Few artists capture a sound quite like Garçon Garçon – A nostalgic blend of modern electro pop with an inherent 80s teen spirit.

Derived from the colliding worlds of classical and rock, Nathan Mahon and Nick Tsirimokos create a personal, bittersweet, and unashamedly tongue in cheek brand of electro pop music. 

Their debut EP was released on February 14, 2012 as a follow on from their single "Stay In Touch" and hugely popular remix of Patrick Wolf's acclaimed single "Together".

“Perfect bedroom pop…” – Big Stereo. 

“The entire EP is all shades of genius and demands your full attention” - MTV Buzzworthy

DJ KATE MONROE THE FIRST LADY OF HOUSE

She’s been dubbed the First Lady of House. She is one of one of Australia’s preeminent house DJs, ruling dance floors here and overseas for more than a decade. She is known for her unique style and knack for drawing a crowd no matter where she is playing. Not because she’s a female DJ or another blonde chick DJ – but because she’s a shit hot DJ. She is Kate Monroe, and she rocks the house with her sassy, sultry, spanking, driving house beats.

Recently being signed as an endorsed artist for Native Instruments digital controller the Traktor S4 Kate’s amazing musical knowledge and smooth mixing skills are about to take a huge leap. 
Trakor S4 will be the keystone in unleashing and defining the diversity of her sound, be that under the Opera House for New Years Eve. In Australia’s best bars and festivals or late at night at a steamed-up club playing to cutting-edge dance music lovers – loving all of it and retaining her signature style. 

HISTORY/PEDIGREE
“I love my music and I love people – the strangers on the dance floors I play on around the world. Communication is an intrinsic part of what I do.”
Kate has played with every major club in Australia: Home, Ivy, Tank, Soho, Cargo, Family, Platinum...you name it, gathering a devoted fan base on the way. Her residency atthe iconic Sublime (Home Nightclub) helped earn the club ‘Best Club in Australia’ at the National Dance Music Awards for four years running. 

This Mardi-Gras Season in Sydney 2011 Kate was booked for an unprecedented number of gigs in the festival. Harbour Party with 100% Daywash at Lady Macquaries Chair, Tongue Twister at Arthouse, The Mardi Gras Party warming up for Frankie Knuckles, and Toybox at Luna Park.
Kate Monroe’s name has been synonymous with big parties Mardi Gras, Sleaze Ball, Ministry Of sound, Harbour Party, and Field Day - not to mention offshore gigs in Hong Kong, Singapore, Thailand and Kuala Lumpur and the USA Her most recent overseas stint was a tour of the USA including a set at the legendary Winter Party in Miami.

Kate is as much a natural in front of a microphone as she is behind the decks, with stints as a guest presenter on Triple J, Channel V, The Joint and Alchemy on SBS. In 2010 she was the parade DJ for Foxtel’s Mardi Gras broadcast along with Kitty Glitter. Kate’s sound has been featured on multiple compilations for SONY, Shock and a suite of independent labels. 

Kate’s personality and professionalism ensure that she is entrusted with some of the biggest celebrations in Australian history, including the Sydney Olympics Closing Ceremony in front of 60,000 people. She’s been handed the reins of the Lord Mayor’s New Year’s Eve Party for four years running. Kate was behind the decks at Astral Bar for the launch of Seal’s Soul album. She’s filled floors at some of the country’s coolest corporate gigs, including the Cartier “Love” Campaign, , the opening of the first MAC store in Sydney, product launches for Estee Lauder and L’Oreal, Harley Davidson, and Christmas parties for Saatchi and Saatchi. Always behind a good cause, Kate has performed pro bono at gigs like the Camp Quality Supper Club in conjunction with Chandon in Melbourne and Sydney

She has also been a contributor to the ARIA Dance Chart for nearly 10 years. Helping inform the ears of the Australian Public to the newest sounds from around the globe.

Bookings:  Rod Lay
rod@londonmgtgroup.com
LondonSPIN
Artist Management and Agency
+61 0449544042



In 1943, an audio experimentation unit was sent to prison by a military court for an experiment gone insanely wrong creating new sounds not safe for human consumption. This unit promptly escaped from a maximum-security facility in outer space learning from the local Martians and refining his sound. Hijacking an escape pod from the international space station he landed somewhere in the Australian outback. Today, still wanted by the government the unit survives creating aurally induced orgasms and entrancing psychedelic soundscapes on dance floors across Australia.
Known to segue smoothly from raging night time full on to playful party prog, and then through into dark organic prog as the night turns to morning.

He has been reportedly sighted alongside some of Psytrance's Elite producers and artists including:
Infected Mushroom - Terrafractyl - Shadow FX- Sensient - DJ Emok - Rinkadink - Ticon - Chromatone - Dickster - Slytrance - Jacob



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Bookings: butch.the.butch@gmail.com

Butch le Butch is a Melbourne based DJ nerd playing underground disco, long forgotten gems and memorable selections reworked for today’s dance floors. He is one of the residents at Melbourne underground disco night 'Bruno'.
His remixes of Madonna, Dolly Parton, Cerrone & Dua Lipa (to name a few) have been played across the world by the likes of Honey Dijon, The Blessed Madonna, Prosumer, Boris Dlugosch and DJ Sneak. He has supported Dave Lee, DJ Spen, Horse Meat Disco, Dimitri from Paris, Purple Disco Machine, Boy George, DJ Heather and Moby and played at events such as Midsumma, Summer Camp, Sydney Mardi Gras, Lavandaze and New York's 'Hot For You' party.

«True Electric» returning to our roots within electronic music

Matt Doll / Video Video / The Mavis's / The Blow Waves /

Jerome Isma-ae combines the behind-the-curtain knowledge of a music producer, with the familiarity and deep knowledge of a dance floor you would expect from a DJ. Broad in his influences, and a visionary in his approach, you’ll always catch a hint of progressiveness in his sound. Jerome has been surrounded by music since his early years, with musical education in elementary school, learning the piano and later the guitar. At 12, Jerome was already playing the bass guitar in a heavy metal band, but it wasn’t until 14 that he started making his own beats with a drum machine.
Having dabbled in many dance music subgenres, you will catch glimpses of Techno, Trance, and Progressive House in his productions. A mean and heavy rhythm section is contrasted against haunting harmonies and counter melodies, and complimented by ambient and textural layers that add a new dimension to the final product. This formula is applied with top-notch clarity and a meticulous attention to detail to such an extent that the sound of his drums has become both recognizable and memorable.

William Ainger is following