JJEMMEIII received a track from me which he transformed with time stretching.

See JJEMMEII:
http://soundcloud.com/jjemmeiii

See photos of the Kokeka:
http://www.flickr.com/photos/wbhmatthies/5338366905/in/set-72157625656922019/

This is phenomenal! But what is a kokeka? Is it something you built?

This the most ..........  I've ever heard. beyond innovative. lost for words

Fantastic! I love how warped this piece is. It's really unsettling.

great sound!amazing! I like that iron sound...!

Beautiful sounds, textures, and modulations!

Kokeka pieces re-mixed by JJEMMEII
http://soundcloud.com/jjemmeiii

Wilhelm Matthies with JJEMMEIII

JJEMMEIII KokekaPart1 2-22-11

JJEMMEII very skillfully processed a FreeImprovisation on kokeka by Wilhelm Matthies

JJEMMEIII ft. Wilhelm Matthies - Kokeka Part II: Blindsided

Orange sky - Filmstadt Underground

shaku krell improv

Calls

Marco Lucchi : synthesizers and tanpura & tabla app

E.F.S. chautaal in C#

levetatha

A tune recorded in WaveMapper. This is from the soundtrack to the 1988 film by Japanese director Akari Ito. The film explores the how a young boy called Hinta as he dreams of a world of mystic castles, ravens and ghosts in dunes. 

Themes From Forgotten Films Vol 2:Ghost In The Dunes

This time the tree came out after playing.

Cedrus libani

When the authentic self seeks to create an environment set apart from the all pervasive false reality and narratives of these distorted times, it must do so without foundation or context, upon a tabula rasa, an arte povera, from nothing, and how better than through joyful aimless play with no intention other than to create and exist within the moment, through art and music and dance, away from symbols and language and meaning, away from expectation or reception, a creator with no audience or consumer, for the simple  fun of it. And it must be fun; if working hard and making effort are key to success or gaining respect then neither success or respect are important, one need not pass beyond gatekeepers for something as worthless as approval. There are no bad paintings. Want for nothing other than to know the people sing even if you hate their song. Smile at their terrible dancing, then dance yourself.

SQRIA is like all my other recordings in that it is made live only with small cheap synth boxes (Korg Volca (Sample1, FM1, Modular, Kick), Korg NTS1, Korg SQ1, Bastl Kastle (1.5, Drum and ARP)) - no daw or complex programming - just some forethought/intention and the generation of a suitable playspace - then recording what happens as I move things about. SQRIA is different in that each track is originally hours long and then edited down to something near 20 minutes.

A/ Like Seeds Without Rain

Pneumatic

kadük

I share music that I have made here solo or in groups. I am bundling my work with some online friends as a project oriented, micro-collective. We are happy to share with you!

https://darkpebble-bluewave.bandcamp.com/

Wilhelm Mattthies, John Daly (aka Tuneind52), Paulo Chagas and Matthias Boss

JJEMMEIII KokekaPart1 2-22-11

Wilhelm Matthies

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