dig those jazzy blues, feeling the lament for the times deep down! great blowing!

Those dark deep notes are so apt for the title and an absolutely wonderful sax solo!

This is a brilliant piece of music, all the more so as a veiled protest.  The sax work could have come out of the 1940's, the flute bits out of the 60's rock era. Front to back brilliant playing.

soulful and longing - such a sign of the times Nigel

resilient dissonance to this point - we seek resolution

great translation through your music Nigel!

Cast of Characters:
~Mark F-- @mark_f_2019 -- Ibanez EBH1005MS modified three string bass guitar, composition
Llanpsych -- @llanpsych -- Tez – Gibson Les Paul electric guitar end solo, production, and mix
TexMex Shaman–@texmex-shaman –Stephen– Fender Telecaster foundational rhythm electric guitar
J.J. Terrell–@j-j-terrell – organ and synth
Cgmaness – @user-419254289-15129531 – Chris – electric guitar
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- PRS SE semi hollow body wah guitar, and ooh aah vocals at the end
This song began as a bass composition recorded as a stem by Mark. He named it after a hang out spot he and his friends used to go to as teenagers to drink beer and smoke bowls. He shared it with JJ, who turned it over to the Eclectic Collective so that we could have our way with it. However, Mark didn't use a click track to record it, so when he sent it to us, Ken had to come up with a drum beat based on Mark's structure, to which Mark then redid his bass part. That takes a lot of imagination on Ken's part when we do something that way.
    The first one of us to lay down a part for it was Chris, who added some really freaky textural guitar. Ken was next up, completing the rhythm section with his mighty drums. Ken then redid his part to better match the bass, thus completing the rhythm section with his mighty drums. Then, Stephen laid down the gritty, underlying rhythm guitar that runs throughout. Josh was up next, adding his melodic wah guitar to the mix. JJ came along soon after and laid down the magical synth that runs throughout. Last, but not least. Tez dropped the fiery solo towards the end. 
  Once the music was all laid down, we thought it could use some oohs and aahs at the end, so Josh recorded them as a five part harmony. However, choosing to only use the highest thee parts in the song, our expert producer on this one, Tez, decided to make a coda out of all five. So, stick around for a treat at the end!
  This is the third song the Eclectic Collective has done as a collab with Mark F. He's a very talented solo bassist, whose other music worth checking out on his page, as well. We hope you enjoy listening to this song as much as we enjoyed creating it.

Pryer Manor (Eclectic Collective with ~Mark F)

#unique #music #electronic #odd #mood #happy #sad #creepy #producer #artist #triphop #downtempo  #originalmusic #exciting   #bass  #music #musicplaylist #spotify #listen #recomendations #fun #musicproducer #rock #release #outsider #wfh #lofi #lofibeats #instrumental #beats

dark juno

The Hunter

Lament for the current state of affairs.....
Flutes, Synth and Tenor sax.

Hard Time Blues

A chuga- chuga good time blues song (ZZ Top meets Chuck Berry) about not indulging in vices. Also, race car driving.

Lyrics:
Hey friends, you know I need to give up drinking
It's tearing up my guts
But still, I'm over eating
It leaves me so perplexed
I've got to give up that 
Marijuana
It makes me malleable
Lackadaisical
Like a slow-motion hex
I've got to give up this pornography
Because it's fucking up my sex

(chorus) Oh, you've got to give up a little something
To get yourself a little bit more(2X)

Take that race car around the bend
Put the hammer down
This could be the end?
Or maybe it could be good fortune shining on your door!

I've got to stop spending so much time on the internet
It makes my attention small
I never, ever finish what I start
I've got to give up these perfumed flavored vapes
The smell reminds me
Of the woman who were 
'In love' 
With me
But now they are
'In hate'
I've got to give up the women with dark circles under their eyes
The nighttime lies
That I take
And I paint
In my darkest arts

I've got an extremely high tolerance for risk
It's more than I can take
(yeah)
Tell my friends and family
To book me a heavy metal band
For my wake
I'm gonna say to everybody
Hey, do you see that coming?
That's my Mojo rising
On the horizon
Stop criticizing
I'm just waiting for my big break
(chorus)

Take that race car around the bend
Drop the hammer down
It could be the end?
With self control
You could get the win!
You've got to give up a little something
To get yourself a little bit more...

More! (or) How I learned To Get Ahead

🇬🇧 Developing presets, programming sequences, working on sounds at startup and reworking them during mixing, all without samples or artificial intelligence, for a result full of respect for the listener, to whom I devote myself body and soul to create a unique human work...
Artificial intelligence will never be able to compete, it is completely incapable of doing so. I will always be above what it can tinker with with its billions of bits heated to 100 degrees...
All sectors of activity are already impacted. We must move with the times, of course, because progress generates very interesting and enriching things, but artificial intelligence is not one of them, and it will soon be far more dangerous for humanity than an atomic bomb. Be aware of this and be careful!


🇫🇷 Développer des presets, programmer des séquences, travailler sur les sons au démarrage et les retravailler au mixage, le tout sans samples ni intelligence artificielle, pour un résultat empreint de respect pour l'auditeur, à qui je me consacre corps et âme pour créer une œuvre humaine unique…
L'intelligence artificielle ne pourra jamais rivaliser, elle en est totalement incapable. Je serai toujours au-dessus de ce qu'elle peut manipuler avec ses milliards de bits chauffés à 100 degrés…
Tous les secteurs d'activité sont déjà impactés. Il faut bien sûr évoluer avec son temps, car le progrès génère des choses très intéressantes et enrichissantes, mais l'intelligence artificielle n'en fait pas partie, et elle sera bientôt bien plus dangereuse pour l'humanité qu'une bombe atomique. Soyez-en conscients et soyez prudents !

Dangerous Artificial Intelligence

My maternal grandmother's cousin, Bill, had a lifelong interest in magic. It all began during his childhood when he had the flu. A friend taught him a few card tricks to help pass the time, and from that moment on, he was captivated and dedicated himself to perfecting his skills. In 1929, shortly after college, Bill joined the Society of American Magicians, hoping to make magic his career. His parents were concerned and did not approve of their son becoming a magician and entertainer. They encouraged him to give up magic and follow his father into the insurance business. He tried it for a while, but the allure of magic was too strong, and he eventually became a professional magician. Throughout the 1940s and 50s, he was constantly touring, performing a wide variety of illusions alongside well-known entertainers of the era, as well as his wife, who was his onstage assistant. Sadly, after many years, magic and fame became an unhealthy obsession that took a significant toll on Bill and his family. However, in the beginning, it brought him a sense of wonder and adventure. This piece aims to capture those early years.

The Magician

L-Sweet Obsession

Single Use Guitar
Rob Olsson Base
Rob Lyrics:

Somewhere in my brain
Where light rarely flickers on
Bumping 'round in the dark

Truth is not one dimensional
I hold on to more than one truth

Shadows still fill The deepest corners of my mind
Try to wave them away like flies

Truth is not one dimensional
I hold on to more than one truth

Peeling away the layers of lies
I convince myself I'm right

Living in this three dimensional world
Do my best
Get on the right side of  the truth

Peeling away the layers of lies
I convince myself I'm right

Somewhere in my brain
Where light rarely flickers on
Bumping 'round in the dark

Right Side of the TRUTH w/Rob Olsson

The River

Freedom is not Free - Master 12/23/2011 Lyrics by Tony Harris

AS I ENTERED THE VA HOSPITAL FOR THE VERY FIRST TIME
MEMORIES, FLOODED MY SOUL
CHINA BEACH - NAM - SEVENTY ONE CAME TO MIND
AND ONE YOUNG MAN I NEVER WILL FORGET
WITH BOTH LEGS GONE AND RIGHT ARM MISSING
A WEDDING BAND TOLD ME THAT A WIFE WAS WAITING
I OFTEN WONDER WHERE HE IS TODAY
AND I WONDER IF HE IS OK

CHORUS
SOMETIMES WE FORGET THAT FREEDOM IS NOT FREE
THOUSANDS HAVE DIED FIGHTING DON'T YOU SEE
IN A FAR AWAY COUNTRY IN HARMS WAY
PLEASE REMEMBER THEM WHEN YOU PRAY
PLEASE DON'T FORGET THAT FREEDOM IS NOT FREE

AS I ENTERED ARLINGTON FOR THE VERY FIRST TIME
ALL THE WHITE TOMBS BROUGHT TEARS TO MY EYES
AS THE HONOR GUARD SLOWLY PLACED THE REEF
IT SEEMED THAT I FELT MY HEART SKIP A BEAT
I THOUGHT OF THOSE WHO HAD DIED
AND ALL THE MAMA'S THAT HAVE CRIED
THERE IS NO WAY TO IMAGINE ALL THE PAIN
FREEDOM IS NEVER EASY TO OBTAIN

REPEAT CHORUS

PLEASE DON'T FORGET THAT FREEDOM IS NOT FREE

Original (BMI)

FREEDOM IS NOT FREE - Lyrics by Tony Harris / Music by David Walker (Original)

Woodwind-powered experimental music (jazz/blues/ambient/funk/fusion/free improv....)[MOST TRACKS ARE DOWNLOADABLE] Wind instruments: tenor/alto/soprano saxes; Eb/Bb clarinets; flute/bamboo flutes; recorders; oboe; melodica (+ guitar+other various noisemakers) recorded on a Zoom MRS 1266 / R24.
Beats and other sounds: GarageBand.

Hard Time Blues

The Windscale Blues Experiment

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