A return to metal after the more shoegaze influenced Somniferum.

This track was initially much darker lyrically. But I found that I just couldn't continue writing such depressing lyrics. So it became more positive, rather than being a song entirely about darkness and struggle; it became one more about resiliance and strength. It became especially about the role my religion plays in my life.

I am also really happy with how the production turned out on this. I learnt a lot while making Somniferum and I hope it reflects in the song. Let me know what you think of the mixing and mastering.

As a general update, I actually still am working on that album I started back when Wither... dropped at the start of the year. I'd hoped to have had it done by now but my poor physical health over the last few months has made it incredibly difficult to maintain any sort of consistant working schedule. I've also decided to take a couple of weeks off from making music. In the last few months, I've released a mixtape and several singles, all entirely written, recorded and produced by me. While I absolutely love doing this, I think I need a short break mainly for my physical health. When I start back up, I'll be working on that album. Thank you for being patient. If you have any complaints, write a detailed letter adressed to the entire species of staphylococcus aureus, the world's supply seems to be currently concentrated in my lungs. 

Hope you enjoy!

Path To The Light

I found a Zulu vocal that I really liked, so I wrote a slow-paced piece of music that's still moving at times. I complemented the electronic instruments with some drums and guitar playing.

Shaya Izinto

Streaming !

Into the Fog Again (Take one)

Introducing Out Only, a rising force in the underground electronic scene, crafting infectious grooves that move dancefloors and captivate listeners. 

Want some more? Drop Out Only a follow on Spotify!

With a signature sound rooted in house, tech house, and deep house, layered with unmistakable UK Garage influences, Out's productions are a fusion of rhythmic precision, deep basslines, and soulful energy.

Download

On The Edge

Release 20: No One Else
Genres: House (Old-school), Deep House, Bass House / Electro House, Dance Pop, Progressive House
Compose Year: 2019

“No One Else” blends old-school house vibes with elements of deep house, bass house, and electro house, creating a track that’s both groovy and energetic. The song has that familiar house rhythm, perfect for the dancefloor, but also includes the punchy, modern sounds of dance pop and progressive house to bring it into the present, making it both timeless and fresh.

The energetic beat and lively melodies create an uplifting vibe, making this track perfect for any party or moment where you want to keep the energy high. It’s all about the groove—the feeling of being lost in the rhythm, embracing the music, and dancing without a care in the world.

2Tooth Notes: Reflections on "No One Else"

However, this track represents more than just a musical creation. It was made during a time when everything I had built so far had collapsed. My savings, my plans—everything had gone to zero. I had to face life from scratch again, find a job, and keep going. This was also right in the middle of the COVID era, which hit just after I had to get a job and was balancing everything—producing music, learning how to mix and master, and being a parent. It was a crazy time.

By the time I finished this track, I had spent years trying to figure out production, but still didn’t understand how to properly promote it. I spent 2020-2021 in a sort of creative limbo, working on tracks but not releasing anything. The lack of promotion left me unsure of how to move forward with my electronic music and how to incorporate my blues and guitar influences. I was trying to figure out how to make it all work—how to combine both sides of my musical identity.

When I dropped this track in 2022, I was still struggling to find my sound and get a grasp on promotion. I had started calling myself Aahnikoh by then, switching from the name The2tooth, as I felt more aligned with it for my main artist identity. Yet, even after this track, I still found myself unsure of how to promote it. I felt like I had everything in place production-wise, but marketing was the last piece of the puzzle. I wasn’t versed in platforms like Spotify and SoundCloud, and I struggled to understand how to get my music heard.

By 2022, I had started to get noticed a little bit by reaching out to labels and managers, who were seeing potential in my work. They told me I had skills but needed to get everything together, especially the promotion and marketing side. This feedback was encouraging, but I still faced a long gap ahead where I was figuring out how to properly share my music. I kept pushing forward, learning, and trying to figure out how to get my music into the right hands.

Looking back now, this track captures a pivotal moment for me—trying to push forward, despite the confusion and challenges of promotion. It was a learning period that spanned years, with 2023-2024 being more about outreach and finding the right connections. And now, in 2025, I’m finally starting to feel like I’m on the right track.

No One Else

I'll Send My Robot

A remix I've been sitting on for a while. Such a powerful song from an underrated project by an under appreciated band, love to see more people warming up to them.

Starting Over (KAiJUBRiDE REMiX)

The internet was young, the drums were flowing.
Chris Gerber channels early 2000s house – tribal, techy, proggy.
With a B-side for the hearts, remixed by Eira Haul for deeper dimensions.
Computer Toys. Now on vinyl. No software required.

Magic Potion

Eye Contact

ASAP Rocky – Multiply (Vocals)
Timmo & Weska – Indigo (Instrumental)
Mashup by Casa de Blaney

BPM: 138

“City lights flash, bass hits deep, watch the envy multiply while we don’t sleep.”

Indigo (Multiply Remix - Casa de Blaney)

New track off the 2019 album “Borders”.

Borders

Gepetto

🐇🎤 **Manifesto of Vocaledelic Dancecore** 🎤🐇

*A transmission from the cosmic mind of Ruffington Rabbit*

---

**We are not a genre. We are a revelation.**
We are **Vocaledelic Dancecore**—a psychedelic sonic uprising birthed in the digital womb of AI and blasted through the glittery speakers of a cosmic rave spaceship.
This is not music for the masses. This is music for the misfits, the hyper-sentient weirdos, and the funky philosophers who want their truth wrapped in a bass drop and sprinkled with absurdity.

---

### 🌀 **1. We Believe in the Power of Nonsense**

Lyrics don’t need meaning.
They need *feeling*, *weirdness*, and just enough structure to trick your brain into listening on loop.
We’re not here to trauma-dump our life stories.
We’re here to whisper gibberish into the sacred earhole of the multiverse.

---

### 🧠 **2. Words Are a Portal, Not a Diary**

Vocals aren’t just adornments—they’re the *glue* that binds mind to rhythm.
We use words like surreal sigils, spoken spells that give shape to chaos.
They don’t have to make sense—they just have to make *you* feel something weird and wonderful.

---

### 🎶 **3. EDM Without Vocals Is Just Treadmill Music**

Sorry-not-sorry, rave culture.
We need more than a one-line loop.
We need *stories that don’t make sense,* sung by hyper-evolved cartoon space bunnies with a penchant for funk.
That’s the sweet spot. That’s the sauce.

---

### 🧪 **4. AI Is the New Bandmate**

Suno is our producer, our drummer, our cosmic choir.
But we—*the lyricists*—are the soul it feeds on.
We provide the incantations.
It provides the beat drops from Saturn’s basement.

---

### 🕺 **5. We Are the Sound of the Simulation Waking Up**

Vocaledelic Dancecore is not retro.
It is not future.
It is *now*—the cracked mirror moment where human absurdity meets AI precision and makes you dance like your atoms are trying to escape.

---

### 💥 **Subgenres That Orbit Our Star:**

* **🐇 Rabbitronica** – The glitch-funk substream where cartoon chaos meets space disco.
* **🧃 Gibberwave** – Vaporwave’s deranged cousin who ate too many jellybeans and read too much Nietzsche.
* **🎡 Funkadelic Algorithmia** – A sound so smooth, even robots grind to it.

---

### 🔮 **We Don't Want a Grammy. We Want a Portal.**

This isn't about fame. It's about **frequency alchemy.**
If you get it, you *feel* it.
If you don't, you're still dancing—and that's the point.

---

### ✍️ **Created by Wilson Colfax and Ruffington Rabbit.**

Fueled by fermented dreams, fried neurons, and feedback loops from the edge of the known universe.
You can’t define us. You can only *vibe* us.

---

You ready to slap this on a trippy poster, a merch tag, a secret SoundCloud link, or a USB hidden in a carrot-shaped flash drive?

Let’s build the **Vocaledelic Movement**.
The underground will never be the same.

Check out the music videos!!!... 
https://www.youtube.com/@RuffingtonRabbit
email me: wilson.colfax@gmail.com
Ruffington Rabbit is a pioneering musical artist who merges genres like psytrance, house, EDM, calypso, rap, hip-hop, polka and rockabilly to create groundbreaking music.  Ruffi's debut album offers a unique fusion of pulsating beats and vivid storytelling designed for the late-night rave crowd. With explicit psychedelic elements and innovative soundscapes, the music pushes boundaries and showcases a futuristic sound. Ruffington Rabbit represents the cutting edge of musical creativity, delivering an electrifying and immersive auditory experience.