BOOKING: zberkowitz@teamwass.com

MGMT: david@kompassmg.com

From a small town in Michigan to being called one of “electronic music’s brightest rising stars” - Wreckno is a 27 year old queer rapper/producer/DJ creating a safe space for LGBTQ+ people in the Bass Music/EDM world. His music has charted #1 in TikTok's Pride category (followed by Donna Summer & Madonna), was featured in Fortnite, and has garnered support from some of EDM’s biggest acts. Wreckno’s recent EP, PANSY, explored the concept of reclaiming and finding power in hate speech once used against him. Paper Magazine stated that the release “puts queer empowerment first and obliterates the competition in the process.”

WICKED LIPS OUT NOW!
https://empire.lnk.to/Wickedlips

Damian Robert Nesta Marley, also known around the world as “Junior Gong” and more recently as “Gongzilla” was born in 1978 to parents Bob Marley and Cindy Breakspeare, Miss World 1976.  As a young adult, he developed a passion and a gift to speak for those who cannot always speak for themselves. A self-proclaimed ‘Spiritual Revolutionary’, Damian has worked assiduously to carve his own niche in music history and to add a new perspective to the Marley legacy for the 21st century. 

At the age of 13, Damian began performing in a group called “The Shepherds” which comprised of Shiah Coore (son of Third World guitarist Cat Coore) and currently a member of his band, and Yashema Beth McGreggor, daughter of reggae singers Freddie Mcgreggor and Judy Mowatt and then began touring with his brothers, Stephen, Ky-mani, Julian and Ziggy. 

By 1996, Damian had already made his stamp as a different kind of Marley when he released his first solo album “Mr. Marley”, a heavily dancehall-influenced album produced by his brother Stephen Marley.  His second album “Halfway Tree” was released in 2001 by a major record label and showcased Damian’s unique gift for blending dancehall, reggae and hip-hop styles.  This album won Damian much recognition and remained on the Billboard Top Reggae Album Charts for 158 weeks and earned him his first Grammy for Best Reggae Album in 2002. 
While honored by this recognition by the global music fraternity, Damian continued to work in the studio, laying the groundwork for the tracks that would become his highly anticipated album, “Welcome To Jamrock”. The lyrics in this album presented Marley as a true spiritual revolutionary, as he used his talent to evoke a spiritual change while trying to enforce a better way of thinking.  He is described as “rhyming with the conviction of a street preacher with the intellect of a university economist”.  

Damian’s hit single “Welcome to Jamrock” was listed as one of the Top 100 Songs of the Decade by Rolling Stone, and at the 2006 Grammy Awards, he won Best Reggae Album and Best Urban/Alternative Performance for Welcome to Jamrock. Damian is the only Jamaican reggae artist in history to win two Grammy Awards on the same night. He is also the only reggae artist to win in the Best Urban/Alternative Performance category at the Grammy Awards. The New York Times called Welcome to Jamrock the “best reggae song of the decade.” 
Welcome to Jamrock led the pathway to Damian’s critically acclaimed collaboration with Nas for 2010’s much lauded album “Distant Relatives” – a project which explored the relationships between reggae, hip-hop and Africa. The album title refers not only to the bond between the artists, but the connection to their African ancestry, which inspired the album both musically and lyrically. USA Today referred to the album as a “potent and often provocative collaboration” and by Rolling Stone as “an Afrocentric winner.” The album debuted at Number 5 on the Billboard Top 200 Album Chart and Number 1 on the R&B/Hip-Hop Albums, Rap Albums and Reggae Albums charts, with Billboard heralding the album as “a dynamic hybrid.”    

The Distant Relatives Tour kicked off in 2011 and saw Damian traveling and performing for thousands of fans all over the world, including South America, Europe, The United Kingdom, The Caribbean and North America.  

Damian continued to cross musical boundaries in 2012, as he went on to partner with Skrillex for their groundbreaking track “Make It Bun Dem”, which Rolling Stone called “a monster mash up of dubstep and dancehall” and has led to several remixes of the original version.  Damian recently released two other singles; “Set Up Shop” and  “Affairs of the Heart” which both received widespread airplay. 

Damian continues to tour with his band all over the world as a way of entertaining and healing as he continues to spread the message for those whose voices cannot be heard. He is working with his brothers Stephen and Julian under their Ghetto Youths International Label, to discover, develop and sign gifted artistes by applying their musical talent and vast experience to create new and different styles of music.  

Damian is currently in the studio working on his upcoming solo album.

MGMT 💎   david@kompassmg.com
AGENT  💎   maxx.lesnick@roamartists.com
General  💎   superfuturedj@gmail.com
Merch 💎  https://www.superfuturedj.co/merch
Demos  💎   https://discord.com/invite/66BKZznt6n

@odyzeymusic
@hypnovizion
@spinninrecords
@sskwanofficial
@morflorecords
@bassrush
@allgoodrecs
@subcarbon

From one of the most musically-rich cities of the USA, you’ll find artist Nick Rowland, an integral player in the Detroit electronic music scene, shining with the vibrant look and sounds of his alias, Super Future. His style is a diverse combination of experimental bass, beautiful melodies, bright future-style synths, and hard-hitting dance beats all complimented by the occasional virtuosic guitar solo. With all of the genres his art blends, his range and originality are creating a larger and more impressive musical statement with each coming year. Having a range of major tastemakers like Zeds Dead, Subtronics, Tape B, GRiZ, Rezz, CloZee, Of The Trees, and LSDREAM all supporting his music, this Future is always looking more Super.

It’s easy to hear that Rowland’s musical inclination was harnessed early, when he was shredding classics on guitar. His music today has echoes of his early love for live instrumentation, with elements of various guitar and percussion types underneath the forward-thinking experimental and contemporary dance sounds. Super Future can just as easily bring the nostalgia of 2010 melodic dubstep as he can wield the most unheard-of experimental bass nuances in the same live experience. In the middle of all that, Rowland can invoke powerful emotion with his downtempo and have you throwing ass five minutes later! Catch him on tour near you to see why Super Future is thought to be one of the most musically diverse, and most prolific sound design engineers of his EDM generation.

Founder of 'Velocity of Techno', a Denver based event company focused on hypnotic grooves & rhythms.

Enjoy some live sets of mine with a varied range between hypnotic, hardgroove, and neo-rave/hard techno!

Even their name is unique.

But that’s not the only thing that sets Pretty Ricky apart from the rest of the pack.

From their configuration – one singer and three rappers – to their image –
handsome, young and sexy – Pretty Ricky has been in a league all its own since
they first hit the scene in 2005 with “Grind With Me,” the smash single from their
platinum debut CD, “Bluestars.” Says member and resident producer Diamond
Blue Smith, “In a time where record labels are generically making bands on
reality shows, Pretty Ricky is the last of a dying breed.”

With a sound that is one part hip hop, one part R&B, Pretty Ricky practically
invented and single-handedly mastered the art of combining melodies,
harmonies and dope raps. They took their signature sound and injected it into
a predominantly hip-hop marketplace during a time when crunk music ruled the
airwaves. The result was the birth of an exciting twist on both genres that would
be imitated – but never duplicated – by their successors.

Adoration for Pretty Ricky caught on early. Their debut CD spawned two of their
three top ten hits and set the stage for their sophomore CD “Late Night Special,”
which topped the charts and owned the number one spot for five consecutive
weeks. Pretty Ricky mania erupted as reports of fanatical fans fainting at
concerts and standing in interminable lines at record stores ran rampant. Atlantic
Records COO Craig Kallman likened it to Beatle-mania.

As a group, Pretty Ricky is known for their sexy, sensual (borderline raunchy)
music and stage shows. But there’s much more to these Miami natives, known
individually as Diamond, Spectacular, Lingerie and Slick’em, than meets the eye.
It’s safe to say these guys really do mean business. Julie Greenwald, president
of Atlantic Records, once proclaimed, “Diamond Blue is the new Puffy in the
making.” (Diddy himself referred to the band as “the new Jodeci.”)

These music impresarios know that Pretty Ricky have all the traits that
superstars are made of: business sense, vocal innovation, showmanship and, of
course, dynamic personalities. Says Diamond, “The various personalities of each
individual member is what gives the band diversity. Spectacular brings the sex-
appeal, Slickadelaphante brings out the wild and crazy side of the band, Lingerie
provides the charismatic, R&B, sultry side and I’m the business man; collectively,

We are the Kings of the Bedroom!”

The future is open wide: Join us at homebase, bassnectar.net
or take a deeper dive on The Other Side for unreleased music, mixes, and more: unlocktheotherside.com

Twitter / TikTok: Skrillex

F*CK U SKRILLEX YOU THINK UR ANDY WARHOL BUT UR NOT!! <3 out now: https://skrillex.lnk.to/fus


Get more music from Skrillex
Spotify: https://skrillex.lnk.to/Spotify
Apple Music: https://skrillex.lnk.to/AppleMusic
YouTube: https://skrillex.lnk.to/YouTube

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