Hailing from the remote location of Perth, West Australia, saxophonist Troy Roberts has received numerous accolades including 3 DownBeat Jazz Soloist Awards, 3 Grammy Nominations, and was the only Australian semi-finalist in the 2008 Thelonious Monk International Jazz Saxophone Competition. Graduating with a Bachelor of Music at the young age of 19, he has performed around Europe and the US extensively with artists such as Jeff ‘Tain’ Watts, Joey DeFrancesco, James Morrison, Aretha Franklin, Van Morrison, Christian McBride, Sammy Figueroa, Dave Douglas, Orrin Evans and Kurt Elling to name a few, and also completed a Masters Degree at The University of Miami. In 2012, he shared the stage in an international septet comprised of jazz giants Wayne Shorter, Richard Bona, Vinnie Colaiuta and Zakir Hussein for Herbie Hancock’s launch of International Jazz Day at The UN, NYC. He was also part of Hancock’s 2014 International Jazz Day held in Osaka, Japan performing with jazz luminaries such as Gregory Porter, Marcus Miller, Esperanza Spaulding, John Scofield and Dee Dee Bridgewater. Troy is based in New York City, maintains a busy performance and recording schedule around the globe with some of the greatest jazz artists of today, and is currently celebrating his 12th release as a leader, 'Stuff I Heard' (Toy Robot Music).		
					
visit www.TroyRoberts.com

"Tales & Tones" is abound with impeccable delivery and inspired performances within a very melodious and challenging group environment. Tenor and soprano saxophonist Troy Roberts possesses a robust flexibility and dexterity that serves as a very convincing sonic calling card. He has successfully managed to forge a stunning and a most personal approach on every selection and is propelled even deeper into the soul of the compositions by a relentless and driven sense of purpose. This project summarizes Troy's potential with a stunning projection of all that is possible, given a proper supporting cast and a clear artistic vision.  
- Greg Osby

“Roberts is a boisterous and effusive player, conversant but not busy. ‘Secret Rhymes’ has a bounce to it and Roberts excels here as a leader, with an awesomely arranged album with just a touch more arch than one can legally call straight-ahead.”
- DownBeat Magazine 

“Whilst it’s not common to display virtuosity, it’s even rarer to be wonderfully creative while doing so. But the rarest of all gifts is to have a unique voice; a sound that is unmistakably your own, Troy Roberts has this gift. He amply demonstrates that it’s possible to pay homage to the great tenor players of jazz and still create a fresh approach that leaves the listener always in anticipation of what he’ll come up with next.” 
- James Morrison

“While jazz is so strongly identified as swing, it is nice to see the next gen carving out their sound and ideas. Roberts, along with his well-equipped ensemble, is certainly up to the task - creating a jazz record that employs great playing and abundant ideas. Roberts, though young in age, certainly has an arsenal of abilities under his belt, and has the makings and foundation of a lasting great saxophonist. Versatile in style, with a strong grasp of yesterday and today, he is a force to be reckoned with no matter the setting. He is more than one to watch, he is one to follow closely.”
- JazzTimes Magazine

“…Substance and style will triumph over pretentiousness and ego every time. Roberts has a resume that will certainly make one sit up and take notice having shared the stage with such luminaries as Nicholas Payton, Orrin Evans and John Clayton. Nu-Jive 5 is Roberts fifth release as a leader and is brimming with vitality and that certain pop of originality that separates the "artist" from the "musician…" 
- Critical Jazz

Orgone is an 8-piece soul machine driven by Dan Hastie and Sergio Rios, once two kids from the San Fernando Valley of Los Angeles united by a hunger for raw soul recordings.  While the musicians began by covering Booker T. & the MGs, The Meters, and other giants of soul, they eventually carved out a sound all their own.  Drawing on their love of Funkadelic, Santana, Muscle Shoals, and all things Stax, the duo sought to create the band that, if they were to hear for the first time, would be their instant favorite.  After living and working as session musicians for many years, they were still unable to find a studio that adequately captured their warm, gritty sound, so they decided to make one.  KillionSound Studios was hand-crafted as Orgone’s hub and home studio where they continue to create (including playing on a handful of Grammy-winning songs), rehearse, and record with Rios at the helm as chief engineer and Hastie as co-producer.

By teaming up with fiery soul singer Adryon de León, the band discovered the secret weapon that would take their sound to new heights.  With de León, Hastie on keys, Rios on guitar, and drummer Sam Halterman as the backbone, a deeply-rooted family of LA musicians makes up the rest of Orgone— Dale Jennings, bass, Will Phillips, percussion, Darren Cardoza, trombone, and JJ Kirkpatrick, trumpet.

The band’s never-ending lust for music - with Hastie, also a DJ, as head crate-digger - keeps them passionate about bringing new (and vintage) inspiration into the studio to produce the analog California Soul realness that Orgone stands for.

Orgone’s live show is fueled by appreciation for their ferocious, loyal fans and any and everyone who wants to get fired up, turned on, and sweat until they surrender.  The true voice of Orgone is raw soul and deep funk delivered honestly, always non-GMO and preservative-free.

Booking:
info@empireagency.com

Press:
zkorgone@gmail.com

Inspired by contemporary neo-soul artists like Hiatus Kaiyote, as well the modern, groove-based instrumentals of Snarky Puppy and Vulfpeck, Window Cat’s originative sounds create an energy that listeners can’t help but latch on to. Based in Asheville, North Carolina, the seven piece band is unified by a goal to create innovative, yet palatable, art that can be enjoyed by any audience. Whether you’re a party-all-night-long dancer or a sit-in-the-back chin-scratcher, experiencing these soulful vocal melodies matched with dirty synths, perfectly placed guitar, and tight horn melodies is sure to satisfy your taste for something better than the same old.

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