Jojo blue - Special year 2021 (VCV rack - 2021)

holla if ya hear me #frawstakwapella 110bpm…

My SoundCloud friend from the UK Martin Dean recently took me up on a suggestion that we create something beautiful together. Something spoke deeply to me while listening to his Cloud, and after about a month of consideration he settled on this improvisational piano piece of mine, and worked to orchestrate it along the 'less is more' principle.                              And OMG... something wondrous was born as you can readily hear.  Bless your Ears and your Soul, Martin!  and Thank You for engaging.

You can hear more of Martin's work @martindean

May you enJOY!  And btw... I'd recommend putting this one on Repeat.

© Gary Courtland-Miles 2016
 ℗ Gary Courtland-Miles 2016
© Martin Dean & Gary Courtland-Miles 2025 
 ℗ Gary Courtland-Miles & Martin Dean 2025

Photo of our Sun on 04/07/2025 : by NASA Solar Dynamics Observatory

Quantum Vibrations *  w. Celli by Martin Dean

2025-07-24

DEr EXoRZzIsT⛧ - EMerGeNcy

I have been hearing so much AI music lately on SoundCloud and these  thoughts have been percolating with me for a while and finally they coalesced into a song. (created without the use of AI).
***
Vocals & Back Up Vocals: Joe Stroffolino
Guitar Strumming Track:  Joe Stroffolino Taylor 114CE
Drums: EZ Drummer 3
Bass: PG Music Real track
Piano:  EZ Keys2 
Synth Bass: Logic Pro 
***
You got tired of struggling so hard to write a great original song
And then this amazing newfangled technology came along
Now you’re using AI to create music, and it’s a much easier process
And you’re convinced you found the ticket to achieving great success.
You tell yourself you’re a great artist because prompting takes a lot of skill
But deep down you know the AI did most of the work and you swallow the bitter pill
People complement you on your guitar playing and they tell you your voice sounds great
It makes you feel so good but you don’t ever set them straight
Those classic rockers used to write 10 or 12 good songs every couple of years
Now you’re posting two or three songs a day and hoping for a bunch of cheers
You’re rolling the musical dice, hoping you’ll come up with a catchy viral hit 
But there’s so much music flooding the internet that no one gives a shit
You tell yourself you’re a great artist because prompting takes a lot of skill
But deep down you know the AI did most of the work and you swallow the bitter pill
People complement you on your guitar playing and they tell you your voice sounds great, it makes you feel so good but you don’t ever set them straight
Some people believe we’re living in simulation and none of this is real
We’re just digital creations in a computer with the ability to feel
But even if that’s not the case, we’re quickly, heading to a place where no one’s going to be able to tell the difference.
You used strum your guitar, trying to capture lightning in a bottle and the songs that emerged came from you.
And now the songs you write with AI, what they’re saying, you don’t have a clue.
Music used to feel therapeutic, it was a window on your soul that you could share.
But now something feels missing because your songs no longer lay your heart bare.

Prompting Takes A Lot Of Skill

Bones in the Wind

The EASTWOOD (from the bandcamp half life series)

Recording sessions from  13/05/2025 - 03/08/2025.
presets, mixing, processing and editing: Pier WILL.

*** ALL TITLES ARE DOWNLOADABLE***
________________________________________________________________________
🛠 - Made with various Modular Synths / Multi-tracks / No I.A.
🎹 - Composed, arranged, performed, produced by Pier WILL & 4H09
🔲 - Cover art - Pier WILL
🙏 - Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile,
Focusrite, Hewlett Packard, Korg, Logitech, Marantz, M-Audio, MSI, Samsung, Sony, SoundCloud, Teac, Techniks, Yamaha.
________________________________________________________________________

⚙️ - #Ambient #Movies #Experimental

I'm almost back...
After the death of a loved one, I found myself unable to play music... so I opened a small attic room deep in my unbalanced mind and played other types of instruments... it had to happen...
So here's a track, "ATTIC ROOM" (37 minutes), composed and produced, bringing together 10 very different and surprising tracks... I feel like I was in another dimension for a while, and I hope you enjoy it.
Have a great listen. Thank you.
Pier WILL

Me voici presque de retour...
Après le décès de l'un de mes proches, je me suis retrouvé dans l'incapacité de jouer de la musique... alors j'ai ouvert une petite chambre mansardée tout au fond de mon esprit en déséquilibre et j'ai joué sur d'autres types d'instruments... il fallait que cela se réalise...
Voici donc un titre "ATTIC ROOM" (37minutes) composé et réalisé rassemblant 10 titres tellement différents et surprenants... je pense avoir été dans une autre dimension pendant un certain temps et j'espère que vous allez apprécier.
Très bonne écoute à vous. Merci
Pier WILL

Attic Room

https://adammajdeckijanicki.bandcamp.com/album/adam-2004

"Ur the Eternal" (2004) - buy a compilation of lost demos today!

Willix - Ethereal

“They Call Him Sunlight, They Call Him the Eagle”

Adam Majdecki-Janicki (1985) has been writing poetry, lyrics, composing, playing, and recording since 1998. His most important achievements to date include his debut poetry collection “Siva in Rags” (Kendra Steiner Editions, USA, 2008), the vinyl and CD “Second Hand Man” (Mimics Cool, Poland, 2011), the CD-R and vinyl “Stoned Gypsy Wanderer” (Kendra Steiner Editions, USA, 2014 / Ramble Records, Australia, 2021), the experimental/ambient album “Eimi” (Snow in Water Records, France, 2020), the vinyl album of his group Säure Adler (Ramble Records, Australia, 2021), and countless other physical and digital releases worldwide.

Bones in the Wind

Windwege

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