untz-inspired, alien-like,  genrebending mixing machine heavily influenced by the 🌲👽🌲disco biscuits, pretty lights, sts9, deep house, dub, dnb, some bass (Rezz sine 2017)and good rap (Old school). SYID

Deano Baby = Dean, my dad (RIP) + Dino baby (disco biscuits banger)

I was deep in the mixing game from 2011 to 2016….long story, short; in 2013 a family tragedy caused me to deal with it by getting hooked on addie’s and when that phase finally ended, my late night mixing ended. Fast forward to numerous life changes ending in us being in Oregon since 2019! The best move ever and tbt, I was able to find my passion again for mixing after watching every Pretty Lights live stream and realizing my old music I mixed are now “classic” gems. I’ve worked hard to be more patient and it’s far easier since not on adderall and it definitely shows in my new mixes. 

They have become more like a “live dj set,”
Where I decide on a bpm (ranging from 67 to 135), then I try to build a unique and catchy intro and just sorta “take it from there.” I try to include certain bands and influences, but ya never know. I’ve been mixing Elton John w Nine Inch Nails lately. Sounds ridiculous on paper but is actually quite wicked. Bad ass, if I might say. Also, because of my unique technique, of course there will be mistakes. I’m definitely not perfect, yet.  And I don’t expect everyone to like it, just be kind in your words. ✌️ 

I’m Not sure how to promote my mixes right now in 2024 but once I do, the new ones will catch on w my age range and “swirl” fans & jam band & edm fans alike, for sure. Old gems mixed w new masters such as Clozee and Classic Rezz and tons of Pretty Lights and Depeche Mode, NIN, thom yorke remixes. And of course there is plenty of the Best Band in the Land, the absolute undisputed Kings of Untz; the Disco Biscuits. 
An ambient~ rap ~ dnb~bass ~filled dark n spacey blissful trip thru endless peaks and valleys. Might laugh (les claypool & Elton John can sneak even ) u might cry/— you’ll for sure dance! Since the release of the Disco Biscuits album, I’ve been somewhat obsessed with mixing their new tunes in w deep house music. Lots of unique mixes being made.…Stay tuned baybay!!!

Harnessing a distinct brand of artistry that knows no categorical bounds, the DJ, producer and record label head has cemented herself as one of the music industry’s most in-demand names at nothing short of breakneck speed. Her signature sonic approach masterfully blends genres with a visceral energy that commands attention, the ardent catalyst in her meteoric rise from Belgium’s underground to global phenomenon status.

www.ofthetreesmusic.com
www.memorypalacerecords.com

✨AETHERS THEME - OUT NOW ✨

https://stem.ffm.to/aetherstheme

DREAM | CREATE | INSPIRE

Pete Salaz-dj for 35+ years. 29+ in house music. dj/producer/promoter of all things house music!

Grammy nominated Australian DOM DOLLA is experiencing a meteoric rise, his signature style of house music is connecting with global audiences, and he is recognised as one of the most exciting producers in electronic music.

Dom discovered house music when his Mother handed him a copy of Basement Jaxx’ 2001 album ‘Rooty". In his late teen’s Dom spent weekends hosting pub‑discos & djing at parties whilst working as a graphic‑designer during the week. In 2015 Dom was encouraged to quit his day job to pursue his obsession with music and production.

Dom emerged with a string of critically acclaimed club hits; Define, You, Be Randy, Take It, San Frandisco, Pump The Breaks, Moving Blind and Strangers ft. Mansionair. In 2022 Dom released ‘Miracle Maker’ ft. Clementine Douglas which was named BBC Radio 1’s Hottest Record In The World, propelling Dom into his global break‑out moment with a run of hit singles, Rhyme Dust w/ MK, Eat Your Man w/ Nelly Furtado, Saving Up, girl$, CAVE w/ Tove Lo and Dreamin ft. Daya, which saw Dom’s catalog surpass 1 BILLION streams, receiving a GRAMMY nomination for his remix of ‘New Gold’ by Gorillaz feat. Tame Impala & Bootie Brown, and ARIA award for best ‘Electronic Dance Release’.

Dom’s dedication & craft has been recognised by Rolling Stone named ‘Best New Artist’, GQ’s ‘Solo Artist of the Year’, labeled Billboard Dance’s ‘One To Watch’, awarded Dancing Astronaut’s ‘Artist Of The Year’’ and was celebrated on the cover of DJ Mag.

William Kohlmann is following