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Local Music Cafe for December 31st, 2024

12.31 - David Wax Museum, Will Dailey, almost olive and much more

This feature airs on MVYRADIO (88.7FM for the Cape & Islands, 96.5FM in Newport, and online at MVYRADIO.ORG) every Tuesday at 9pm ET and repeats Sunday at 8pm ET

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Local Music Cafe for December 31st, 2024

Boston-bred singer-songwriter Will Dailey has a new record out called BOYS TALKING. Well, it’s not “out” out. As in: It’s not streaming on all the usual platforms — which means it’s not available to be randomly and conveniently ignored. If you want to get Will’s new record, all you have to do is…

1. Get out of the house.
2. Go to a club that’s hosting one of his live performances. 
3. Look him in the eye and purchase it from him. 

Simple, right? But in this world of complacent digital bubbles, this basic act of human connection feels like a clarion call of spiritual rebellion. And we at the LIFERS podcast are here for it. Join us for a deep (deep) conversation with Will about art, music, commerce, and being fucking ALIVE!!!
Also: Gabe forgets that he already showered for the day.

206. LIFERS - Will Dailey

Quick remix of a song by some bloke, for the LOLs.

Stems: https://www.izotope.com/en/learning/rx/izotope-sessions-fixing-a-mix-with-will-dailey.html

Will Dailey - Today Is Crushing Me - RDJR Remix

Will Dailey - RIse

Oh, Neighbor 
Am I good to know?
I found it hard to leave my temporary home
No corners
Yours is his is mine

Oh the bridge to heaven
Is the hardest one to climb
But that sweet feeling
When you don't have to try anymore

A long distance
Lay before my eyes
I was invited
Why do you look so suprised?
And I heard you when you asked me "where did you go"
Well, I was in your company
Yeah, that's me now

Oh the bridge to heaven
Is the hardest one to climb
But that sweet feeling
When you don't have to try anymore
.
.
.

Recorded at Castle Wingaersheek, 10/18
Written & Performed by Mike Fiore
Produced & Mixed by Mike Fiore
Mastered by Scott Craggs at Old Colony Mastering

Bridge to Heaven

Produced by: @latrelljames
Engineered by: @lightfoot
Cover Artwork Shot by: Nik Weikert
Cover Art Direction: @LordFelix

Next Show: http://bit.ly/2UVH7
Stream: https://fanlink.to/tracphone

Tracphone

Stream

New Mexico and a childhood spent moving from oilfield to oilfield for his father's jobs, Ryan Bingham rode bulls and eventually learned to play a guitar given to him by his mother for his 16th birthday. From a first gig at a biker party, to every roadhouse in the nowhere South, he honed his songwriting and playing eventually landing a deal with Lost Highway records.

His big break came appearing in the film Crazy Heart alongside Jeff Bridges and his song from the film, "The Weary Kind" earned Bingham an Academy Award, Golden Globe Award, and Critics' Choice Award for "Best Song" in 2010, as well as a Grammy in 2011. The Americana Music Association Also named Bingham 2010's Artist of the Year.

Almost a decade on, Ryan is still writing, acting (most recently in the Netflix series Yellowstone) and making great records. Online Publisher Geoff Stanfield caught up with Ryan in Seattle to chat about recording his latest release American Love Song. Enjoy!

Sponsored by Burl Audio
www.burlaudio.com

Episode 27: Ryan Bingham

Mark P. is here with his debut Mixtape, "Tomorrow Still Comes" follow Mark P. where he goes from flexing, to heartbreak, to finding happiness once again. 'Broly' 'Stop It' 'Too Nasty' are all examples of mindlessly flexing for clout. 'Broken Mind' and 'Sorry' copes with the heartbreak. 'Tomorrow Still Comes' is about finding his happiness and the project is finished off with the meme that is 'Lemonade'

Tomorrow Still Comes

Tomorrow Still Comes (Feat. Albrxght)

15 year old me, singing and playing drums with my band, BLACK LIGHTNING. This is us in '84, doing a rough approximation of 
'More Than Fashion' by legendary Boston hahdcoah band D.Y.S.

More Than Fashion Take 2

Will Dailey's sound has been described as a venn diagram of multiple genres with a rich vintage vibe channeled through his authentic, wry and energetic performances. All inspiring famed rock journalist Dan Aquilante to call him “the real deal”. Dailey's albums are met with stellar reviews, top 20 on the national Billboard Heat Seeker chart twice and he’s won 8 Boston Music Awards including Album of the Year, Artist of the year for his album National Throat that he released after leaving Universal Records to start his own label. "Make Another Me", the first single from is new album, comes out September 27th. 
He has shared the stage and studio with Eddie Vedder, Willie Nelson, Roger McGuinn, Kay Hanley, G Love, Steve Earle, and Tanya Donelly. In June of 2013 he was featured on a Stephen King/John Mellencamp project produced by T Bone Burnett called Ghost Brothers Of Darkland County and, in that same year, also released an original song he wrote inspired by Jack Kerouac's Tristessa.  Dailey has played at Farm Aid four times alongside Neil Young, Willie Nelson, Dave Matthews and John Mellencamp. His latest album, Golden Walker, was released summer of 2018 and hit #1 on Billboards Northeast Heat seekers. The Boston Herald called the album: “A new peak” and named it an album of 2018. In 2021 Dailey set out to play 100 shows across America, sharing stages with Brandi Carlile, Sharon Van Etten and Pearl Jam.
In summer of 2022 Dailey released his single “Easy to Be Around” with a 68 second surprise attached to it. The single slides into a second song that lists the full credits from the instrumentalists to the cover artist and all the audio engineers in between. In 2023 Dailey embarked on another project called The 10 Dollar Song: A concept where a new composition called "Cover of Clouds" was available exclusively on his merch table, never to be released physically or on digital platforms, during a 25 date spring tour.  People pay what they want to listen to it once on a disc-man and headphones. Then write their thoughts in a book that travels with the song. In an era of music history that’s ruled by algorithms, the double-single of sorts could be considered a risk, but Will Dailey disrupts industry norms - not the other way around.