Is there a Raymond Scott sample in there...diggin this expiremental goodness!

i see i am a bit behind , i am so sorry for that Nigel but i have to say this is very tastfull , love the switches to the bit heavyer parts , brilliant track :-)

Very nice work! captivating & mesmerizing..love the real sounding intruments! Inspiring work! great mix!

short and sweet....structured and arranged to perfection....engaging shades to that recurring tune

Wonderful creativity! I really appreciate this beautiful atmosphere! Great Production!!! ❤️Love, 🕊️Peace, 🙏Respect

Awesome track to listen to in this chaotic world. Many Thanks

sounds textures are so pleasing and original , what a trip

Love how this goes out and in while just cruising along

I recently re-discovered this daft song and decided to share it with you.   I first 'performed' it live aeons ago, at a very serious spiritual workshop, quite spontaneously (and a bit loudly),  after a day of intense meditation and self-discovery.  Although many appeared to enjoy the song, there was an abiding sense of disgrace at my flippancy and foolishness.  That sense of rebuke and naughtiness delights me still...

An absurd song indeed.. for absurd times :-)

**************************************


She’s fallen in love with a teapot
don’t ask me how can it be done
for I’ve watched her in action caressing
the smooth round and shine of his bum

The grip of her flesh on his handle
the knuckles sharp gleaming and white
just the way that her tongue darts and moistens
when she reaches for him in the night

I’ve studied with great fascination
for it’s novel I’m sure you’ll agree
Is she limited by saturation
or can she constantly consummate tea?

think I’m falling in love with my teapot
I  guess I can see how it’s done
for I’ve studied with great fascination
the smooth round and shine of his bum

She's fallen in love with a Teapot!

What are all the buddies from Wall-E doing? They're having funky fun ...
Peter Pasch > Drums, Percussion & Remastering 
Ralf Wadephul > keyboards & synthesizers
Composed, Arranged & Performed by OESJ 
© 2022 OESJ | All Rights Reserved | www.oesj.eu

FUNKY ROBOTS

This is a re-imagining of one of my old tunes.  Here's the link: https://soundcloud.com/madrigalmusick/nowhere-to-go

Photo by Alesia Kozik at www.pexels.com

Composed and arranged by obcb with Fl Studio

Somewhere to Go

The Vociferous Mapping Of Your Unlikely Future
https://nomatesensemble.bandcamp.com/album/the-vociferous-mapping-of-your-unlikely-future

So after 18 months, 50 musicians, artists and poets, 100’s of files, several innocent bystanders and of course some beautiful dogs and cats and I am proud to announce the debut album from Then She Reaches For The Gun. 
It’s been an immense pleasure to work with all this amazing talent! 
The album is titled The Vociferous Mapping Of Your Unlikely Future and features 10 tracks with the final track featuring every single one of the contributors somewhere in its 21 minutes : ) 
Here is the full credit list:
Adam Meredith - Voice
Anita Hustas - Double Bass
Agnostura Elwar - Electronica/Guitar/Piano
Antonella Eye Porcelluzzi - Voice 
Ariad Music- Clarinet/Percussion/Piano
Axel Weiß- Guitar 
Bellai Pelegrim - Electronica
Brendan Corey Benson - Guitar
Carolyn Wigston -Voice
Chicago Word Brigade - Synth/Noise/Poetry/Voice/Voice Guitar
Dane Renshaw - Drums
Dani Kirby - Piano/Voice
Dough Factory - Electronica
ElectroTrek - Vibes Synth/Voice
Fake Stereo Machine - Field Recordings
Frank Wilke - Trombone/Trumpet/Voice
Garbage Truck Disco - Guitar/Pixies Tribute
Gary Rees - Voice
Glenn Ward - Beats/Guitar/Voice
Gonzalo Serrano - Acoustic/Electronic Drums
Holy Shitshow - Digital Strings
Hverheij - Electronica/Guitar/Nursery Rhyme Glockenspiel/Voice
Ilaria Boffa - Poetry/Voice
Juan A Miñana - Electronics/Noise
Life in The Movies - Electronic Percussion/Synths
MatVee - Beats
Martin Pozdrowicz - Organ/Pad
Muterial -Electronica
My Nocturnal Twin - Guitar
Nosensend - Synths
Paolo D’Emilio - Poetry/Voice
Paul Miller - Beats/Keyboards/Synth Bass/Voice
Phil Bywater - Tenor Saxophone
Primaloop -Drums
PuppetXeno- Guitar/Synths
Raöulfr Maganhar - Field Recordings/Voice
TexMex Shaman - Guitar/Talkbox
The Windscale Blues Experiment - Saxophones
Thomas Bergheim - Bass/Guitar/Keyboard
Timothy Korstad - Electronica/Poetry/Voice
Tuonela - Drones/Electronica
Widar’s Spiritual Front - Electronica/Percussion
W:I:L-o’ the-wisp - Double Bass/Guitar/Keyboards
Wüst - Electronica
Vartch - Disco/Noise/Synths/Voice
Yui Nikaido- Voice

Hacho, Lola, Neska, Senna, and Yoda - Barks/Hisses/Meows/Purrs/Howls and Heavy Breathing

Mat Ward - Arrangements/Beats/Bass/Digital Orchestration//Field Recordings/Intonarumori/Noise/Percussion/Piano/Voice

Mark Rothko Sex Toys Pt 2(Current Tasmanian Business Speak Mix)

Lorcán ~ an Irish given name meaning " little fierce one "
Arranged and produced by Mike Hllton © 05/02/2023
Thanks for listening.

Instruments

PRS Custom 24
Takamine Acoustic Guitar
Double Bass
Bodhrán
Vocal Pads
Chimes

The Lorcan

Lorcán

Here's A collab with https://soundcloud.com/frawstakwa

Here's A link to the original vocal;

https://soundcloud.com/frawstakwa/now-that-were-here-lets-go-1

Here's A link to the art work;

https://pixabay.com/illustrations/painting-black-and-white-digital-art-219514/

Frawstakwa & RiZLiX - Now That We're Here

Call My Name

Politics seems all fucked up in the world today...but isn't this just the normal situation?

Pic: photo from weather balloon c/o Pinterest.

Track details:
Chinese bamboo flutes
English clarinet 
American tenor sax
Japanese flute (boehm system)
(Synth and percussion c/o Apple)

WORLD SNAFU

We’re praying for peace
Never losing hope
My faith I keep very close
Dancin out my grave
Seen a Holy Ghost
Yeah I’m on some drugs
But there not even close
See what I use to do is get really high
Then drink enough so I would black out and die
Thought the universe needed me
Well maybe she does
Are you seeing things different like I was
Love can fuck you up
And I can promise you that
There’s never enough
Nope I don’t have the answers
That’s exactly why I keep on dancing.

praying for peace w/ a Sandman07 intro

'Light The Candle Please' is fusion of Jazz/Fusion/Rock and Ambient. Not inspired by anything in particular and just what appears from the imagination sometimes. This is definitely one of those moments.
I have replaced the original file as Georg Boehme has replaced the original Tenor Sax solo. So thank you Georg for this wonderful addition . Also doubling the brass parts near the begining and also the end section. I am priviledged indeed to have your superb playing involved once again, so a big thank you.
You can hear Georg's own work here: https://soundcloud.com/georg-boehme

Light The Candle Please

Light The Candle Please (Feat. Georg Boehme)

Hello… so have you ever noticed certain things about yourself that never change? This song, ‘Just Like I Always Do’ is about that very thing. I found myself  outside the other day, playing with rivulets of snow melt. Making channels with a rake, for the water to run down and I laughed… my feet were soaking wet and I was having a grand old time. Reminded me of a time in kindergarten, when I arrived late to school, soaked to the bone, as I was playing in the rain along the way. So that playful side of me has not changed at all. I also noticed, like flowing water, how vital it is for me to keep moving. A fluidity when it comes to living and learning about life. Recently, singing has been like that for me. Bear with me on this. A little backstory: As a kid, I had a brief stint in my middle school choir. I did not want to join the choir, that’s for sure. The music teacher had picked us out, after brief singing auditions. After our first performance, my mother, God rest her soul, told me I did not have to go back to choir anymore, if I did not want to. Out of the 50 kids on stage, I was the only one not singing. I just looked down so no one could see my mouth… except my eagle-eyed mom. Simple as that, I was done with it. There were other things I wanted to do as a precociously rebellious kid, running around the neighborhood, as it were. Now, half a century later, I have been learning to sing on my own. It has not been easy uncovering that latent voice of mine. Looking back, sometimes I wish I had stuck with it as a kid. So about a decade or so ago, this dude I worked with asked me if I’d show him some stuff on guitar. His mom was a musician and music teacher and he grew up with music in his life. He was always singing and playing guitar. As we hung out, he noticed I never sang and asked me why. After basically dodging his question, he told me the only thing stopping me from singing was me. Talk about a hard lesson to swallow. So now, bringing us up to speed, I had some fun exploring my nascent singing voice on this song. The image is of me and Garnet running the hills in early Spring. Hope you like it and thanks for listening. Take care, Mark

Lammbone's Album

Just Like I Always Do

Woodwind-powered experimental music (jazz/blues/ambient/funk/fusion/free improv....)[MOST TRACKS: FREE DOWNLOAD] Wind instruments: tenor/alto/soprano saxes; Eb/Bb clarinets; flute/bamboo flutes; recorders; oboe; melodica (+ guitar+other various noisemakers) recorded on a Zoom MRS 1266 / R24.
Beats and other sounds: GarageBand.

WORLD SNAFU

The Windscale Blues Experiment

Recent comments

X28 Project

Grooveclowd

Owidram

FlexHead

Related tracks