; in 1989 me and my friend Daniel ("Vocebasso" and "Liedschmied", you find him here) founded the progressive rock band "The Lynx"
(my functions: keyboards, cello, backing vocals, songwriting and arrangement). In the early 90s I became more and more enthusiastic about electronic music and the German broadcast radio show "Schwingungen" with Winfrid Trenkler. With the help of my first synthesizers Kawai K1 and Korg T3 I started to compose tracks. After using the internal sequencers I discovered the possibilities of Cubase. 
Beside my activities in the cover rock band "Silent Sound", several projects I initiated in my function as a teacher for music in a secondary school and the singer- /songwriter project "WortSpiel" (https://www.facebook.com/DuoWortSpiel) I never stopped composing electronic music in the last 20 years. 
My music is most influenced by orchestral music (classic, soundtracks), progressive rock and pop music and - of course - by electronic music. I will never forget, when I was six years old and my brother put on the record "Oxygene IV" by Jean-Michel Jarre. Another track, which gave me magic moments, was "Force Majeure" by Tangerine Dream. The year 1990 meant the final electronic wake-up call, namely in the form of Ron Boots and his great record "Dreamscape". It's one of my favorites to this day.
The themes of my music are generally the nature, journeys and landscapes, personal relations and emotions and - within these associations - often the longing for inner and outer freedom, for the breakout of boundaries and fears. 
Wiesenberg: That's the maiden name of my mother (by trade a vocalist), which refers back to my roots and to the long way, my ancestors took from Salzburg (Austria) through Königsberg / Kaliningrad (Russia) to Rheda-Wiedenbrück (Germany, North Rhine Westphalia). I walked on - through Lower Saxony to Rhineland-Palatinate. Next stop: Who knows? In the end I am an expellee and a hermit - an "eremit".

Heidi-Marie Arapa (ambient piano), feat. WiesenBerg on synth cello and orchestra: Tomorrow

WiesenBerg

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