Love that piercing, stabbing guitar sound and great spacing between notes. Excellent contrasting sustain in mix.

This would work perfect for some neo-western :-)

love that barbieri/Jensen/Sylvian/Fripp mood. Like Re-Evolu says : contrast.

Goat Curry Incense

Aged 23

A recording of Masai Mara(https://freesound.org/people/AugustSandberg/sounds/202874/) (wink to [Chris Watson's(https://chriswatsonreleases.bandcamp.com/track/river-mara-at-night)), downloaded from Freesound (thanks to [August Sandberg](https://freesound.org/people/AugustSandberg/)), is used as a "constant". Different filter and resonance configurations and tools (soundtoys' FilterFreaks, Phase Mistress; Lexicon PianoChords, FabFilter and Izotope EQs), with some time envelope graphical programming and LFOs, plus some massive reverbs, are applied on the ambiance, in order to create movement and sensations of unreality.

Image from Willa Wey https://www.flickr.com/photos/wei_willa/25341443196

More on this 595th weekly Disquiet Junto project, Filter Progression (The Assignment: Make music by processing a static sound), at: https://disquiet.com/0595/

About the Disquiet Junto: https://disquiet.com/junto/
Subscribe to project announcements: Disquiet Junto by Marc Weidenbaum (Disquiet.com)
Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0595-filter-progression/

Night Of Relentless Filters [disquiet0595]

Used samples:

Title: Compressed Air 2.wav
Author: Geoff-Bremner-Audio
Link: freesound.org/people/Geoff-Bremner-Audio/sounds/682952/

Title: crash_white_noise.wav 
Author: blubdevis
Link: freesound.org/people/blubdevis/sounds/43633/

The Rift

Opening Ceremony 'inspired B .C .S.P'

Use headphones for this run. These are fields recordings heard in the Riifles & Garbage Podcast Second Edition. There is a stream called Bogdanka, a VLF radio grab, the water under a beaver's dam recorded with hydrophones and from above, the Warta river, a hydrophone recording of a pond in Solacz in summer, a pond in Wilson's Park in the winter (mostly carp rustling against the miccrophone cables I think, various birds in Poland and a cage full of baby chickens at a market in Tasnad, Romania. There may be other things in there too but I have to listen again to be more precise. Feel free to ask in comments.

Stream That Does Not Drink Itself

YT: https://www.youtube.com/watch?v=qtBl_m2Bdwg

Part of the Naviar Haiku Challenge
https://www.naviarrecords.com/naviarhaiku533-flowing-along/

a soap bubble-naviarhaiku533

"Dance track for the unmoving"

Music by Stu King
Korg Monologue synth
AudioKit Synth One
Hologram Microcosm
Phase (Small Stone)
Digital Delay (Timeline)
Reverb (Big Sky)
Gretsch Streamliner
Mixed in Cubase

Frozen Regard

Frozen Regard (naviarhaiku534)

Submitted to Naviar Haiku 283.

 naviarhaiku283 – The clear day in the rainy season

The clear day in the rainy season.
The madder red of the twilight appeared
And vanished instantly.

Poem by Takahama Kyoshi 

Kyoshi was the editor of the haiku magazine Hototogisu, which promoted a more traditional style of haiku compared to other contemporary schools which were not following the pattern of seventeen syllables at that time. Kyoshi also highlighted the symbolic function of the kigo (the season word), even though the more modern trends were already tending towards season-less haiku. He was active during the Shōwa period of Japan.

Seven days to make music in response to the assigned haiku: to participate visit http://www.naviarrecords.com/about/naviar-haiku

haiku by Takahama Kyoshi  https://www.masterpiece-of-japanese-culture.com/literatures-and-poems/haiku/takahama-kyoshis-haiku-poems
picture by Kevin Hou https://unsplash.com/@kevinhou

The madder red of the twilight

The Madder Red Of The Twilight - naviarhaiku283

In the Shadows

Verse 1
Traditional primitive highly trained 
To get pleasure first endure the pain
tolerance limited precision with the aim 
don’t need no rep don’t need no fame 
Survival of the fittest been the name of the game
Only eight pounds of pressure between joy and pain 
Only eight pounds of pressure between joy and pain

Chorus
Real thugs keep it on the down-low
When they put in dirt no-one else knows
A guaranteed today ---not tomorrow
Go hard and die  ——— without sorrow 

I live amongst the heartless
So I stay in the shadows 
limited choices—- not the life I choose 
Sooner or later they’ll be exposed 
game tight-lets suppose they doze 
sound covers-up sound 
Enter into the light 
ones slip they go down 
Day covers up night
Time goes on AIGHT!

I live in the shadow believe in the echo.                      
Past present and future heed both friends and foes
 Deceived by the trusted nonbelievers and corrupted
 A hard life‘s lesson to learn wasn’t sunshine but I rose
it doesn’t matter anymore ——in life anything goes 
——anything goes

Chorus

A danger yes potentially
If threatened by hostility 
are you ready can you see 
Or blinded by mentality 
you’re not alone entirely 
Why blame it on society (X2)
———this is where I call home
A modified War zone 
below the surface pure blood and bone 
heart carve from stone
No mercy given none shown 
kings dethroned—-but much respect if you hold your own...

Verse 1

Chorus

IPG1
Ian Greaves
2019

In The Shadows

windspace began exploring electronic music in 1982 using analog synthesizers and in recent years has gravitated to ambient music. windspace today mostly uses computers to produce his music, but occasionally some ancient hardware sees the light of day. He also releases more experimental and extreme music under the name of ho66it.  He records his music now in Colorado where he resides with his greatest supporter...his wonderful wife.

The Madder Red Of The Twilight - naviarhaiku283

windspace

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