Dope track WINSON CLINK, you should use the free promotions from fanmajor (google it) and get some plays!

Koma01

DAVE N.A. - Datedrumz

One for a night-time drive, a dance with friends or a moment alone, Kalopsia provides you with the space (and place) you might not have realised you need. Unafraid but not arrogant, this EP wanders into emotions with enough space to take your own journey, but never leaves your side. Kalopsia is an invitation to explore your nuances and travel wherever you dare

Kalopsia

Lucas Sm - Hearing Voices

ISORA - Radio Buena Vida 03.12.22

Music by: Cabasa (Belgium)
Mixed by: Steve Allard (Belgium)
Master/cut: Beau @ Ten Eight Seven (UK)
Distribution: Rubadub (SCO)
Manufacturing: Handle With Care + Intakt (GER)
Design: Studio Taquin (BE)
Font: Ribosoma by Studio Triple (FR)
Release date: June 2023
~
300x12" + Digital

Cabasa - Grad

CD’s and digital available   

https://magdalenas.bandcamp.com/album/remordimiento-eterno

Cameras in the Courtroom [M.A043]

One year after the release of STILL’s debut album ''I'' comes a surprise remix pack with contributions by NÍDIA (Principe), Kenyan producer Slikback as well as Nyege Nyege associate Zilla, Low Jack and E-Unity from France, Duppy Gun Productions feat. I Jahbar, Primitive Art’s Jim C. Nedd, Dominican Republic via LA producer Kelman Duran.

This album is mastered by Jeremy Cox, featuring artwork by Invernomuto, costume by Jules Goldsmith and photography by Giulio Boem.

I (Remixed)

STILL - Banzina (E-Unity Remix) (PAN 80-R)

Escape Club 99

Dexy

Shiny Zero is an annual report compiling works from collaborators and allied facilities. It is both a reflection of our current state and an indicator for prospective projects. 

To ensure maximum accessibility, Shiny Zero will be available free of charge.

Mathis Ruffing - Sacred Club Of Ghosts

Piezo - Turbo Island ([SECRET RAVE 05 3X12"]

The concept of music designed specifically for Airports was pioneered by Brian Eno in the 70s and has since come to be known generically by the term Ambient. The connotations that this term carries are those particularly associated with the kind of material that Brian Eno produced - familiar tunes arranged and orchestrated in a lightweight and derivative manner. Understandably, this has led most discerning listeners (and most composers) to dismiss entirely the concept of ambient music as an idea worthy of attention.

Airpods are defined as a mood, or an inherent influence: a tint. My intention is to produce original pieces ostensibly (but not exclusively) for these particular headphones with a view to building up a small but versatile catalogue of music suited to a wide variety of moods and atmospheres.

Whereas the extant music labels proceed from the basis of regularizing environments and headphones by blanketing their acoustic and atmospheric idiosyncracies, Music for Airpods is intended to enhance these. Whereas conventional music is designed to strip away all sense of doubt and uncertainty (and thus all genuine interest) , Airpod Music retains these qualities. And whereas their intention is to `brighten' the sound by adding stimulus to it (thus supposedly alleviating the tedium of routine tasks and levelling out the natural ups and downs of the body rhythms) Airpod Music is intended to induce calm, a space to think and Euphoria at the same damn time.

Mathis Ruffing
Soundcloud: https://soundcloud.com/mruffing

Infinite Drift
Soundcloud: https://soundcloud.com/infinite-drift
Facebook: https://www.facebook.com/Infinite-Drift-2033622080186152/

FUN TONIGHT

WINSON CLINK

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