. . . on reflection (one)

. . . on reflection (three)

“ . . . on reflection “

. . . on reflection (five)

Dreaming of 81

Akari is the third album from Tokyo duo Illuha. Following 2011’s debut Shizuku (12k1067) and 2013’s Interstices (12k2028), Akari takes the next artistic step for the band. While Shizuku was recorded in the US and completed separately by the artists, Interstices captured the duo creating their exceptionally detailed music together live during a Japaneses tour. Akari, in turn, is the first studio album where Illuha recorded and mixed together, throughout the entire process. The beautiful st-robo studio in Tokyo put a collection of amazing equipment at their fingertips, from vintage mics and outboard gear to a vast collection of instruments, both acoustic and electronic. Their writing sessions were numerous and long with details meticulously obsessed over for nearly a year. The result is the most bewildering music Illuha have created to date. An album swimming with the most delicately tactile sounds and instrumentation that draws the listener in with hushed, motionless attention.

While Illuha’s Corey Fuller and Tomoyoshi Date are often drawn to the most sparse notes of Rhodes and Wurlitzer electric pianos, acoustic grand piano and guitar, the breadth of instrumentation is partially what makes Akari so abosrbing. They have succeeded in creating their own universe of sound, so beautifully recorded, where each element not only has its own space but connects and interacts so fluidly with the other sounds. It is as if they are placed perfectly by nature, the compositions are fluid and organic, a far cry from anything calculated or structured. It is this open space that the music exists in which in turn defines the music itself. There is ample room to breathe within this forest of gentle tines, bubbling analogue synthesizers, clicking percussion and quiet field recordings. This is subtlety at its most refined; hushed without being saccharine, distant without being morose.

Akari is the Japanese word for light. Conceputally the duo used this word as a guide, as if they were searching through the dark, trying to keep the light alive, as if one is cradling a candle doing everything in their power to keep it alight in a storm. It is this almost visceral sense of sheltering, of protection, that gives Akari a very human and personal sound whose intensely deep focus is as impressive as it is arresting.

Akari

Structures Based on the Plasticity of Sphere Surface Tension

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Structures Based On The Plasticity Of Sphere Surface Tension

Taken from the new EP "Noyaux" - out Nov. 6th  2015 on Morr Music.
Buy the single on iTunes: api.morrmusic.com/itunes/1044652779
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new album out now - rbeny.bandcamp.com

mastered by nathan moody (noisejockey.net)

cascade symmetry

~ IIKKI 009 ~

music : The Humble Bee & Offthesky
photography : Nieves Mingueza
album/book : All Other Voices Gone, Only Yours Remains
duration : 42.18 mn
date : July 2019

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Jason Corder: vibes, arrangement, mixing, mastering
Craig Tattersall : piano, guitar, vibes, synths, tape loops
Cody Yantis : sax
Julie Slater : viola
Rin Howell : voice
Jiah Shin : cello
Esther Hernandez : flute

Mastered by Jason Corder
Artwork by Nieves Mingueza
Design by Sprflxgrfzm

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edition : 
vinyl : limited to 300 copies hand numbered 
cd : limited to 200 cd (glass mastered) hand numbered
book : limited to 300 copies hand numbered + hand stamped

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pre-order : June 17th, 2019 / official release : July 15th, 2019

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Links :
https://www.offthesky.com/
https://www.leavings.co.uk/
http://www.nievesmingueza.com/
https://www.iikki-books.com/

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℗ & © 2 0 1 9 - I I K K I - I I K K I 0 0 9

The Humble Bee & Offthesky - For Her Breath Is On All That Hath Life

From the forthcoming live album 'Figures In Open Air' out 6th November on Late Music.

Pre-order the double CD edition now → https://latemusic.ffm.to/figuresinopenair

. . . on reflection (one)

williambasinski