6 VARIABLE STYLES

Hi everyone,
Thanks for the great support.
From now on, I will write the name RooR-twenty without a hyphen. It will only be RooR twenty with a space, which makes it easier for users to find me.
Thanks for your understanding.

Hallo zusammen,
Danke für die Super unterstützung.
Ab sofort werde ich den Namen RooR-twenty ohne Bindestrich schreiben.Nur noch mit einem leerschlag  RooR twenty das erleichtert es Systemtechnisch einem leichter aufzufinden.
Danke fürs verständnis.

My inspiration for creating music is traveling, every place in the world has its own atmosphere and I try to reflect this atmosphere in my songs

my email : karlooss@tlen.pl 

https://youtube.com/@karloossmusic?si=vVyJbpL_Woc8_JMo

My kids say 'pop, you'll never get far'. I say 'kids, I'm going to be a pop star'.

Yup, I'm an unlikely pop star, and at the time in life when I should be heading towards retirement, rather than global superstardom.

My singing career began at a world-renowned Cambridge choir school. But it didn’t take too many 6am choir practises to persuade me that my passion was less for St Matthew, and more for pop. I'll always remember standing on desks, belting out Elton John numbers acapella at bemused classmates.

I also learned to play drums at school, and spent 1985 as drummer with The Cambridge Footlights on their ‘Topical Heatwave’ UK tour.

In 1997, I helped form six-piece covers band, Coverstar. Over the next twenty-four years, we would become each other’s second family.

Then in March 2021, I finally released my début EP, ‘Where the Elephants Go’ – a collaboration with my Coverstar bandmates Rob Carter and Paul Solman. It's fair to say that without them, the elephants wouldn't have gone anywhere.

​

 



My current musical project consists of composing music and tagging other artists, regardless of their genre. In recent years, I've discovered great talents, both professional and amateur, self-taught like myself. I also want to highlight musicians who stand out for their beautiful songs. Thank you to all my followers for believing in me, and I also appreciate the excellent music they create. Greetings to all! One more clarification about the musicians I follow: each author's music fills me with joy and is a source of energy for life!

Song writer, guitarist and vocalist, Formally a bassist in a number of semi-pro rock bands in 70s.   The first serious band I was ever in was with this guy: https://soundcloud.com/paulkrainbird 
Gemini's biggest highlight was playing Windsor Free Festival on the same billing as Hawkwind. We played a bit of soccer with them before the show - lol. Another band and another highlight was cutting "Shoot the Butler" at Abbey Road and, yes, we did walk the zebra crossing :-p 
I played bass on demo tracks by Dave Jackson "Van Ser Graaf Generator" too.
 Long live Rock!

THANK YOU FOR LISTENING TO MY TRACKS, I STARTED THIS PURELY FOR FUN I TOTALLY ENJOY SINGING WRITING AND PRODUCING MUSIC, NO OTHER ARTISTS ARE USED, I DO EVERYTHING MYSELF EVEN THE ART WORK , NO DOUBT YOULL SEE THAT, I USE A ZOOM R16, STRATOCASTER GUITAR MY BK3 KEYBOARD, A CHEAP BASS GUITAR, I WAS NEVER A SINGER BUT YOU CANT BLAME ME FOR TRYING, I DONT COPY ANYBODY, I LIKE TO DO VARIABLE MUSIC DIFFERENT STYLES ETC. FEEL FREE TO COMMENT ON MY TRACKS , I LOVE COMMENTING ON OTHER MUSICIANS MUSIC, I WISH ALL OTHER MUSICIANS THE VERY BEST AND GOOD LUCK WITH THEIR MUSIC, BILLY OLD SCHOOL SINGER/SONGWRITER JOURNEY TO COLLABORATE WITH RECORDING LABEL

I am Dan Lockhart/ProgRockDan.  I am half of the duo Dan X2.  I enjoy making music with my partner Dan Blackard.  I was born in East St. Louis, Illinois.  I was raised in a rural area near Edwardsville, Illinois.  I have lived in San Antonio, Texas; Bad, Kreuznach, Germany;  Kansas City, Missouri; Columbus, Georgia; Haverhill Massachusetts;  St, Louis, Missouri, and Indianapolis, Indiana.  I have resided in Carmel Indiana for the past 20 + years.  I consider this home.  I have a small studio in my home.  I go to it everyday and work on creating (writing) songs.  I play bass, guitar, banjo, mandolin, pedal steel, piano, violin, and viola.  I use Cubase for my DAW.  I master using Izotope, Ozone.

You can find my other music on these sites:
https://soundcloud.com/progrockdan1
https://soundcloud.com/dan-lockhart
https://soundcloud.com/progrockdan-instrumentals

https://www.reverbnation.com/prdvocals
https://www.reverbnation.com/progrockdan1
https://www.reverbnation.com/daniellockhart4

My songs with Dan Blackard can be found here:
https://soundcloud.com/user-106484228
https://soundcloud.com/user-590884876

https://www.reverbnation.com/dananddan5
https://www.reverbnation.com/danx2


I have a collection Christmas songs here:
https://www.youtube.com/@prd.christmas4703

Children's music are here:
https://www.youtube.com/@musicfirkids

Here is a link to my Patreon Page.  You can find music that is only available to my patreon supporters on this page.
https://www.patreon.com/user?u=59878068

I have 72 Songs about Space here:
https://hearthis.at/progrockdan1/set/space-songs/

🎧 The New Of The Tower
Welcome to a new, underground, dark world...

🎭 Musical Style & Artistic Evolution

🚀 Avant-Garde Dance Music Without Borders
The New Of The Tower is an independent, self-taught project that fearlessly pushes the limits of dance music with a unique fusion of genres. Officially described as a mix of dark techno, tech-house, electro, and experimental pop, it also incorporates elements of trap, punk, and even classical music.

In practice, each track oscillates between club anthems and conceptual sonic experiences. For instance, “Velvet Guillotine” (2025) is a hypnotic techno hymn built on heavy percussion and distorted vocals—a true “surreal sonic ritual” under neon lights.

The sound is always matched by a cinematic, underground aesthetic: strobe lights, cyberpunk visuals, and immersive atmospheres define every release.

🌍 Eclectic Influences & Genre Alchemy

The New Of The Tower draws from a wide range of sonic traditions:

🏴‍☠️ Dark techno and industrial groove infused with gothic textures and anarchic punk (e.g., “BRUTAL!!” — a chaotic journey of distortion and rebellion).

🌍 Afro-Tech House meets rock guitars à la AC/DC in “Love Letters” (124–126 BPM).

👺 “Masquerade of Bass” blends melodic techno, dark psytrance, and retro synth-pop.

💃 Spanish-language tracks like “Marionetas” and “Vidas Rotas” fuse flamenco sorrow with trap beats and deep 808s.

🎷 “2:59 AM” evokes Amy Winehouse-inspired jazzy cloud-rap, while “She Danced Through Storms” travels through deep house and jazz fusion with a cinematic touch.

🧊 “Still Echoing” merges melodic trance with nostalgic 80s synth-pop.

🧬 Each track is a bold cross-genre experiment: from industrial club bangers to dark electronic ballads, always rich in texture and emotion.

🎛️ Sonic Palette: Instruments & Effects

🎹 Synths & Melodies
Analog pads & leads (often vocoder-enhanced) create retrofuturistic atmospheres.
Punk-style distorted guitars and 80s synthwave textures bring cinematic depth.

🥁 Percussion & Rhythms
Hard techno kicks, metallic hi-hats, tribal drums, and trap-style 808s.
Layered acoustic and electronic elements make for dynamic and precise beats.

🌀 FX & Processing
Rich in glitchy clips, VHS noise, deep delays, and reverb-soaked vocals.

Examples: “Love Letters” is drenched in lo-fi and VHS textures; “4 Malos Polvos” features glitchy ambient layers and emotional auto-tune.

🎨 Each sound is carefully crafted to contribute to a vivid, cinematic soundscape.

🎤 Vocal Treatments: A Sonic Chameleon

Vocals range from:
🎙️ Melodic singing (English & Spanish)
🔥 Punk shouting & spoken rap
🤖 Vocoded retro textures (“Still Echoing”)
💔 Melancholic auto-tuned lines (“4 Malos Polvos”)
💣 Confessional, emotionally intense deliveries
🗣️ The voice becomes another instrument of emotion, soaked in effects like reverb, delay, filters—ranging from ghostly whispers to ecstatic screams.

🌑 Emotional Climate & Storytelling

The overall emotional tone is dark, introspective, and visceral.

Themes revolve around:
💘 Passion, heartbreak, rebellion
🧠 Subconscious states & urban alienation
🕯️ Ritualistic, trance-like experiences (e.g., “Velvet Guillotine”)
🌆 Social suffering (“Marionetas”, “Vidas Rotas”)
😈 Raw eroticism & shame (“4 Malos Polvos”: “each drop is a stab disguised as a caress”)
🎞️ Romantic melancholy in cinematic settings (“2:59 AM”, “She Danced Through Storms”)
🎬 Each track unfolds like an emotional chapter, offering catharsis, vulnerability, and mystery.

📽️ Conceptual Artistry & Vision

The New Of The Tower is not just music—it's an immersive audiovisual concept.

💀 Explores themes of dystopia, poverty, guilt, rebellion
🏙️ Brutalist club visuals, cyberpunk aesthetics
🕯️ Emotional depth with non-commercial intent
🎭 “4 Malos Polvos” = a “dark confession for love sinners,” cinematic and raw
🌀 Each release = a journey through shadow and rhythm
🕺💀 Dance meets darkness—a kind of electronic film noir where each beat tells a deeper truth.

📈 Style Evolution: From EDM to Darkness

🟢 2019–2022: EDM & electro-pop beginnings (Feel EP, “You And Me” — catchy and bright)

🟡 2024: Transition into melodic techno (“Not Living Without You”)

🔴 2025–Present: Shift to dark techno, darkwave, flamenco-trap, and experimental storytelling (“Velvet Guillotine”, “Marionetas”)

🎭 From mainstream dance-pop to raw, conceptual electronic music—always evolving, always fearless.

🎼 Comparable Artists & Influences

🧩 The New Of The Tower resonates with:

🧨 Brutalismus 3000 (techno-punk dystopia)
👾 Perturbator (dark synthwave)
🌘 Mind Against / Recondite (melodic techno & melancholia)
🎤 Boy Harsher, Massive Attack (dark vocals, trip-hop moods)
🔥 Anyma (techno emotion), Latin trap/fusion for its flamenco-trap leanings
🌌 But ultimately, it defines its own world—one built from dark techno, darkwave, nu-jazz, and trap-rock fusion.

🔍 Sources
All analysis is based on official content from:
📻 SoundCloud & YouTube, where each track’s genre, BPM, and atmosphere are detailed, along with the project’s self-described tags and narratives.

📎 Verified by direct observation of mixes like:

“Velvet Guillotine”

“Marionetas”

“4 Malos Polvos”

“Still Echoing”

“Love Letters”

“2:59 AM”

and more.

🎧 The New Of The Tower: Not just a sound, but a dark, immersive, and emotional experience.
Let the beats confess what words cannot.

6 VARIABLE STYLES

BILLY T CASH