Romantic Atmosphere

Prelude Cloudy

Klassisk klaver for babyer

Aria from Goldberg Variations BWV 988.

Discovering new roads

watch: https://youtu.be/aKH5aGjcvh8?si=i3agoZakrL8ow6db

Katy Perry - Not like the movies (Beautiful Piano)

Time Eternal: Smooth Piano Music

Calm Reflections

After the rain (2)

Infinite Piano

The Dawn

Evening Night Light Rain Ask Begonia (Piano Instrumental)

This collection of classical guitar pieces is an invitation to contemplation—a journey inward, into the heart of pure resonance, where each note seems suspended in time. From the very first measures, the listener is drawn into an atmosphere of sonic intimacy, where the guitar doesn’t merely play: it speaks, it whispers, it breathes.

The interpretation is refined, favoring expressive depth over flashy virtuosity. The dynamic range is handled with great musical intelligence, unfolding in subtle shades that move from the faintest breath to controlled outbursts, never abrupt. The touch is silky, almost organic, revealing the full palette of timbres the instrument has to offer—from warm, woody basses to crystalline, glass-like highs.

Each piece seems chosen not to showcase technique, but to construct a sonic architecture—a sensitive narrative in which silence matters just as much as sound. There is a listening to emptiness here, a respect for the passage of time, as though the music were aligned with the secret rhythm of breath or heartbeat.

The slower pieces, in particular, carry a gentle gravity, almost meditative. Shadows drift through them—memories, fragments of emotion touched lightly by the strings, never fully named. The more rhythmic passages pulse with contained energy—not seeking to dazzle, but to resonate, to set the guitar’s inner harmonics dancing.

The recording itself contributes to this atmosphere: likely captured in a natural acoustic space of wood and stone, it faithfully conveys the breath of the performer, the friction of fingertips, the floating harmonics. Nothing is sterile; everything feels alive, fragile, human.

This album is less a demonstration than a space—a space of calm, of slowness, of beauty. It reminds us that the classical guitar, in its most honest simplicity, can be one of the most direct ways to reach the essence of music: a shared emotion, without words, beyond eras and borders.

Suite d’Enac, Nous n’allons plus nous revoir

Engaging The Rain

Life is so beautiful. Live it with the knowledge of its end and it will flow as never before. Look better when its boring...it really isn't...like a baby lying between ruins in a warzone...like hope in a warzone!
My inspiration is a previously released song about Israel's war against Hamas (https://soundcloud.com/jacques-van-der-linden-1/israel-oh-israel-in-cminmaj-241014?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing&si=15821a09277241239e6007bfa9e8c657). I am not for Hezbollah, but I am against the ongoing war in Israel, which has now become completely nonsensical: the fight against Hamas is now being waged ON THE BACKS of the population of Gaza as "collateral damage"; despite my studies as a theologian of Christianity, I can no longer stand that the Netanyahu government has to cause so many casualties among the Gazan population; and now especially with the need to bring the entire Gaza Strip under Israel's rule... in this war, weapons bring no freedom, Mr. Netanyahu, no freedom for the Gazans!! The accompanying melody consists of three parts: part 1 the war in which the suffering of the people is portrayed (as far as that can be done only with sounds) part 2 the baby/life in Gaza still every day part 3 the conclusion to a classically played ending ending with "the hope that it will always end well" a major chord.

In Dutch: Het leven is zo mooi. Leef het met de kennis van het einde en het zal stromen als nooit tevoren. Kijk beter wanneer het saai is... het is het echt niet... zoals een baby die tussen ruïnes ligt in een oorlogsgebied... zoals hoop in een oorlogsgebied! 
Mijn inspiratie is een eerder uitgebrachte song over de oorlog van Israël tegen Hamas (https://soundcloud.com/jacques-van-der-linden-1/israel-oh-israel-in-cminmaj-241014?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing&si=15821a09277241239e6007bfa9e8c657). Ik ben niet voor Hezbollah, maar ik ben tegen de voortdurende oorlog in Israël, die nu volkomen zinloos is geworden: de strijd tegen Hamas wordt nu gevoerd OVER DE RUGGEN van de bevolking van Gaza als 'collateral damage'; ondanks mijn studie als theoloog van het christendom kan ik het niet langer verdragen dat de regering-Netanyahu zoveel slachtoffers onder de Gazaanse bevolking moet veroorzaken; en nu vooral met de noodzaak om de hele Gazastrook onder Israëlisch gezag te brengen... in deze oorlog brengen wapens geen vrijheid, meneer Netanyahu, geen vrijheid voor de Gazanen!! De bijbehorende melodie bestaat uit drie delen: deel 1 de oorlog waarin het lijden van de mensen wordt afgebeeld (voor zover dat alleen met geluid kan worden gedaan) deel 2 de baby/leven in Gaza elke dag nog steeds deel 3 de conclusie naar een klassiek gespeeld einde dat eindigt met "de hoop dat het altijd goed zal aflopen" een majeur akkoord.

Life in Gaza 250819

Prelude Cloudy

William Rea