Berlin Hypnotic House XXV - Head Mix

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Gimme Love

SOMETHING ABOUT YOU AFROHOUSE REMIX

This song was written by one of Australia's greatest songwriters, Archie Roach, in 1990 and was included in his first album “Charcoal Lane”.   I have seen Archie live many times – he gives such great performances that I was a bit dubious about posting my own version of his song.   I justify the posting on two grounds: one, this is not one of Archie's best known songs, and, two, I have done this song many times in small venues.
	 If you wish to hear what this song really should sound like, go to: https://www.youtube.com/watch?v=7Wy9sxcxOFU for Archie Roach's original version.

	The cover image is by Gerd Altmann from Pixabay.

Lyrics:
	Sitting here in a lonely old guest house
	I'm sure that my life is all through
	Scratching fleas and watching a grey mouse
	and making love to the memory of you

	For without you I'm weak and uncertain
	And I feel so naked and cold
	Like a window without any curtains
	My innermost feelings unfold

	The drink I just had
	It wasn't as bad as the first
	But drinking won't do
	When it's only for you I thirst

	For your kiss it quenches all burning
	It's sweeter than the sweetest of wine
	Now you're gone I find myself yearning
	For the love that I left behind

	Nobody can heal the pain that I feel inside
	And if I said I'm strong and I'm never wrong
	I lied

	Nobody can heal the pain that I feel inside
	And if I said I'm strong and I'm never wrong
	I lied. I lied.

I've Lied

I've Lied (Archie Roach cover)

Light Bright Master 4 - BASIC 0.0db LeadVol -14db Oct 6th, 2020

Me celebrating the joy of life with my electric guitar. 
Music/Guitar Instrumental by REKHA - IYERN [Fe] 

Cover Art: Photo and Graphics by REKHA - IYERN [Fe]
Music

Music Composed & Produced, Recorded & Performed, Mixed & Mastered by REKHA IYERN [Fe] at IYERN [Fe] RECORDS in CANADA

LIGHT BRIGHT

LIGHT BRIGHT | Live Elec-Guitar Instrumental/Music by REKHA - IYERN [Fe] | Oct 2020 | Uplifting

A cover (okay, let's call it a "remake") of the fabulous late-70s "E la luna bussò" by Loredana Berté. I used to play this one with a band a few years ago, and I immediately fell in love with the lyrics.

Obviously I have maneuvered myself out of the comfort zone once more --- apart from the usual walks on very thin ice with singing and trying to get meaningful notes out of a guitar, this time it is about Reggae and strings programming (both things that I have tried to avoid so far in my musical life). Anyway, if you think that violins and cellos do not fit to Reggae: yes, you are right.

Special thanks to Tyler Cressman for having proof-read the lyrics translation!

And the moon knock-knocked on the gloomy gates of darkness
"Come on let me in!" -- but they replied "no!"
So the moon went knockin' on the place where there was silence
But a rude voice yelled: "You're late and time's already up"
So the moon left the windows open and she went to find and see

To find and do something for the time being
After having shed some tears
About another "no", about some other "no"
From the ocean (you're nothing but a pond, man!)

And the moon knock-knocked on shaded glasses
But the look behind them didn't notice her
So the moon went and tried "knock-knock-knock-knock-knock" on a pool party
"Strictly members only, no exception for moons!"
So she rolled over champagne and caviar and she went to find and see

To find and do something for the time being
After having shed some tears
About another "no", about some other "no"
From a waiter
Oh no

But then down there, almost by chance
Closer to the sidewalk, where what you see is real
But then down there, where no moon needs to knock
Between the lashes of a child, to let him fall asleep
And then down there, between tatters, tears and love
Where luck is luxury: there we need you, moon!
And yes down there, almost by chance
Closer to the sidewalk, where what you see is real
Between the lashes of a child, to let him fall asleep
Between tatters, tears and rags, to let us fall in love:
there we need you, moon!

(ad libs)
Sidewalk boogie
(more ad libs)

And The Moon Knock-Knocked

Rem sleep

An Angelic Dub fusion!!

Vocals from A sample pack.

RiZLiX - Angel Dub

Huge thanks to my Valuable Friends who partied hard!

@janinelevinson - Dance invites and vocals
@rick-4-1 - Funkin' it up for the dance floor
@phil-mcwalter - Sausage rolls and other stuff


PARTY BACK AT MY HOUSE

Party back at my house
Party back at my house
Party back at my house
Everybody's gotta come!
'Cos you're wonderful
Ooh Lord, we think you're beautiful
And we wanna hear you talk
We wanna see you walk
We wanna hear you shout
Have fun
Back at my house

Party back at my house
There's a party!
Party back at my house
There's a party!
Party back at my house
Everybody's gotta come!
'Cos you're wonderful
Oh Lord, so beautiful
We wanna hear you talk
See you walk
Hear you shout
Have fun
Back at my house

"BE the party" (Theresa May)

"Let's just get wastey-pants" (Nicole 'Snooki')
"Wow! What a ride!" (Hunter S. Thompson)
"I wanna see you dance" (Janine Levinson)
"Party Sleep Repeat" (Rick Medlock)
"Remember when we could?" (Jack Nicholson)
"Is this a cocktail party?" (Jimi Hendrix)
"Is this my party?" (Phil McWalter)
"Hell yeah!" (Clarence Clemons)

© Phil McWalter Oct 2020
[Photo by Emma McWalter @emmam-7]

Party Back At My House

Spotify

Another HOT!! Collaboration with the underground sounds of Billy Korg
https://soundcloud.com/billy-korg
Lyrics:- 
Are you ready for the truth
Time to let go of your youth

Better take the red pill baby
Better take the red pill darling
Open up your mind to all the lies
Never wanna see you left behind
No no no no no no no no
Don't get left behind

Billy Korg / winkandwoo 2020

Take The Red Pill -Billy Korg & winkandwoo

Nothing’s gonna stop her

there once was a time 
that I didn’t regret
though it was so hard
getting out of bed
and every time
she walked out the door
you’re battered and bruised
and a bit sore

nothing’s gonna stop her

the finals are coming 
coated in sweat
now on all fours
that‘s what she said
you’ve got a head-start
but don‘t you look back
she‘s got it on tape
now you can drop dead

nothing’s gonna stop her

and once in a while
she’s faking a smile
once in a while
she’s making me smile

nothing’s gonna stop her

Photo: Palmer, Alfred T., 1943 Feb.
Drilling horizontal stabilizers: Operating a hand drill, this woman worker at Vultee-Nashville is shown working on the horizontal stabilizer for a Vultee "Vengeance" dive bomber, Tennessee.