Intrigued what you added to this humble acoustic guitar loop! Great stuff.

Großartiges stück,ganz toll gemacht,Excellent.

A most intriguing sound palette. Fabulous collaboration, as if from one musical mind.

such and inviting and beautiful sound to nestle the Acoustic sounds in..

What a lovely surprise Debra came up with when I asked if she would like to collaborate on an earlier released song "Nice to See You".  She couldn't get past "Ode to Joy" when she first started, and I told her "Let's just run with it and see what other Christmas music might go with the song".  Her genius for counterpoint is full of charm and wit and on full display in this song.  Hear more of her beautiul music @debra_buesking.  We wish you all a very merry Christmas and the happiest of New Years:)

"Nice To See You" Holiday Mashup (with Debra Buesking, piano)

The mysterious 'Cup and Rings' rock art created over 3,000 years ago in Europe have fascinated archeologists over many years. In 1981 an unusual specimen was uncovered in an urban woodland in the Yorkshire city of Sheffield which I make a point of visiting regularly. This neolithic masterpiece lies tucked away in Ecclesall Woods and is characterised by a variant of the usual concentric circles design, which gives a unique outline to its carving. This funkier version of Stone Age expression deserves a celebration in music which is attempted here....
Wind ensemble: tenor recorders (intro/outtro); clarinet (bass); tenor saxophones; soprano saxophone

MONOLITH

Based upon a short sequence of acoustic guitar from encym´s open-collab  track Trioism I looped
I added synths, beats, bass, guitars, and even more synths
here is the link to encym´s track: 
https://soundcloud.com/encym/trioism-disquiet0525

Daffodils

Wilfried Hanrath - Daffodils

In honor of Pi.  This is created from the sound of a wine glass being rubbed by a wet finger and the sound of a tabla drum.  There are three loops.  Each loop goes through the first one hundred digits of Pi where each digit of Pi controls the pitch and amplitude of each note.  In the first loop, there are 3.14 seconds between each note.  The second loop starts 3.141 seconds after the first.  In the second loop, there are 3.1415 seconds between each note.  The third loop starts 3.14159 seconds after the second.  In the third loop (the tabla), there are 3.141592 seconds between each hit.  Finally, the duration of this piece is 314 seconds (and some change).  I hope you enjoy it. Peace.

A Tiny Sliver Of Pi

2020 was a good year for writing ...finding some old YouTube postings of mine

some trains won't leave
won't even start
though I put a thousand miles 
of rail beneath this heart
I’ve ridden hard, I've driven fast
But a part of me stayed at the station with my past
Some trains may leave,
but your memories still stuck back in town 

I hear that whistle blowin’, feel the wheels roll down the track 
But There’s a part of me… that won’t stop goin’ back
I never left your memories, still hear those sad goodbyes … 
Some trains won’t leave no matter how you try

Some Trains Don't leave (home demo)

sa Meuf

Piano solo version of traditional Christmas song.

In Notte Placida

TREDO

Just a great Americana song. Learning to appreciate simpler times.

Rain Through The Roof

Disquiet Junto Project 0585: F9

The Assignment: Fast forward an old track to make a new one.

Step 1: Many media playback apps for laptops (among other devices) include the option to fast forward through a track manually. Some apps have settings that allow you to adjust the length of the gap that will be jumped. Find a tool that can do this. VLC (videolan.org/vlc 2) is recommended. In VLC you can jump forward in set lengths of time by repeatedly pressing (not holding, but repeatedly pressing) the right arrow on your keyboard.

Step 2: Try this process with a few of your own recordings: hitting the right arrow at a steady pace (as quickly as every split second, as slowly as every two or three seconds).

Step 3: Locate a track of your own where doing what is described in Step 2 yields a result you find pleasing.

Step 4: Record what the result of Step 3 sounds like for one of your pre-existing tracks. (This may be old hat, if you have used Loopback or similar software. You could also just record the output from your laptop’s speaker.)

Step 5: Use the result of Step 4 as the foundation for a new piece of music. You can add as little or as much as you would like to it.

Notes: (1) You may find you can simulate this effect. (2) You can loop the result of Step 4 if what it yields is too short.

Eight Important Steps When Your Track Is Done:

Step 1: Include “disquiet0585” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0585” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your track in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0585-f9/

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #DisquietJunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Step 8: Also join in the discussion on the Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

Note: Please post one track for this weekly Junto project. If you choose to post more than one, and do so on SoundCloud, please let me know which you’d like added to the playlist. Thanks.

Additional Details:

Length: The length is up to you. Just because it’s fast forwarded doesn’t mean it needs to be short.

Deadline: This project’s deadline is the end of the day Monday, March 20, 2023, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, March 16, 2023.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).

For context, when posting the track online, please be sure to include this following information:

More on this 585th weekly Disquiet Junto project, Generations (The Assignment: Fast forward an old track to make a new one), at: https://disquiet.com/0585/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0585-f9/

Summer forms - disquiet0585 Video here - https://youtu.be/cEbYttvD58g

Apasionada

Freestyle and non-genre mostly. I am a composer and sound-designer, but in the first place a musician, mixing free improvisation and composition. I like collaborations; in case you feel inclined towards playing with me, feel free to contact me
Latest release: https://camembertelectrique.bandcamp.com/album/heyla

Wilfried Hanrath - Daffodils

W:I:L

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