thanks so much for this such a great listen

This focus on Sean's sound rather than the loss of this great guy is most welcome.

nice mix, thank you Viva creative music 👊

Val Clipp ╚═ Future Intel ═╗ 03 - 18 - 2021

Tramonto

https://soundcloud.com/systemma1/sets/ue-clairvoyance

Mountain cries for her children, elegy. 
Bitter, snow-covered solitude. 
The Quest Of Life is to rule upon the Matter. 
Now, when the answer is finally mine, 
I don't need it anymore.

Drown in acoustic innerscapes, 
I realise myself in the dawn of times. 
Salt waters, 
Metaborn.

I do not feel anxious.

You and I in a dance of hertzes, 
Structured pace. 
Have we been here before?

Star Alliance, mission in unity.

The Earth is expanding, so is alive. 
She is whole, conscious, and panpsychistic. 
And I don't need anything anymore.

Album credits in no particular order: J. Borges, one half-human cat, 716, S. Orbe, Roi Roman, Noon Chi, Poliq, Maxim Sydorenko, Ecology, all система crew, Vika&Gosha, mom&dad, Goenka S. N.

clouds born from Tethys (from ‘Clairvoyance' EP)

VALE SEAN BAXTER 
1970-2020

We are crushed by the terrible news of Sean's passing. The Melbourne (and all over) experimental / improvised / noise scene took a huge blow just a few days before the start of the confinement, with the passing of legendary drummer, noise artist, curator, DIY stalwart, lover and enthusiast for all things strange, fukkd and brutal Sean Baxter.
I made a radio show of his music, with a few anecdotes, stories and quotes thrown in. If anyone is involved in radio, online or otherwise, and wants to get it aired please feel free to download to get the files.

1. ‘Almost Lucid Fairytale’ - from Bucketrider 'Guignol’s Band’ - 1998 - Dr Jims Records
2. ‘Safety Pod’ - From The Throwaways 'Angle Grinder' - 1991 - Au Go Go Records
3. ‘Rock and Roll’ - From The Throwaways 'Postmadonna Primadonna’ - 1994 - Dr Jims Records
4. ‘Nancarrow (For Conlon)’ - From Bucketrider 'Guignol’s Band’ = 1998 - Dr Jims Records
5. Excerpt from ‘Open Space’ - From Western Grey 'Glacial Erratic' - 2003 - Dr Jims Records
6. Excerpt from ‘1’ - From Lazy ‘Microsonics’ - 2002 - Dr Jims Records
7. ‘Metamorphics’ - from Pateras / Baxter / Brown - Ataxia - Synaesthesia Records - 2002/2003
8. ‘Bern 4’ - from Pateras / Baxter / Brown - ‘Bern - Melbourne - Milan’ - 2006 - Immediata 
9. ‘Inland 4’ - from Pateras / Baxter / Brown - ‘Bern - Melbourne - Milan’ - 2017 - Immediata 
10. ‘Plates’ - from Sean Baxter - Solo Drumkit Improvisations - 2011 - Bocian Records 
11. ‘Blood Meridian (Tempering Agent)’ - Embers - Slag-Welter - 2008 - Heathen Skulls
12. ‘Unreleased’ - Sean Baxter & Valerio Tricoli - Recorded in Berlin 2012
13. Sean Baxter Classic Intro - Make It Up Club - 2018
14. ‘Windchimes’ - from Sean Baxter - Solo Drumkit Improvisations - 2011 - Bocian Records 

Quotes from Anthony Pateras, Steve Heather, Judith Hamann, Clayton Thomas, Miles Brown, Dale Baxter, Scott Sinclair
Compiled by Annalee-Rose & Will Guthrie - April 2020
Thanks to Dave Brown, Anthony Pateras, Clare Cooper

Vale Sean Baxter - 1970-2020

Bonus track from the expanded digital release of the 2012 album Cover Versions. Available now at: https://andrewpekler.bandcamp.com/album/cover-versions

Download includes 10 bonus tracks not included on the original vinyl release, a PDF of 100 unique Cover Versions album covers, and installation photos. 

Original press release text:
Cover Versions – Record-edition and installation by Andrew Pekler

For ten days, the gallery Laura Mars Grp. is transformed into a record shop, complete with records in browser bins, recommendations on the walls and a record shop clerk to assist customers. This record shop, however, only sells one record: Cover Versions by Andrew Pekler, each copy of which is packaged in its own individual album cover. 

Andrew Pekler selected 300 different covers from cheap second-hand records and, using colorful geometric elements to cover over all titles, performer's names, and label logos, removed traces of the covers' original contexts. 

The sunsets, couples in silhouette, alpine panoramas, roses on pianos, faces in close-up, and seascapes no longer serve as the packaging for easy listening, , volksmusik, exotica and light classical. Instead, the romantic, bizarre and intriguingly bland images of the original covers are free to lend their evocative powers to the record of new music they now house. 

Likewise, the principle of collage is audible in Andrew Pekler's compositions. The electronically transformed fragments of audio extracted from the original records take on a new existence as Cover Versions.

Cover Versions is a co-production between Andrew Pekler, Laura Mars Grp., Fantôme Verlag and Senufo Editions.

Bandcamp

Organ / Instrument

Out on August 7th, 2020. Available at https://shop.tapeterecords.com/new/conrad-schnitzler-frank-bretschneider-construct.html

About the Con-Struct series
Conrad Schnitzler liked to embark on daily excursions through the sonic diversity of his synthesizers. Finding exceptional sounds with great regularity, he preserved them for use in combination with each other in subsequent live performances. He thus amassed a vast sound archive of his discoveries over time. When the m=min- imal label in Berlin reissued two Conrad Schnitzler al- bums at the outset of the 2010 decade, label honcho Jens Strüver was granted access to this audio library.
Strüver came up with the idea of con-structing new compositions, not remixes, from the archived material. On completion of the first Con-Struct album, he decided to develop the concept into a series, with different electronic musicians invited into Schnitzler’s unique world of sound.

Bretschneider on his Con-Structions
I read the name Conrad Schnitzler for the first time in the arti- cle about Tangerine Dream in the Rowohlt Rock Lexicon from 1973 (back then, at 17 in the GDR, an indispensable guide). The first time I heard his music was only in 1980, when his wave track “Auf dem Schwarzen Kanal” was played on the ra- dio, an RCA 12“ Super Sound Single in disco remix. Then the man was gone and stayed under the radar again, in spite of his almost inflationary number of releases. Maybe his mate- rial was too obscure or his approach too radical to be noticed by the general public. It wasn‘t until 1988 that I heard from Schnitzler again, a tape on Jörg Thomasius‘ East Berlin Kröten Kassetten label. And again almost 10 years later his Plate Lunch CDs “Rot” and “00/106”. But it was all too rough and raw for me, both in terms of sound and organization, kind of mechanically and not really cool. Only after I heard Wolfgang Seidel at the NBI around 2002 with one of his tape concerts, I came slowly closer.
Schnitzler‘s early role as co-founder of two influential bands is one reason for the ongoing reception. Another is his con- sequence as an artist. “I‘m not interested in having publicity or a public feedback” he declared in an 1996 interview. It remains an open question whether one has to completely refuse to do so. But I was always fascinated by this almost extinct way of being an artist in its full independence. Just as I feel connected, as a self- taught person and as someone who prefers to look forward instead of looking back: “I don‘t want nostalgia.” After all it was Jens Strüver who inspired me to work with Conrad Schnitzer‘s material.
I had the idea of flowing music in which patterns develop, shift, dissolve and finally reorganize. A modular system seemed the most suitable to connect Schnitzler‘s world with my own by triggering and modulating his sounds via a sampling module and supplementing them with my own. Perhaps I have not always succeeded in merging both worlds congenially, sometimes they orbit, sometimes they collide, but they never stand still. As Conrad Schnitzler says in his „Context“ manifesto: “The sounds don‘t come to stay.”

Buy CD/LP

BB349 Conrad Schnitzler & Frank Bretschneider – Con-Struct (Album Preview)

I i I

Lily Tait - Site: Suspension

An all new collaborative release by two exciting Belgian artists:

"The first time we collaborated as a duo was for our interpretation of The Sinking of the Titanic by Gavin Bryars at les Ateliers Claus. At that time, there was an audience surrounding us. Now secluded and on our own, we went back to the same venue and locked ourself for 2 days arranging and recording the music Ben Bertrand wrote while he was in confinement.

We designed a dense and mineral triptych. Digging into this music, we experienced the current and pressure of the passing time. At some point we saw light coming in. The transformation has already been done, reversion to fundamentals is now our single option." - Ben Bertrand & Otto Lindholm

Ben Bertrand
Ben Bertrand is a Belgian Bass Clarinetist and composer. With his instrument and countless machines, Ben creates his live with a hypnotic web of sounds. Listening to his music is like sitting at the sea, watching a slow motion of our crazy life sailing by. With his former works (Era/Area, Off-Record 2017 and NGC 1999, les albums Claus 2018), Ben toured in Belgium, France and Netherlands (Meakusma Festival, Ancienne Belgique, Le Lieu Unique, Schiev Festival, Le Guess Who?, World Minimal Music Festival). His last album, Manes, has been released in March 2020 in collaboration with Stroom and les albums claus.

Otto Lindholm
Brussels-based composer evolving in drone music and modern classical, Otto Lindholm employs an array of loop pedals and electronic effects in partnership with his double bass to produce a range of rich and voluptuous tones, emotions, and elongated melodies. He released music on Icarus Records, Gizeh Records, Houndstooth, Blackest Ever Black, Aurora Borealis Recordings, Bedouin Records.

TR066 - Ben Bertrand & Otto Lindholm  - Acerilla

Taken from the album 'animal électrique' released as LP and Digital.

animal électrique

Reinhold Friedl & Eryck Abecassis 'animal électrique 1' (EMEGO 274)

FOURTH SHOW ON STRANDED FM
THIS IS A SERIES FOCUSING ON GLOBAL DANCE MUSIC / THANK YOU FOR LISTENING =)

ZALIVA-D - SKY SINGING
BLACK SEED - EAST OF WANCI
JONQUERA - MDMP 1
ISRAFIL - BOLE WATERFALL KE NEECHE
ZHU-XIAO-LIN - THE ICE-LANTERN FESTIVAL
DAYAN ANCIENT MUSIC ASSOCIATION - WAVES WASHING THE SAND
GUZZ - 锦鲤 KOI
GROUND - OSAKA NATIVE
SABLA - FIRE-WIRE
MARIO BATKOVIC - QUATERE
MOHAMED ROUICHA - BIN LHAQIQA O LHKAYAL
JON BLACK - TRES MILLIONES DOLARES
AZU TIWALINE & CINNA PEYGHAMY - VIOLET CURVES
RIZAN SAID - ELECTRIC MAWWAL I

GLOBAL DANCE SUSPENSE 20201124 STRANDED FM: PROTRO

http://will-guthrie.com/
https://willguthrie.bandcamp.com/
https://www.facebook.com/willguthriedrumz/

Vale Sean Baxter - 1970-2020

Will Guthrie

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