Wishing Upon A Star written by Veronica Weaver audio adjustment Eddie Sash.

Wishing upon a star - 9_3_22, 12.24 PM (1).m4a by Veronica Weaver

Coming Back As A Man (Acoustic)

William A Ferguson: guitars, bass, drums

This is written in 6/8 time in A/F#m

project 2 - 3_7_24, 2.31 PM

William A Ferguson: synthesizers, electronics, electronic percussion.

Vocals by Suno.ai


Mengguncang Dunia

Hyper sensible, difficile parfois à vivre. Beat lent

hyper-texte Sonine.mp3

Sometimes love feels just like an old car that won’t start. This blues track tells the story of being stuck on the roadside of romance — turning the key, checking the oil, but nothing sparks. With raw vocals, a gritty shuffle, and soulful guitar solos, “My Car Won’t Start” is a playful yet heartfelt blues number that rolls between humor and heartbreak.

Turn it up, feel the groove, and let the blues ride with you. 🎸💙

Ma Car Wont Start

“Mirrors of the Mind” is about the struggle to find truth and identity in a world of illusions and self-deception. It reflects how we search within ourselves for meaning, yet often see only distorted reflections of our fears, regrets, and hopes — like mirrors showing endless versions of who we think we are. The song suggests that time, memory, and perception twist reality, and that our quest for understanding may never lead to absolute truth. In the end, it’s about accepting the mystery of existence — realizing that what we see, believe, and feel are all fragments of a larger, unknowable design.

Mirrors of the Mind

Hey everyone, let me tell you how this track actually happened, because it’s too strange not to explain.

I was in a pitch-black mood a few nights ago, headphones on, Nine Inch Nails on repeat. I laid down this ugly, crawling 70 BPM industrial groove: sub-bass like a dying heartbeat, rusted chains dragging across concrete, some reversed masenqo-like scrapes echoing in the distance. No melody yet, just pure void.

While the loop was running, I started writing the most brutal, hollowed-out lyrics I could: blood dripping into forever, fingerprints frozen on fogged glass, a hole in the chest screaming where a heart used to be. 

All in English first, raw and unfiltered.

Then a random thought hit me:

“What would this even sound like… in Amharic?”

Not because I speak it fluently, but because there’s something about that script, that ancient cadence, that feels like it was carved into stone in a church older than pain itself. I was genuinely curious how much heavier, how much more alien and haunting this could get if the words came from that world.

So I translated the whole thing, line by line, into Ge’ez script (ቀዳዳው – “The Hole”). Read it out loud over the beat in the dark. And it broke me. It sounded like a funeral hymn from a planet that had already ended.

At 4 a.m. I hit record, no doubles, no fixes, just one take while the groove kept crawling like it was trying to dig its own grave.

This isn’t appropriation.

This isn’t a gimmick.

This is me asking a question out loud — “What does total emptiness sound like in a language built for prayer and war?” — and the answer came back louder than I was ready for.

So here it is: “ቀዳዳው” – “The Hole.”

70 beats per minute. One take. Pure damage.

Turn the lights off and let it in.

ቀዳዳው (Qedādaw)

“Devil’s Tango” is a dark, playful blues-rock showdown between a man and his shadows. With sliding guitars, haunting harmonica and a rhythm that stalks rather than chases, Anders J Holm dances right on the edge — without giving in.

This isn’t about heaven.
It isn’t about hell.
It’s about choosing your own lane in the middle of the mess.

Devil's Tango

Je ne suis pas chanteuse. J’écris, je m’enregistre sur mon téléphone et je mixe avec Suno. L’ia chante mieux que moi et mets en musique en fonction de ce que je fredonne et je lui donne des consignes de style. Mais je suis au départ de toutes mes chansons, je pars de mon enregistrement personnel. Je cherchais des interprètes et des musiciens, l’ia me donne l’opportunité de concrétiser mes projets 
Merci pour votre attention. 🙏🏻

Pardonner - Sonine - original décembre 2025.mp3

a rough remix that was never finished but i really like it!

ALIEN

I'm currently sitting on several thousand dollars of recording and mastering software, along with a shit ton of virtual synthesizers and virtual guitars (no, I don't actually play a real guitar, or a bass for that matter - diabetic neuropathy has all but robbed me of the dexterity to handle them; but I can scoot a mouse and draw lines and, while my body has basically gone to shit, my mind still works. I still have the knowledge to write music. I feel a lot like Stephen Hawking in that respect).

Anyhoo, to answer your question: Logic Pro X for Mac.

For the guitars, I use Native Instruments Vintage, Electric Mint, Electric Sunburst, Acoustic+Nylon Picked and Acoustic Strummed.

I use EZBass for my bass tracks and Native Instrument Acoustic Bass.

For the synthesizers, I have (virtual) an Arp 2600, Moog Mini and Modular V, Synthi V, Buchla Easel, Fairlight CMI from Arturia.

25 years ago, had I developed Diabetes and the associated neuropathy that robbed me of the ability to play bass and guitar, I probably wouldn't be here talking to you right now as I would have pretty much unalived myself as life would have been unbearable at that point.

Thankfully, I now have the technology to keep my hand in the music game.

And how bad is my diabetes? Upon diagnosis my A1C was 11.5 and I was coming down off a 500+ point glucose level. It's amazing I didn't lapse into a diabetic coma.

And how bad is my neuropathy?

I can barely write my name, filling out forms is a chore. I have to have someone do that for me.

My balance is nearly fucked as I have difficulty standing and/or walking. Riding a bike or a motorcycle is out of the question.

It has affected my vision.

My feet are in constant pain, especially my left foot that feels like stepping on broken glass all the time, and did I mention my fingers don't work anymore?

Basically, having been dealt a shitty hand, I didn't give up - I fought back.

ቀዳዳው (Qedādaw)

William A Ferguson

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