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Naviar Haiku tracks

NOD-E used here

All submissions to Haiku 294:

https://www.naviarrecords.com/2019/08/21/naviarhaiku294-spring-dawn/

To participate:

- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)

- Publish your song on Soundcloud and message me privately with the track's URL (if you don't have Soundcloud or can't message me, visit www.naviarrecords.com/about/naviar-haiku for more options)

- Include the assignment number in the title of your track, for example “Title of your track (naviarhaiku145)”

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want)compilations. Please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

haiku #294: spring dawn / wind turbines harvest / silver fog

THE FREEMARTIN CALF (an original soundtrack) 
original music by Frédéric D. Oberland with Gaspar Claus
poetry & film by Jayne Amara Ross 

Out on Deluxe LP+DVD & Digital - September 23th 2013 via Gizeh Records
ORDER: https://fredericdoberland.bandcamp.com/album/the-freemartin-calf-ost

FILM TRAILER: https://vimeo.com/14898901

///

“An arresting film narrative and  a provocative stand-alone soundtrack. Moments of beauty are many." Textura

“Delicate and very effecting. A comparison would be the spoken elements of Swans and lyrically it shares much with the film noir cool of Enablers." Nine Hertz

“Shot in stark black and white and imbued with a mesmerising dreamlike fragility, the film’s look brings to mind some of the great Expressionist movies of 1930s Germany as well as Tarkovsky’s Stalker and the work of modern masters such as Béla Tarr”. Decoder Magazine

“Elegant, harrowing, and consistently captivating." A Closer Listen

“Deeply evocative and dangerously sensual.” Fluid Radio

///

The film The Freemartin Calf was shot on super 8, hand-processed and edited at home by Jayne Amara Ross between 2009 and 2010.

The music was composed and recorded at Magnum Diva Studio by Frédéric D. Oberland with Gaspar Claus /// Mixed on an analog console at Le Fresnoy by Maxime Champesme /// Mastered to tape at Durton Studio by Nils Frahm /// Jayne Amara Ross: narration /// Frédéric D. Oberland : electric bowed guitar, fender rhodes, piano, kalimba, harmonium, theremin, bowed glockenspiel, bells, electronics /// Gaspar Claus: cello /// Maxime Champesme: sound design, field recordings

///
www.fredericdoberland.com
www.jayneamaraross.com
www.myspace.com/gasparclaus

ORDER LP+DVD

On The Edge Of The Great Precipice (feat. Gaspar Claus)

Original composer Erik Satie. 
en.wikipedia.org/wiki/Erik_Satie.
You can download the track in high quality here http://fivos-music.bandcamp.com. Click "Buy Now", enter 0 in price and that's all.
I hope you enjoy it.
Fivos

Free Download

Gnossienne 1 by Erik Satie, "The Greek Variations" - Fivos Valachis

i recorded this sound on april 7th and now, april 16th, i've totally forgotten how i made it.. except that i know it's the modular, and i believe is based around a piston honda MKII oscillator or the intellijel shapeshifter.

maybe.

i'd rather not remember how i made every sound, though. when you know too much about something the mystery is gone.

april 7, 2015 (grey days past)

i've been really busy finishing a 17-speaker sound installation for a public passageway in sapporo, japan these last couple of weeks... but did have time yesterday to fire up the jupiter-8 and make this simple arpeggio which goes through an eventide h3000. i do love the jupiter-8.

april 30, 2015 (a simple jupiter)

Sunrise (ft. Zeitfaktor)

A Moment (Reconsidered)

once again i say where has the time gone... i've had little time to dabble in the studio, been too busy with real work....

but i did manage to do something i've done before a million times... control the verbos harmonic oscillators with a bunch of LFOs, well, in this case, with one expanded turing machine.

the sine waves go into a verbos amplitude and tone generator for the saturation and reverb comes from a lexicon PCM90\

nothing outstanding, but at least i'm tinkering again.

may 11, 2015 (harmonic saturation)

My track for Naviarhaiku149.
Hear more:
http://www.naviarrecords.com/2016/11/09/naviarhaiku149-let-us-be-one/

One Earth

One Earth (Naviarhauku149)

I first found Myristica's chillout music about a year ago and have loved it dearly ever since. This track was inspired by Mei and is written for her.

http://soundcloud.com/myristica

Video: http://www.youtube.com/watch?v=7_AmH4uxGgs
Blogged here: http://universalyellowkeys.com/oliver-sadie-meis-view-ambient-track/

Image: The view from my seat from London to Berlin, 2011.

More on Facebook

Oliver Sadie — Mei's View

Track for Naviar Haiku 223.

More info on Naviar Haiku:
http://www.naviarrecords.com/2018/04/11/naviarhaiku223-meditation-class/

Mindful Moment

Mindful Moment (Naviarhaiku223 – Meditation Class)

More on naviarhaiku236 here:
http://www.naviarrecords.com/2018/07/11/naviarhaiku236-an-evening-cloudburst/
Sample attribution: SavannahSparrow by tim.kahn via freesound.org

Trembling Evening

Trembling Evening - naviarhaiku236

Composed in Korg Gadget for Naviar Haiku #247. Additional processing in Auria and Reaper.

More on Naiviar Haiku 274: 
http://www.naviarrecords.com/2019/04/03/naviarhaiku274-from-earth-sky-trees/

Field recording by sagetyrtle via freesound.org. 
https://freesound.org/people/sagetyrtle/

Autumnical

Autumnical (naviarhaiku274)

Arvo part - Fratres for cello and piano

Submission for Naviar Haiku #279.

     Ripples on water
reflecting the light of dawn
     the breaking of day

More on Naviar Haiku:
http://www.naviarrecords.com/2019/05/08/naviarhaiku279-ripples-on-water/

Haiku & Photo by Jason Richardson

Forest birds sample by VKProduktion via freesound.org

Dawn ripples through your life

Dawn ripples through your life - naviarhaiku279

Submitted to Naviar Haiku 283.

 naviarhaiku283 – The clear day in the rainy season

The clear day in the rainy season.
The madder red of the twilight appeared
And vanished instantly.

Poem by Takahama Kyoshi 

Kyoshi was the editor of the haiku magazine Hototogisu, which promoted a more traditional style of haiku compared to other contemporary schools which were not following the pattern of seventeen syllables at that time. Kyoshi also highlighted the symbolic function of the kigo (the season word), even though the more modern trends were already tending towards season-less haiku. He was active during the Shōwa period of Japan.

Seven days to make music in response to the assigned haiku: to participate visit http://www.naviarrecords.com/about/naviar-haiku

haiku by Takahama Kyoshi  https://www.masterpiece-of-japanese-culture.com/literatures-and-poems/haiku/takahama-kyoshis-haiku-poems
picture by Kevin Hou https://unsplash.com/@kevinhou

The madder red of the twilight

The Madder Red Of The Twilight - naviarhaiku283

cello, cor anglais, viola, violin samples in iris 2
rising frequency sunrise
slightly metallic instruments
silvery reverb
-
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naviarhaiku294 – spring dawn
spring dawn
wind turbines harvest
silver fog

 

The author of the week is Michael Baeyens, a young Belgian author of speculative and dark fiction, horror, fantasy and the supernatural, as well as haiku.

“My own haiku journey began as a way to communicate the impressions gathered while cycling the forest paths, bridleways and towpaths in my area.”

 

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 28th August 2019

haiku by Michael Baeyens https://unsplash.com/@mattpalmer

picture by Matt Palmer https://michaelbaeyens.com

dawn turbines (naviarhaiku294 )

This track was created for the Naviar Haiku group.
294 week haiku
naviarlab.tumblr.com/

2019-08-22

spring dawn wind turbines harvest silver fog (Naviarhaiku 294 )

This track was created for the Naviar Haiku group.
294 week Haiku.
naviarlab.tumbir.com/

Spring Dawn - Silver Fog (Naviarhaiku 294)

spring dawn
wind turbines harvest
silver fog

haiku by Michael Baeyens https://unsplash.com/@mattpalmer
picture by Matt Palmer https://michaelbaeyens.com

For more information visit http://www.naviarrecords.com/about/naviar-haiku

silver

halF turbinE [naviarhaiku294]

My submission for Naviar Haiku #294.

 naviarhaiku294 – spring dawn

spring dawn
wind turbines harvest
silver fog

 

The author of the week is Michael Baeyens, a young Belgian author of speculative and dark fiction, horror, fantasy and the supernatural, as well as haiku.

“My own haiku journey began as a way to communicate the impressions gathered while cycling the forest paths, bridleways and towpaths in my area.”

 

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 28th August 2019

haiku by Michael Baeyens https://unsplash.com/@mattpalmer

picture by Matt Palmer https://michaelbaeyens.com

Life Swirls By (naviarhaiku294)

Life Swirls By -(naviarhaiku294)

Philip Glass - Symphony for Eight - Conjunto Ibérico

windspace began exploring electronic music in 1982 using analog synthesizers and in recent years has gravitated to ambient music. windspace today mostly uses computers to produce his music, but occasionally some ancient hardware sees the light of day. He also releases more experimental and extreme music under the name of ho66it.  He records his music now in Colorado where he resides with his greatest supporter...his wonderful wife.