fell in love with the opening track, does somebody knows it ?

ambient / experimental

2011 i guess..
You re welcome :)

http://www.biosphere.no/store.html

Biosphere live in Iceland

Recorded live from @RefugeWorldwide - this show inspired by Mist, all things deep, atmospheric and spacious, with some warmth and soul -- dub techno, deep house, dub-wise tracks.

𝙡𝙞𝙦𝙪𝙞𝙙𝙩𝙞𝙢𝙚 w CCL #12 Mist @refugeworldwide

(mostly) music i've collected over the years but rarely play ... :+)

Urban Tribe - Nebula
Salamanda - Overdose
Pilgrims of the Mind - Chase
Coil - Alternative Theme From Gay Man's Guide To Safer Sex
Mystic Tribe A.I. - Telepathic Seduction
DJ Krush - Kemuri (’94 Part II)
Kodek - A Computer Made Lovesong
Hashman deejay - BOOM BOX 12 INCH
shinetiac - K2 Spiritual
Andy Rantzen - Magic Lantern
JFC - No Matter What
Future Beat Alliance - Valium Steps
Overtone Series - Honeycrisp
Break Mode - Wash One
Everything But The Girl - Single (Photek Remix)
Yawning Portal - Water Lvl
Parris & Minor Science - Terrapin
Davis Galvin - Orghu [362 C]
Igaxx - Nap
Dublanet X - MPI9I
m. quake - Annie u r a Bird (feat Jonnine)
Dayjah & The Disciples - Gather Together 
Doug Wimbush - Logdrum
Dregs - Swampy
Smoke City - Underwater Love
Freaky Chakra - Glimmer Of Dope Theme 3
Urban Tribe - Sophistry

collecting dust vol. 1

subcast is born, an incantation of adventurous sonic alchemy behind radiant subs. The inimitable Razrbark kicks things off. Strap in for a chemistry-altering ride.
@razrbark's interview below--->

ℚ: ℍ𝕠𝕨 𝕨𝕠𝕦𝕝𝕕 𝕪𝕠𝕦 𝕕𝕖𝕤𝕔𝕣𝕚𝕓𝕖 ℝ𝕒𝕫𝕣𝕓𝕒𝕣𝕜 𝕚𝕟 𝕒 𝕗𝕖𝕨 𝕨𝕠𝕣𝕕𝕤?

A: Live edge, live wire

Q: Describe the story behind Razrbark's Specific Heat.

A: Specific Heat measures how resistant (or not) substances are to temperature changes, specifically how much energy is needed to raise the temperature of something by one degree. This concept from chemistry has always stuck with me and is something I thought of after listening to the finished product of this mix/let's be real I just think it sounds cool.

When I first started prepping for this mix, I went in a very different direction and had a rough draft, but it felt tedious, trying to force ideas and tracks in a way that required a lot of energy with little output. Sometimes, things pour out of you and sometimes, they don't. 

One day, a very exciting booking came through (spoiler alert: it was Honcho @ Hot Mass). With the adrenaline rush of the booking, I immediately started mixing tracks from the extremes of my USB, and everything flowed really easily. I decided to hit record, and it came together in a way that felt much more organic. I also unearthed many tracks I had forgotten about that were collecting cobwebs on my stick but that I always loved.

Anyway, all this to say, just like in chemistry, sometimes you need the right conditions for a reaction to truly take off~~~

Q: What is your ideal dancefloor (fictional or real).

The Bronze.

Q: When is the last track that made subs glow for you?

A: Two specific tracks come to mind:
https://snappedankles.bandcamp.com/track/come-play-the-trees-crooked-ankles-2
To me this is the perfect track. I played it at Hot Mass in Pittsburgh sometime after 6am a bit slower than this. I love how it has so much raw power behind it. Big chug NRG. I've always loved this song from the same band. It has a very Iggy Pop/Plastic Bertrand sensibility to it, but I've never been able to play it on a dance floor, so I was happy when I found this edit that is a bit more dance floor friendly and still has the rock/dance vibe that I feel is a hallmark of my sound.

Another track:
I just played this song towards the end of my set at Afterlife in Seattle this weekend. The bass was so intense my drink literally bounced across a table and fell to the floor. I'd say the subs were glowing hard.
https://normalpleasure.bandcamp.com/track/heart-palpitations-on-the-m1

Q: What track/artist was a musical game-changer for you?

A: Föllakzoid. It's psych rock, it's techno, it's everything. Each time I've seen them play, it's world-building and expansive. 

Q: If this mix was a book or a movie what would it be? 

A: It would be in Walk Hard Part 2, when Dewey goes through his drum and bass era.

subcast #1 ✹ Razrbark's Specific Heat

🌐 Refuge Worldwide is a radio station and community space based in Berlin-Neukölln.
➡️ More info, more music: www.refugeworldwide.com

Support us by becoming a member on Patreon for just 3€ a month: www.patreon.com/refugeworldwide

pi pi pi  - deep creep - 23 Apr 2025

Week's end with pi pi pi curator and The Lot resident deep creep.

deep creep @ Kiosk Radio 04.05.2025

https://callshopradio.com/shows/objet-personnel

Objet Personnel w/ softburn (Klympt) 13.05.25

A rare club mix from the ever-evolving artist, with 90 minutes of shadowy, atmospheric pressure.

Music's therapeutic value is often linked to relaxation—gongs, singing bowls and the like. Dense passages of foggy droning and eerie static aren't traditionally considered restorative, but Laurel Halo makes a pretty good case for it.

The Detroit-born, Los Angeles-based musician's abstract, often improvised productions are heavy on sound design and emotional climax. Driven by atmosphere rather than rhythm, they push listeners to grapple with their innermost insecurities, fears and dreams. "I'm lucky my music has helped people through crises," Halo once told Discwoman. It's easy to see why.

Since her 2010 debut King Felix, Halo has built a stunningly diverse catalogue of classically-informed records. A multi-instrumentalist—piano, violin, guitar, keys—her sharpest instrument is arrangement. Inspired by the surrealism of Italo Calvino and Apichatpong Weerasethakul, her releases, from Atlas to Behind The Green Door, unfold with slow-burning narrative and dense emotional weight. Her soundworlds are layered and labyrinthine—an architectonic space where self-reflection happens almost by force.

Even in the club, the sought-after composer excels in immersion. Her sets extend the expressionist palette of her records, trading traditional rhythm for tension, space and surprise. It’s no wonder she takes a genre-agnostic approach to the dance floor—her deep roots in freeform radio began at WCBN-FM in Michigan, followed by Berlin Community Radio, Rinse FM, and now a regular show on NTS.

RA.992 stitches foggy ambient loops, propulsive techno, mutant percussion and heady left turns with care. Tracks from DJ Rush, Octave One and Eddie Fowlkes nod to her Midwestern heritage, balanced out by deeper, psychedelic fare from the likes of Polygonia and Cousin. It's the mark of an artist revealing both deep curiosity and a precise hand as a selector. Rare, indeed.

@laurelhalo

Find the full interview at ra.co/podcast/992

RA.992 Laurel Halo

Darwin operates in the realm of low-end frequencies, delivering a tripped-out, sub-rattling blend of styles firmly rooted in soundsystem culture.

Her sets move with swampy intensity and hypnotic flow, drawing dancers in while maintaining a quiet versatility. A seasoned crate digger across many genres, she’s as comfortable playing back-to-back with DJ Storm, Mala or Lena Willikens as she is closing out Bassiani or Berghain’s Klubnacht.

Born in Canada, Darwin found her way into dance music after moving to London—first working at fabric in the mid-2000s, then experiencing a bass eureka moment years later at a Swamp81 party. That defining night set the course for her next chapter in Berlin, where she founded her label SPE:C in 2015 to spotlight emerging global talents like Decka, Carré, Axle, Beatrice M., and Tano.
In 2016, she launched REEF at the now-defunct Griessmuehle, a club where she had started a monthly techno-focused DJ residency 2 years earlier that helped develop her signature stripped back, sci-fi-infused sound. The boundary-pushing party brought bass music’s alien energy into the heart of the techno capital, which now calls Berghain home. 

2024 marked a new chapter in Darwin’s evolution with the launch of ABYSS, a Sunday evening soundsystem series centered on the restorative power of low-end frequencies. Blending transcendental dance music with breathwork, meditation and healing practices, the event creates a space where sound connects body and mind. ABYSS has also teamed up with Wuppertal’s acclaimed Open Ground club for an extended weekend takeover, with plans to expand the concept to other cities in the future.

PURE Guest.083 Darwin

Mindscape [400ABOS] - extract live

Les folies du Lapin Blanc - Mental ambient acid melodique 150bpm 

“Si dava degli ottimi consigli, però poi li seguiva raramente.” 
«Il donnait d'excellents conseils, mais il les suivait rarement.»

Les folies du Lapin Blanc - ACID MENTAL AMBIENT MELODIQUE

This week be transported to far away places with Amsterdam duo Wanderwelle’s addition to our podcast series.

Read more (including our interview): https://mnmt.no/blog/mnmt-182-wanderwelle-interview/

MNMT 182: Wanderwelle

@leifsounds layed down one of his high-end dj sets at the Red Light studio.
Livestream: www.facebook.com/thesomethingsomething/videos/736291336745159

Leif _ The Something Something on Red Light Radio #36

All tracks written and produced by @tokifuko
Recorded by @tokifuko for The Memoir, 2019
Curated by @hypnus

TRACKLIST:
01. @tokifuko - Connector (Epilogue Re-Edit) [Unreleased]
02. @tokifuko - Don't Trust The Humans (Element One) [@concreterecords]
03. @tokifuko - Mammals (Ambience Version) [Unreleased]
04. @tokifuko - Abyss [DP-6 Records]
05. @tokifuko - Imagine (Ambient Version) [@slowdance]
06. @tokifuko - Spring Ray (Outtake) [@silent-season]
07. @tokifuko - Don't Trust The Humans (Element Two) [@concreterecords]
08. @tokifuko - Don't Trust The Humans (Apocalipto Version) [Unreleased]

The snowfalls of recent days has melted under the new moon and we are finally ready to turn another page in The Memoir.

This time we're greeted by the blissful beats of @tokifuko who's sounds and work with his outboard gear has been inspiring us lately. His music can be described as "mechanical signals structured into a hypnotic substance".

"I always liked tactile music writing and I've always wanted to control the electric wave by using drum machines locking them into a chain. It was hard for me to get results with the use of virtual instruments which led to the purchase of my first synthesizer. As a result, it has become an experiment in search for new forms and a race for the best sound in order to achieve better results."

Recently this talented producer released a wonderful EP on @silent-season which is well worth checking out.

Without further ado, we invite you to take a swim through the silky sounds of @tokifuko.

Love and light

Buy his latest record

Page 31: Toki Fuko

Sasha is a trained violinist and choir vocalist who grew up with an addiction to music. Her first ventures into her own productions were a strong mix of distorted electronics, a far cry from her classical background. With the studio foundations in place she started producing a multitude of related genres like drum n bass, ambient and electronic music. Inspired by the dark ambient people in her life she surrounded herself with she slowly drifted into the scene and started turning her productions towards the depths. She has described dark ambient as something that gives her a freedom of thought in relation to the complexity of the world of wonders, a mix between the simple and the difficult.

https://soundcloud.com/protou
https://www.cryochamberlabel.com/artist/protou/

Tracklist

00:00 protoU & Hilyard - Nature Abstractions
05:15 Ari Porki - Low-pressure
08:21 Dronny Darko & Utu Lautturi - Tribal Urbanism
16:45 protoU - Eyes of the Shaman
24:32 Mathias Grassow - The Sleeping Forest
32:05 Dronny Darko & protoU - Riparian Forest [ 300 million years ago ]
36:15 Juta Takahashi - Quiet Rain
45:22 protoU - Stones in Snow
48:54 Ajna & Dronny Darko - The Strange Demeanor of Solitude II (Dronny Darko Remix)
52:00 Oil Texture - Somnium

Have a good listening.

Deep Breakfast 017 - protoU

Stationary Travels is a blog based in Richmond, Virginia that has been actively discovering, curating, and sharing immersive and transportive music from all over the world since 2013. The scope of coverage embraces a variety of predominantly instrumental genres such as experimental ambient, drone, field recording, modern composition, post rock, emotional electronica, electro-acoustic, and original soundtrack. From album reviews, song premieres, and interviews to playlists and mixes, the focus is on taking memorable journeys in music and sound and supporting the artist & labels that make it possible.

https://soundcloud.com/stationary_travels
https://stationarytravels.wordpress.com/

Tracklist

00:00 Ian Hawgood - Loneliness/Whispers (from Impermanence on Slowcraft Records)
07:55 Windy & Carl - Forest Trails (from Pure Sounds of Michigan on Assemble Sound)
13:40 The Volume Settings Folder - Adequately Sized Heat Plate Exchangers (from Hothocleana on Oscarson)
19:44 Dawn Chorus and the Infallible Sea - passé tranquille (from Dawn Chorus and the Infallible Sea on Past Inside the Present)
25:40 Andrew Tasselmyer - Affordances (from Surface Textures on Eilean Rec.)
30:25 Pepo Galán - How Not To Disappear (from How Not to Disappear Completely on Lontano Series)
37:15 Black Brunswicker - Bohemian Paradise (from In the Age of Aristocracy on Stereoscenic Records)  
42:05 Adzuki - Snow of Sugar (from Undeveloped Land on Shimmering Moods)
45:42 Darren Harper - Wooded (from Paths on Shimmering Moods)
56:12 M. Grig - Form (from Mount Carmel on 12k)
60:30 Jens Pauly - Vihne (from Vihne on Whitelabrecs)
65:29 Josh Mason - Untitled (for Amy) (from Conduit on ScissorTail Records)

Have a good listening.

Deep Breakfast 023 - Stationary Travels

Audio and visual output, by Rutger Paulusse and Will Oirson

https://thesomethingsomething.bandcamp.com

Leif _ The Something Something on Red Light Radio #36

The Something Something...

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