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Do Anything Mix

Co-mixed with @Aasthma.

There are few people who have had as much of an impact on contemporary electronic music as Karin Dreijer, whether with their brother Olof in The Knife or with their solo project, Fever Ray. From massive indie-pop hits to paradigm-shifting dance records, Dreijer's work takes a psychedelic, plasticine approach to synth pop, with their trademark pitch-shifted vocals and psuedo-tropical beats. As Fever Ray, they've tapped into the global club music underground, working with producers like Nídia, Paula Temple, Deena Abdelwahed, Vessel and, on new album Radical Romantics—one of our favourite albums of the year so far at RA, hands down—even Nine Inch Nails.

Other important collaborators in Dreijer's world are Peder Mannerfelt and Pär Grindvik, the Swedish techno producers who have been working with Fever Ray since the first album back in 2009. They co-mixed this RA Podcast. The mix is a survey of Dreijer's favourite dance music, some of which informs their one-of-a-kind sound world as Fever Ray. There's plenty of music from the groundbreaking East African scene centered around Nyege Nyege Tapes, plus DJ Haram, Equinkoxx, Tayhana and more, and even two exclusive, upcoming Fever Ray remixes from Avalon Emerson and Nifra. It's a rare look into the musical tastes of a true visionary.

Read more at https://ra.co/podcast/883

Photo: Flemming Bo Jenson

RA podcast

RA.883 Fever Ray

Recording of Ben UFO's set at Dekmantel Festival 2023.

Ben UFO at Dekmantel Festival 2023

Kiosk & The Lot Radio proudly present their three-day broadcast at Horst Festival’s Moon Ra stage, showcasing New York’s and Brussels’ vibrant communities at one of Europe’s leading festivals. 

Sustain-Release boss Aurora Halal showing Moon Ra how it’s done in New York 🧃

kioskradio.com
thelotradio.com 
horstartsandmusic.com


Aurora Halal | Kiosk x The Lot Radio x Horst Festival 2024 @ Kiosk Radio 09.05.2024

I love playing music set to visuals. Usually it's set to my video collaborations for my live shows, but this time I got to DJ amongst Christopher Bauder's light installation at Dark Matter in Berlin to create an audio-visual conversation. 

The audience in Berlin is amazing too, being the magnet for electronic music people that it is, and not being one of the historic clubs there with their specific musical identity to integrate with, this was anything goes and just feeding on the energy in the room. And there was a lot of energy in the room, as you can hear in the mix. 

I let loose pretty much…. It’s a club set, how I'm into club sets, at least. With some new unheard things in there and lots of old favourites from over the years. 

Llyr opened the night with a really nice set that built as the evening unfolded - listen to that here if you like: https://soundcloud.com/llyr1101/

I hope there's some things in there you like, I'll get the tracklist up asap too, I'm just in the midst of a release deadline at the moment. 


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Join my mailer for first tickets + releases: https://a.os.fan/MaxCooper/SignUp (+ Mesh Discord community)

Website: https://maxcooper.net/
Instagram: www.instagram.com/maxcoopermax/
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Max Cooper DJ set at Dark Matter Berlin 8 June 24

Track 1 of the d.o.i. project. Cover art: Mindstronaut.

Silence

Something to dance to in these weird times!

My first mix ever. Let me know what you think.

Q

TRACKLIST:
Donato Dozzy - 12H.3
HAAi - Drumting
Qtier - Set Me On (David August Remix)
Enrico Sangiuliano - Dutch Kiss (Inner Mix)
Marco Lys - Visions Of You (Khainz Remix)
Artbat - Wall
Renato Cohen - Sauna
Kasablanca - Hold Me Close (Extended Mix)
Moonwalk - Meteora
Spirit Catcher - Closer (Original Mix)
Oliver Huntemann - Rotlicht (Original Mix)
JoeFarr - Spectate (Max Cooper Remix)
Umek - Vibrancy (Original Mix)
ALX - Northern Lights (Original Mix)
Four Tet - Sing (Floating Points Remix)

Autumn 2020 mix

White Pony

Change (In The House Of Flies) [Tourist Remix]

Wildkamp is the moniker of James Keene, a London based producer and songwriter. Originally from the Netherlands, he spent the 2010s writing fusion jazz tracks and playing the tenor sax in his nu-funk band Boom Petit. Whilst cutting his teeth on the Dutch circuit and working to improve as a composer, he wrote a play, composed its soundtrack, and sung in a theatrical folk act. An accumulation of electronic vocal tracks on his harddrive led to the decision to craft several into finished songs and release them as Wildkamp. The resulting sound melds influences from synth-pop, techno, neo-folk and jazz, with the human voice as a focal point.