Found Treasures IV

zone out time

Time to dig another one

Related tracks: Funky Flow-IPG1 & Paploviante

tom007  Berlin,Germany

Forward March V

A a navy a Este RE4 lay ley lookin que hickman OUT THE RING AHHHHHHHH

CHRIS JUNOS

UseTah

Written & recorded by Rose Io (around 2012)
Cover art by Rose Io

Rose Io - Ecto

Is Life

a proper goodbye this time.

Thank you for listening :)
Please check out my playlists filled with more songs like this!
open.spotify.com/playlist/7ewvfpH1Is2a4Gkuxw0LDb

a proper goodbye

High on a hill, sights and sounds take on a strange perspective.....
Soprano saxophone, flute and clarinet appear through the cloud.

Pic. On the Great Ridge between Lose Hill and Mam Tor, Derbyshire. (NM - c.2005)

LET'S GET HIGH

A somewhat eclectic folksy tune that demonstrates a man's frustration with a partner that just doesn't communicate. A little mandolin, guitar, harmonica, mouth harp... a bit of fun.This is another rejuvenation job by Nat Daniels/Gentle Rain Records to improve upon my original recording. Thanks to Nat for her intuitive and compassionate assistance!

All music and lyrics written by Craig Durgy
Craig Durgy: vocals, guitar, harmonica & mandolin
Nat Daniels: piano & bass
Produced by Nat Daniels of Gentle Rain Records
Copyright 2024
Gentle Rain Records

Lyrics:
Left Unsaid by Craig Durgy

On the phone with Cousin Linda, she got you to laugh so hard
Caught you talkin’ to the window, watching squirrels play in the yard
You said something to the mirror, as you put your makeup on
Then you stopped as I got nearer, you and the grocery list were gone
You make comments to the TV, but you never talk to me

Tell me how you feel, think we need some conversation
Tell me how you feel, seems like something’s been unsaid
Tell me how you feel, need to check our respiration
Before we leave this thing for dead

Guess you kinda like your pillow, ‘cause you’ve been talking in your sleep
Sometimes you’re weepin’ like a willow, while I just lie there countin’ sheep
Heard you speaking to the fire, something ‘bout how love’s a joke
But you’re just preachin’ to the choir, through the chimney, up in smoke
I hear nothins and they ain’t sweet, but you never talk to me

Tell me how you feel, think we need some conversation
Tell me how you feel, seems like something’s been unsaid
Tell me how you feel, need to check our respiration, desperation darling
Before we leave this thing for dead
Left unsaid…Left unsaid…Left unsaid

Left Unsaid

Asimov's 'hops' through hyperspace could end in disaster if misdirected....
Track details:
Clarinet with 2 oboes, 2 alto saxes, flute and bass pedal clarinet accompanied by found beats, bass, synth and piano.

Lost in Hyperspace

Alto and tenor saxes reflect the rise and fall of the pounding forge hammers - a distant memory of the soundtrack to nights in the Steel City.
Crashing slowed dance beats accompany flutes, soprano saxes, clarinet and oboes.
[Headphones highly recommended!]

Drop Forge Hammer Blues

Dreaming

Faerie Girl / Spirit World

Faerie Girl / Spirit World - Soia Rosa

Rise Of The Fallen – A powerful composition that tells a story of loss, hope, and the relentless fight to rise again. With a blend of epic orchestral sounds, dynamic beats, and the mystical tones of Uilleann pipes, the track transports listeners to a cinematic world full of emotion and intensity.
Every moment of this piece is designed to captivate and immerse you in a story that goes beyond music. Thank you for being part of this journey!

Rise Of The Fallen – Eine kraftvolle Komposition, die von Verlust, Hoffnung und dem unermüdlichen Kampf erzählt, wieder aufzustehen. Mit einer Mischung aus epischen Orchesterklängen, dynamischen Beats und den mystischen Tönen der Uilleann Pipes entführt der Track in eine cineastische Welt voller Emotionen und Intensität. Jeder Moment des Stücks ist darauf ausgelegt, die Hörer mitzureißen und sie in eine Geschichte einzutauchen, die weit über die Musik hinausgeht.
Danke, dass ihr Teil dieser Reise seid!
🎶 Available on all music platforms 🎶

Note: This track was entirely composed, performed, arranged, and produced by myself – without the use of artificial intelligence.
Creating authentic music with real emotion and personality is important to me. Thank you for listening and for your support.

℗ 2025 DestKorn | © 2025 DestKorn. All rights reserved.
Unauthorized use, reproduction, modification or distribution of this track is strictly prohibited and will be prosecuted under applicable law.
℗ 2025 DestKorn | © 2025 DestKorn. Alle Rechte vorbehalten.
Jegliche unautorisierte Nutzung, Vervielfältigung, Bearbeitung oder Verbreitung dieses Tracks ist untersagt und wird rechtlich verfolgt.
Artist & Publisher: Matthias K. / DestKorn
SenneRecord – established 2012

Rise of the fallen

Rise Of The Fallen

70_ Waiting in Berlin-Tegel at Night - released on 16 November 2024 only on Soundcloud

Late at night, I had missed my train home and was waiting for the next one. I was listening to music from the album "Colors" by Christopher von Deylen aka Schiller and was inspired. This is what came out of it! #minimal #nodrums #ambient  #liverecording

(produced with BlocsWave & LaunchPad)

Waiting in Berlin-Tegel at Night

OCD Tamer

Orion-express

Low Tide

MASSES - ΜΑΖΕΣ

[DAW] Logic Pro 11.1.1  [Plugin] fxpansion BFD3,Ample Guitar TCIII,

Move Like Snake

Journey into the new Year 2025

Chronus

Sundog

Recorded in Modesto, Ca.  Featuring Gibson 335 Electric Guitar solo. Vibraphone solo. Flute solo. Steinway Brothers Acoustic Piano Rhythm. Godin Acoustic Nylon Guitar Rhythm. Drums, Acoustic Full set kit. Percussion, Cowbell, Ago go Bells, Zildjian 22" Crash Cymbal.

Ipanema

Bossamatic

Music : Janne Hennie & Little Man
Lyrics & vocals : Janne Hennie

Sometimes I ask to much of myself
It's like I'm not doing enough
Are those around me satisfied?
Maybe I'm to black in my mind..

Chorus:

If I do the best I can
What more can I do?
And if that's not good enough
I have nothing more to offer you..

Want to please those I love
They all need something from me
Not sure if I'm doing enough
But I don't want them to see

Chorus

I get a little tired sometimes
Need to hide and catch my breath
But I'm not hiding for a long time
My loved ones are one my mind..

Chorus

I can always try to improve
I still have so much to learn
But if I ask too much of myself
I go to black, brigdes will burn

Oh, If I do the best I can
What more can I do?
And if that's not good enough
I have nothing more to offer you..

The Best I Can

TINOS - ΤΗΝΟΣ

Poetic Landscape pt.3

Image D’Amour (Angle Of Incidence Version)

New edit ✍️ Thought the vocals on this track were great for a little version of my own ⚡️FREE DL: https://hypeddit.com/willcarrigan/youandme

FREE DOWNLOAD

WILL CARRIGAN. - You & Me

Tranquility

Recorded in Modesto, Ca.  Featuring Dobro Guitar solo. Flute solo. Gibson 335 Electric Guitar solo. Roland Synthesizer Bass. Hammond B3 Organ Rhythm. Gibson Electric SG Electric Guitar Rhythm. Drums Full kit set-up. Percussion, Tambourine, Cowbell, Ago go Bells, Zildjan 22" Ride & Crash Cymbals.

Getting Loose

Cocktailing

Synth drones accompany Alto Saxophone and Tenor Recorder tracks. 

Image c/o Corrie White (Pinterest)

Liquid Air

Vergina Forces - Δυνάμεις Της Βεργίνας

Recorded in Modesto, Ca.  Featuring Gibson 335 Electric Guitar solo. Harmonica solo. Fender Electric Bass. Fender Electric Piano Rhythm. Gibson SG Electric Guitar Rhythm. Clavinet Rhythm. Horn section Alto, Tenor, Baritone Saxophones. Trumpet. Drums Full kit set. Percussion Tambourine, Ago go Bells. Cow Bell.

Hot to Trot

Caliente

a behind-the-scenes look at the writing process😂 a "yabba" session🤭🤘

YabbaDoNow😂(Right-thru)improv live session

Cast of Characters:
E Ruizzo-- @ruizzoidman21centurions --Manuel-- composition, lyrics, Squier Stratocaster electric guitar, vocals, mix, and production
J.J. Terrell-- @j-j-terrell—JJ-- piano, accordion, and horn
TexMex Shaman– @texmex-shaman –Stephen– Jose Ramirez nylon stringed flamenco style guitar, and mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – four string Fender Precision Bass bass

This song began all the way back when Manuel was 16 and found love that summer with a girl named Carmen. He remembered her, though, and wrote this song about her all these years later. The title of the song means "Your name has the song," and the lyrics spell out the girl's charms using the letters of her name. Check out the lyrics and the translation below. 
  Using that inspiration, Manuel came up with the song structure and the vocal melodies to a rudimentary drum track with his electric guitar. He then asked Josh if the group would be interested in taking it on. Josh, never being one to refuse a challenging piece of music, and always on the lookout for interesting musicians with whom to collaborate, accepted his kind offer and created a project for the rest of the Eclectic Collecitve to join. He started the whole thing off by adding his bass, to which Ken added his innovative drums, to which Josh redid his bass, as is the typical process in the EC.
  Next up was JJ, who you'd think he'd grown up with Spanish music the way he added the horns, accordion, and piano. Then Stephen stepped in and added his psychedelic and intricate acoustic guitar to the stew. 
  It was all done, except for the mix at this point. Manuel did the honors, and did it very expertly. Stephen mastered it to give it more volume and dynamism, too, as he always does. 
  This was the first, but we hope not the last, time the EC has collaborated with Manuel, although we're all fans of the incredible music on his page. He was a true delight to work with, giving honest, encouraging feedback and helping us shape his song to meet his vision. We hope you enjoy listening to this song as much as we enjoyed creating it.

Original lyrics by E Ruizzo:

TU NOMBRE TIENE LA CANCIÓN  /  YOUR NAME HAS THE SONG

Qué es una lágrima en el desierto?  /  What is a tear in the desert?
Cae sin ruido, se evapora y se olvida.  /  It falls without noise, evaporates and is forgotten.
No tiene tiempo de brillar, su vida  /  It has no time to shine, its life
es corta y su camino tan incierto…  /  is short and its path so uncertain...

Ce del calor del desierto y su sol,  /  ‘C’ for the heat of the desert and its sun,
a del adiós por el que lloré tanto;  /  ‘a’ for the farewell for which I cried so much;
erre del río que forma mi llanto;  /  ‘r’ for the river formed by my crying;
eme de miedo, de magia y de amor.  /  ‘m’ for fear, for magic and for love.

E de esperanza, de espacio rosado,  /  ‘E’ for hope, for pink space,
de espina clavada, de suelta emoción;  /  for stuck thorn, for loose emotion;
ene de noche de un tiempo pasado.  /  ‘n’ for night of a past time.

Carmen, tu nombre tiene la canción  /  Carmen, your name has the song
de todo aquello que has significado:  /  of all that you have meant:
Carmen de luz, de sonrisa y de adiós.  /  Carmen of light, of smile and of goodbye.

Tu Nombre Tiene La Canción (Eclectic Collective with E Ruizzo)

'E.T. In The Shadows' is a Jazz Fusion track  and collaboration with
Georg Boehme (Winds) and Andy Grossart (Bass). 
Andy sent me through a 32 bar Bass solo and asked me if I could use it. This is the outcome from that 32 bars. Georg's Wind arrangement and solos are as always, exhilarating and bring with them a special dynamic to the piece. Andy's bass, solid and sometimes unpredictable and bringing his unique style throughout. So thank you to both for bringing my piece alive and it's my pleasure and honour as always to share with you.

Alan: Composition and Main arrangement -Production - All keys -  Guitar -Drum and Percussion programming.
Andy: Bass
Georg: Wind arrangemts and solos -https://soundcloud.com/georg-boehme

The Three Ps

E.T. In The Shadows

E.T. In The Shadows (Hamilton-Grossart-Boehme)

🎞 Live recording video:
https://youtu.be/39WnKM3fpPA

February Stroll - Περίπατος Τον Φεβρουάριο

it's so cold

The latest track from my Not Completely Useless project. I tend to think of it as a low-key one for me - still quite a bit going on; Sonic Youth-style triplet feel intro, bass grooves, organ, touches of syncopation and a change of pace for the outro... there's just not as much guitar heroics as usual.

This one is about missing my kids when I was away at a festival. And my eldest daughter - then 6 I think - wrote the lyrics for the chorus.

Empty

1k hands, instrumental

Funky Flow / IPG1 & Paploviante
Open invitation for a collab from IPG1
https://soundcloud.com/ipg1/funky-flow-collab-vox-90-bpm?in=ipg1/sets/vocals
Vocals and Lyrics: IPG1
E Bass, Music, Arrangement and Mix Paploviante


Funky Flow-IPG1 & Paploviante

This track was the very first song I joined the Soundcloud community with, a year ago. This song started an amazing journey through which I met many amazing musicians, better and better songs. I am grateful for the force that led me here. In the early days, I was just trying to find my own style, and my studio was still in its initial form. Now, a year later, I have rethought this track. Listen to it with the same love as I made it.

Gray something MKII

Woodwind-powered experimental music (jazz/blues/ambient/funk/fusion/free improv....)[MOST TRACKS ARE DOWNLOADABLE] Wind instruments: tenor/alto/soprano saxes; Eb/Bb clarinets; flute/bamboo flutes; recorders; oboe; melodica (+ guitar+other various noisemakers) recorded on a Zoom MRS 1266 / R24.
Beats and other sounds: GarageBand.

Liquid Air

The Windscale Blues Experiment