<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3

Music Makers from Hull / Manchester / London / New York / Austin / Madrid / Valencia / Honolulu / Seattle / California  / Alabama  / Paris /  Ghana / Canada / Perth / Melbourne / Austria 

Supported by Pigeons &amp; Planes, Boiler Room, Dezeen, HillyDilly, Ghetto Funk, Vivenne Westwood, The Music Ninja, Kick Kick Snare, BBC Radio 1, Zane Lowe, Huw Stephens, Drowned in Sound, The 405, XLR8R, Alltomorrowmusic and you!


Releases for  ->
https://soundcloud.com/kevlakat (UK)
https://soundcloud.com/skygaze85 (Spain)
https://soundcloud.com/lyonandlowe (uk/Usa)
https://soundcloud.com/sandrarapulp (Spain)
https://soundcloud.com/blakchyl (Austin)
https://soundcloud.com/jack-thomas-conman (Hull/Manchester)
https://soundcloud.com/notesfloats (Austin, Texas)
 https://soundcloud.com/player-one-2014 (Ghana to Uk)
https://soundcloud.com/kilmatik-stax (Austin)
https://soundcloud.com/bdrmm (Hull)
https://soundcloud.com/the-redcords (Falmouth)
https://soundcloud.com/tomrabinmusic (London)
https://soundcloud.com/ochoalg (Spain)
https://soundcloud.com/endoflevelbaddie (UK)
https://soundcloud.com/prodbyelzie (Alburn, US)
https://soundcloud.com/braeden-bailey-1 (Dallas, US)
https://soundcloud.com/sleepingloops (NYC)
https://soundcloud.com/hunter-jones-atx (Austin, Texas)
https://soundcloud.com/dear-no (Austria)
https://soundcloud.com/gigaherb (NYC)
https://soundcloud.com/salmankushdi (Manchester)  https://soundcloud.com/valtzy (Hawaii
https://soundcloud.com/abrigo-de-pelos (Spain)
https://soundcloud.com/evolver1980 (Austin, Texas)
https://soundcloud.com/stroikmusic (USA)
https://soundcloud.com/mickelindebergh (London)
https://soundcloud.com/thebandseabright (USa)
https://soundcloud.com/b-i-t-m-a-p (UK)
https://soundcloud.com/humanmachine (Unknown)
https://soundcloud.com/noisik (London)
https://soundcloud.com/livelans (Hull,Uk)
 https://soundcloud.com/eky-2 (UK)
https://soundcloud.com/shagabond (Canada)
https://soundcloud.com/blackdots (UK)
https://soundcloud.com/babiessick (Hull)
https://soundcloud.com/madman900 (Italy/Uk)
https://soundcloud.com/drartzmassive  (UK)
https://soundcloud.com/tomskellymusic (UK)
https://soundcloud.com/pexl (Unknown)
 https://soundcloud.com/lastnerdmusic (NYC)
https://soundcloud.com/huias (Spain)
 https://soundcloud.com/djfast-t (UK)
 https://soundcloud.com/cool-fun (UK)
https://soundcloud.com/myth-exists (UK)
 https://soundcloud.com/louisslater (UK) &lt;3

this project has concluded

https://soundcloud.com/onlyafter6pm
https://soundcloud.com/empty-buses

co-founder at: https://soundcloud.com/sodaisland

make the shit u wanna hear
https://herzeloyde.com

https://soundcloud.com/lay-down-with-me x https://soundcloud.com/arfus

earthdelalings@gmail.com



Booking:
North America: Jonathan Briks : United Talent
Rest of the World: Mike Malak : Wasserman

Press: Nick Dierl / Bradley Bledsoe - Orienteer

Management:
DenzelCurry@lowereastcoast.com

FLAWLESS LIKE ME
DASHBOY - Glory Boy 

FlawlessLucki.com

ˏ₍•ɞ•₎ˏ ˎ₍•ʚ•₎ˏ ⭐️


▪ contact: grynpyret@gmail.com

▪ co-founder / inhabitant @sodaisland

"As a child, I grew up sitting in front of a computer by myself. That is where I learnt about music; playing video games and watching endless reruns of cartoons and American TV shows. Television gave me shelter when I was alone, nursed me with Hollywood’s mythologies. It guided me through nameless countries; with it I brought down colossuses and climbed mountains. I preached its beliefs. But when I grew up, all my heroes died. 

Today, I still come to mourn in deserted movie theatres. There, lights flash before my eyes. But I don’t feel anything in face of the latest blockbusters and their visual explosions, these chaotic clusters where Mechas and Kaijus pile up in between fights under the rain, tsunamis and apocalyptic scenes… Yet I feel numb, except for the roaring sub-basses that fill the void of cinemas. My music is for those who, like me, have grown up amongst the ruins of blockbusters. For them my bass trembles and my synths screech. 

But I know that beyond this digital coldness lie other horizons, other possibilities."

Danger


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