Neu auf Spotify: Musik, die die Atmosphäre und Stimmungen der Herbstzeit einfängt. Eine EP mit fünf Tracks aus den letzten Jahren, einschließlich meiner neuesten Piano-Solo-Komposition „When October Comes To An End“ und einer Zusammenarbeit mit Heidi-Marie Arapa.

New on Spotify: Music that captures the atmosphere and moods of autumn. An EP with five tracks from the last few years, including my brand new compsition for piano solo, „When October Comes To An End“, and a collaboration with Heidi-Marie Arapa.

Autumn

Scattering Autumn Leaves

Diese Komposition entstand heute aus dem Moment heraus, an einem recht tristen, verregneten Tag Ende Oktober, welcher vom Ende des Herbstes kündet. Ich widme es dem unvergessenen Pianisten und Komponisten George Winston, welcher am 4. Juni diesen Jahres starb.
This composition was created today out of the moment, on a rather dreary, rainy day at the end of October, which heralds the end of autumn. I dedicate it to the unforgettable pianist and composer George Winston, who died on June 4th this year.

When October Comes To An End

Repost of my collaboration with Heidi-Marie Arapa.

This track presents Heidi-Marie Arapas additions to my piano solo composition "Scattering Autumn Leaves". We have been collaborating now for over 14 months & have a lovely set of collaborations. 
The link below is the original track, that she has added the introduction to:
https://soundcloud.com/wiesenberg/scattering-autumn-leaves

She has added synth-clarinet, synth-strings and more synth-sounds, which then flows on to my composition.

Hope you enjoy her additions!

Scattering Autumn Leaves, feat. Heidi - Marie Arapa on synth

This is my contribution to the "November 2014 New Music Discussions" of the Piano Cloud.

Rising Haze On November Fields

Ein ganz entspannter, etwas wehmütiger Track - inspiriert durch den Wechsel der Jahreszeit und meinen neu erworbenen KORG-KROME-Synthesizer.
Relaxed music, a  bit melancholy - inspired by the change of season and my new KORG-KROME-synthesizer.

WiesenBerg 2019

Autumn Song (Lost In Summer Memories)

ELECTRONIC MUSIC, AMBIENT, PROGELECTRO, PIANO and more ...
Artist contact via E-Mail: jens-hinrich@t-online.de

The instrument I learned first was the cello, later on the piano. In my childhood and youth I took part in several orchestras and choirs. At the age of 17 I started playing in rock bands; in 1989 me and my friend Daniel ("Vocebasso" and "Liedschmied", you find him here) founded the progressive rock band "The Lynx"
(my functions: keyboards, cello, backing vocals, songwriting and arrangement). In the early 90s I became more and more enthusiastic about electronic music and the German broadcast radio show "Schwingungen" with Winfrid Trenkler. With the help of my first synthesizers Kawai K1 and Korg T3 I started to compose tracks. After using the internal sequencers I discovered the possibilities of Cubase. 
Beside my activities in the cover rock band "Silent Sound", several projects I initiated in my function as a teacher for music in a secondary school and the singer- /songwriter project "WortSpiel" (https://www.facebook.com/DuoWortSpiel) I never stopped composing electronic music in the last 20 years. 
My music is most influenced by orchestral music (classic, soundtracks), progressive rock and pop music and - of course - by electronic music. I will never forget, when I was six years old and my brother put on the record "Oxygene IV" by Jean-Michel Jarre. Another track, which gave me magic moments, was "Force Majeure" by Tangerine Dream. The year 1990 meant the final electronic wake-up call, namely in the form of Ron Boots and his great record "Dreamscape". It's one of my favorites to this day.
The themes of my music are generally the nature, journeys and landscapes, personal relations and emotions and - within these associations - often the longing for inner and outer freedom, for the breakout of boundaries and fears. 
Wiesenberg: That's the maiden name of my mother (by trade a vocalist), which refers back to my roots and to the long way, my ancestors took from Salzburg (Austria) through Königsberg / Kaliningrad (Russia) to Rheda-Wiedenbrück (Germany, North Rhine Westphalia). I walked on - through Lower Saxony to Rhineland-Palatinate. Next stop: Who knows? In the end I am an expellee and a hermit - an "eremit".