I used to busk in the Castle Square.

I'm sure a drummer would have made the toy reflex hammer I used to strike a bit of wood sound better and a bass player could get a better sound out of my acoustic bass with a missing string. The recording could have sounded great by someone who knows how to use my recording machine.  My three part harmony might sound nice done by a singer and the song would be better if written by Robyn Hitchcock. I had fun anyway

Dedicated to the Funklebury Moth

Chimney pots, old rocks
Gargoyles and cobbled lanes 
Ice cream shops, roof tops 
Open fires, grape and grain 
Morris Minors used to park here
Before it was pedestrianised
Now Morris Dancers clack again
For little ladies and Knights
Sunshine lighting limestone castle walls 
Makes it feel like Cairo 
But I know that heavy weather's coming again
Topsy-turvy beauty, twisted roots and iron gates 
Twinkling window lights, people laughing with their mates
Superior musicians getting out their violins
The bagpiper has appeared 
Her music always wins
Busking in the sunshine, tourists so kind
Sometimes it shows
But I know that heavy weather's coming again
And it's raining, again
It's raining again 
Sunshine lights the limestone castle walls 
Makes it feel like Cairo 
I know, it's a joy to play happy -  Incredulous and scrappy
Happy songs
In the rain 









Busking in the Rain

for those counting it's in 15.

produced by kid otari
orchestration and vocals by guillaume
guitars by naldo
written and mixed by guillaume

cover art by naldo & firefly

Victus Legionis XV

Crystal Reflections

The Voiice In The Back Of My Head - 001

Original song by Matthew Oldboy Stoddard. All music, vocals, and lyrics by Matthew Alan Stoddard. I was not going to release this track due to it not meeting my standards but multiple friends said I should so here we are....
Lyrics:
What Does The Scanner See, it wasn’t you, it wasn’t me, into the head, into the heart, What does the scanner see? Wasn't you, it wasn't me. And does it see? Into the head, into the heart. Does it see clearly? Or darkly, Darkly, darkly, Are you friend or enemy? Jealousy or empathy? And are we free? Darkly, darkly, Fit together, come apart. And are we guilty or weary? Weary, we found, weary, we found, What does the scanner see? Wasn't you, it wasn't me. And does it see? Into the head, into the heart. Does it see clearly? Or darkly….

What Does The Scanner See

A-Syzygy

New demo it was actually the first beat back to creating after a bit of a dry spell, followed by Alone, & then Critical

Melancholy II demo-beat

You can hear them moan - voices of the damned below - they sing a sad song - but it's the only one they know - Musta had a hard life - but ain't no two the same - they start lookin alike - closer they get to the flame!  You can cry for their memory - hold two hands high beggin to be free - but you will still go to hell - cuz of the things you've seen - A preacher preaches - Brimstone and fire - A teacher teaches - Smartphones for liars.
 What I am trying to convey is the fact that our society and technology has evolved to the point where just about everyone has become a liar, and with misinformation, as well as the truth, being just a click away  It has led to more people asking more questions,  Unfortunately in most cases not the right questions.  The strings have never been tighter, The human race never more ripe for a reset...

Flintstones and fire (Lyrics and Vocals by Jess Johnson music by  Black Lions Beatz

E little experiment with synths and guitar, i need to record something similar more often!
Composed, written, played and mixed by Guglielmo Allegro aka WillyKuma

Winds of Mars

Perceptual Geometries by Ambientes Kollektiv - Album

An exploration of the invisible architectures shaping perception, Perceptual Geometries maps the shifting relationship between sound, space, and the listener.

Across its movements, evolving atmospheres and pulsing undercurrents intersect with hypnotic tonal structures — forming patterns that seem to dissolve as soon as they’re recognised.

This is not music to simply hear, but to inhabit — a framework for altered states, where geometry becomes sensation and perception becomes form.

--

Perceptual Geometries unfolds as a continuous study of sound, space, and perception — a journey where each track acts as a chamber within a larger structure.

It begins in stillness with Resonant Axis and Inverted Symmetry, opening a meditative space where form and emotion hold in perfect balance. Gradually, shadows and tension emerge in Fractured Horizon and the dense, uncharted descent of Vector of Silence.

Midway, Ecliptic Drift marks an awakening — colour and movement flooding the architecture — before Vanishing Meridian offers transcendence and emotional release. Spectral Coordinates follows as a slow navigation toward uncharted worlds, leading to the quiet self-reflection of Topology of Memory.

The closing piece, Phase Architecture, expands outward into open air, suggesting that the geometry continues beyond the final tone — an unfinished map still resonating in the listener’s mind.

Perceptual Geometries is not background music; it is a framework for deep listening, where sonic form becomes sensation, and perception shapes its own architecture.

This sequence starts in stillness, dips into mystery and intensity, blooms into awakening, and ends in spacious release — a clear arc for both emotional and spatial listening.

—

Perceptual Geometries is a nine-part exploration of sound, space, and perception by Ambientes Kollektiv — moving from meditative stillness into shadowed intensity, radiant awakening, and peaceful release. Each track is a chamber within a larger structure, where form dissolves into sensation and listening becomes architecture.


A sonic framework in nine movements, Perceptual Geometries examines the shifting architectures of perception through evolving atmospheres, spatial tension, and emotional precision.

__

Recorded live on 06 August 2025 during Natural N.17 at Astral Junction Kreativ- und Kulturhaus in Berlin.

Mastered by Gasquk at Astral Junction Blautraum Studio

__________________________________

For more info about Ambientes Kollektiv, please visit:
www.instagram.com/ambienteskollektiv

For more info about Astral Junction, please visit:
www.instagram.com/astraljunction



05. AMBIENTES KOLLEKTIV - Ecliptic Drift

Dark Ambient Music inspired by the writings of HP Lovecraft and the Cthulhu Mythos cult. Be scared and enjoy!

CTHULHU MYTHOS - WITH HEAVY HEARTS

Music producer from Italy.
Sound engineer 🎚️🎛️🎧
Guitarrist fro Void Sinker 💀
Guitarrist for Nightscape 🌙
Drummer for Hypervenom 🐍

Winds of Mars

WillyKuma

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