Satisfaction EP incl. Tuccillo remixes out May 5th 2025.

Swedish DJ/LIVE artist/Producer/Vocalist
Bookings: booking@adelinemusic.com

Anakim understands that patience is a virtue; that artistry is a journey to be enjoyed and appreciated, but also a journey that requires hard work and honest self-reflection to create growth and change.

Anakim’s career reflects that journey on all levels, conscious and unconscious. Whether referring to the suspenseful builds that define his unique rendition of melodic techno, or the consistent growth and reach of his project that’s garnered him considerable accolades.

Hailing from Los Angeles and now residing in Las Vegas, the music of Anakim, real name Riccardo LeBron, offers deeper messages than what the ear may initially grasp, often layering in thematic elements that are futuristic and forward-thinking by way of concept EPs. It’s intricate, layered, and sophisticated.

“I’d say I have honed a formidable style that is melodically rich and delightfully sinister,” he enthuses. “I mesh these hypnotic melodies with dark, driving rhythms, pulling listeners in with visceral tension before eruptive moments of energy that translate seamlessly from club to warehouses to festivals.”

This is a sound into which Anakim has put much time and care developing. Listening across his extensive catalog with releases on Armada Electronic Elements, Running Clouds, PRGRSSN Records, Somatic Records, EIN2 and Desert Hearts Black, this growth and change follows an exciting narrative, coming now to a sound that displays his true character as a human being, and tells his chosen story through sonic elocution. 

Along this journey Anakim has told his story in the club, the warehouse, and world-renowned festivals, winning Insomniac’s Discovery Project and landing impressive bookings at Coachella, Electric Daisy Carnival, Art of the Wild, Holy Ship, Beyond Wonderland, and Nocturnal Wonderland. 

In 2019, Anakim was named one of DJ Mag’s ‘Bubblin’ artists to watch, and soon after he received the title of one of Billboard Dance’s Emerging Artists of 2020. Later that year even through a global pandemic, his track “Bailey’s Song” was added to Beatport’s “50 Best Tracks of 2020. 2021 saw him named to 1001Tracklists “Future Of Dance” list, with all of this praise leading to him joining the SEVEN20 client roster.

Anakim sees all of these honors as a reason to celebrate, but he also sees them as mere rungs on a ladder. Chapters in a story he’s writing every day in the studio and on the stage. The story is far from over, but those with the same patience as Anakim will see that story unfold into a masterpiece of the modern era.

deadmau5 'Ameonna' out now :D https://deadmau5.ffm.to/ameonna

Fatima Yamaha’s now classic single ‘What’s A Girl To Do’ taken from the EP ‘A Girl Between Two Worlds’ saw the light of day in 2004, but it wasn’t until 10 years later that a re-release made the song truly explode. 
For many years, Fatima Yamaha was shrouded in mystery, known only to be a project led by “a young lady born to a Japanese father and a Turkish mother”. By now we all know Bas Bron is Fatima Yamaha. The Dutch producer has many guises, but Fatima Yamaha is his most enigmatic.
The album ‘Imaginary Lines’ was released in 2015 and followed the success of ‘What’s A Girl To Do’ with the fabulous single ‘Love Invaders’. Later followed by another banging club anthem ‘Araya’.
His live shows unfailingly live up to the highest expectations, offering refined house and techno complimented by virtuoso synths. But after years of selling out tours and headlining the most prestigious festivals all over the world, Bas took a year off touring to focus on new material and other ventures.
He directed, produced and made the soundtrack of the short film ‘Heian’ and recorded lots of other tracks, for many different projects. But this autumn there will finally be a new Fatima Yamaha album; ‘Spontaneous Order’. Bas shows his versatility on the album, effortlessly moving form harsh dancefloor tracks to spacious ambient drones and funky electronic pop tracks.

“Anyone who maintains a profile at the level and length of time Aydin has is truly world class. He has an ability to adapt his style, to stay relevant without compromising his sound. A true house don!” 
Mark Knight, Toolroom.

“ATFC does dance music how I like it the best. Always classy, with a good punch, yet soulful. He´s one of the only guys nowadays who can handle a good vocal… I'm a fan!”
Mousse T

“I've been playing Aydin's tracks for a long time and he never disappoints! He's constantly evolving and giving sure fire dance floor anthems as well as crossover hits. On top of that, he’s a nice bloke too!”  
Roger Sanchez 

Aydin is the kind of guy who stays true and genuine to his own sound and never tries to follow a trend or search for fake fame or success.
The kind who is fighting for his own strong conviction.  A real house music lover"
Bob Sinclar

“The first time I came across ATFC was when he worked at Uptown Records, he was standing behind the counter performing the Heimlich manoeuvre on a startled customer. I saw him in the store many times after this and was always struck by his incredibly firm handshake and piercing eyes, I never would have imagined in a million years this maniac would go on to have a long career in the music business, producing many classic house tracks. Even if you think you don’t like his music you may well have danced or thrown up to one of the many hits he’s released under aliases that have topped Beatport’s hard dance and glitch hop genres. Our paths have crossed many times over the years and I can categorically state he is the only house producer who can carry off fully dressing as an older woman yet, still, remaining fully recognisable as himself.  Respect.”
Joey Negro

“I’ve played Aydin’s records for the last 15 years. He always has the groove and delivers the bombs! Plus he’s a top bloke.”
Nic Fanciulli 

“When we started The Cube Guys project, ATFC was one of world class producers in terms of quality and sound. 
When we finally met personally we realized that he’s a real Old Skool super funny guy with a superb upfront vision of what true House Music is!”
The Cube Guys

“ATFC is not a football team, in fact it’s one man who stands alone in his quest for keeping the funk alive & kickin and he’s been doing so for over a decade. He is Aydin The Funki Chile!” 
Seamus Haji, Big Love.

“I’ve been a fan of Aydin’s since 1999 and to this date I get excited when he sends me upfront music.  His productions are always on point and he makes me sound better when I play out!”
Hector Romero -Def Mix

“I was fan of  ATFC before I met him so when we had the chance to work together it was amazing. We are now working on more productions that I can´t wait to finish!
Recently, Aydin used my talent when he had a hip replacement so now that he is good, he wants to kick my ass...mothafucker”
David Penn

For bookings please contact carlos@ingeniumbookings.com

new stuff for the horde! -
▷ https://linktr.ee/mau5trap

▶︎ deadmau5 & friends : https://spoti.fi/2SOUfWd
▶︎ mau5trap new releases here: https://spoti.fi/2p2FViV

about the label:
Over a decade since its formation, mau5trap -- the independent record label founded by groundbreaking electronic music producer deadmau5 -- has become a bastion for trailblazing and genre-defying artists. Casting a palpable influence over the genre, Mixmag readers voted mau5trap among the “Top 50 Labels of the Decade”, placing it in the Top 10; since then, the imprint has been supported by dance music magnates Billboard, DJ Mag, Forbes, Insomniac, and The EDM Network. More recently, mau5trap has maneuvered toward live events boasting curated stage takeovers at the world’s biggest electronic dance music events like Ultra Music Festival, Creamfields, EDC, and beyond.

The multi-genre platform has extensively served as an authoritative platform for dance music heavyweights such as Skrillex, REZZ, Feed Me, Zedd, Noisia, i_o, Dillon Francis, Chris Lake, and Madeon; a combination of dark, forceful techno and complex, electro sounds, the label acts as a hotbed for rising talent such as Lamorn, Volaris, LUPA, DJ Dee, and others alike. Welcome to the horde.

Joelle S.  (AKA Joelle Sedlmeyer)
My music style is Influenced by the 1990's music scene from my hometown of Detroit.  I tend to go very deep, cinematic, soulful and dark- reminiscent of my roots and love for deep house.
Gigs:
3/8/20 b2b with Kellam Matthews @Bossa Nova, Bushwick Brooklyn
1/1/20 b2b with Kellam Matthews @Bossa Nova, Bushwick Brooklyn
12/4/18 b2b with Elle Dee @Bossa Nova, Bushwick Brooklyn
10/17/18 b2b with Kellam Matthews @ Bossa Nova, Bushwick Brooklyn
9/3/18 Labor Day Party @Elsewhere Rooftop, Bushwick Brooklyn
7/24/18 Bossa Nova Civic Club B2B with Kellam Matthews

All enquiries
daniel@talentf1rstmanagement.com

Miami Nights 1984 is Michael Glover from Victoria, BC, Canada. His obsession with the 1980s has led to the founding of Rosso Corsa Records and a revival of synthesizer music. With Rosso Corsa he is championing many artists such as Mitch Murder, Lazerhawk, Jordan F and Lost years to make 1980s-inspired music with modern fidelity.

Being among the pioneers of this revival, Mike’s first project Actrazer initially defined the Rosso Corsa sound together with output from label co-founder Lazerhawk. They coined their music Outrun, a genre of soundtrack music with epic leads and arpeggiated synths. At the same time, Kavinsky, the Outrunners and the Valerie Collective were all contributing to this new sound.

Since 2010 Michael Glover has been ecstatic about the success of his second project known as Miami Nights 1984 (MN84). Characterized by smooth synthesizers and nostalgic solos, this new sound accentuates the carefree feel of the 1980s.

The Miami Nights sound garnered support on an international scale with the official remix of ‘Somebody I Used To Know.’ by Gotye. It infuses 1980s charm with Gotye’s powerful voices and moody lyrics. Rollings Stone says it’s an “eighties-inspired synth-pop remix, inspired by [mike's] love of old John Hughes films” while VH1 says “It’s a synth-led 80s redux, and it’s pretty rad”

When asked about influences, Mike says he obviously takes from the 80s: “The music, movies, shows, cars and girls are all running through my imagination when I write a piece of music. I’m not happy with a piece of music unless I can imagine it as the soundtrack to a film or show. Ever since I was a child I enjoyed synth-based music like Tangerine Dream, Jean Michael Jarre and Ray Lynch.” His name coincides with the original run of the Miami Vice TV show on September 28, 1984.

In creating his sound he uses “a variation of analogue synths and virtual instruments in Abelton Live. I’ve been using more virtual instruments for convenience and ability to leave a project without worrying about getting the same sound again.” Many of the parts are first recorded from live instrumentation and tweaked afterward in Ableton.

Building on the successes of Rosso Corsa Records and an official Gotye remix, Mike released the second Miami Nights 1984 full length album Tubulence. Spanning 12 tracks, Turbulence builds upon the synth-pop charms and synthesizer solos from Miami’s first album with more character: orchestra stabs, percussive rushes, slow motion bends and epic interludes distinguish the album. So does the album’s more intense moments which promote the Outrun electro sound we have championed for many years.


William Greenhalf is following