a most unusual release in our 10" series by this newly formed German duo (one member is a main actor in the cryptic Netflix series 'DARK', the other a prof. percussionist playing in diverse orchestras), moving beyond / between / inside various genres (improvisation & composition, collage and jazz noir ambience), well-shaped from various sessions with Berlin's ENSEMBLE ADAPTER => a kind of "acoustic theatre" or "surrealistc soundpoem" that will leave you simply astonished... lim. 300 / RELEASE DATE early August 2021 !


full description: ""in pieces - volume one" - taumel meets ensemble adapter

in winter 2016, 'taumel' and the 'ensemble adapter' met for several improvisational sessions to develop an evening of music in which the contrasts and boundaries between composition and improvisation, freedom and determination, chaos and structure were to blur or collide. the sessions focused on the development of a specific, sound-gestural musical language. in a way, each musician developed kind of a character on his instrument and its own specific sound-gesture. we recorded these sessions and used them as a basis for "in pieces. "in pieces" consists of the remixes of these sessions, as well as additional studio material produced by taumel.

"in pieces" can be understood as a sureal sound poem, an abstract sound story that wanders through the most different states - from greatest happiness to frenzy and madness. in the 2 mutating sound fields, the associative story revolves around the theme of linguistic inalienability and thus also around the theme of 'chaos and order'. this ambiguity, the attempt at beauty and its overturning into destruction and failure. attempts at writing, attempts at speaking, stammering, stuttering, screaming, constriction, drifting away, humming... in the mutation of states, heterogeneous sound events meet or are mixed to a new kind of soundmash between song, voices, melody, harmony, instruments, noise, beats, riffs, words, electronics and alienation. the action of the instrumentalists (the instrument playing) is on the same level as any other sound producing action or vocal expression as well as any electronic sound production and is always meant gesturally, performatively, as action, as acoustic dance.

"volume one" is the first part of a musical context planned as a two-part work ("in pieces - volume two). in two sound parts (side a, side b) "in pieces - volume one" is not a song cycle like our other series, e.g. TRAUM, but rather a musical 2-act, later altogether 4-act. here the overall form of the musical series is not divided into albums and songs, but into albums and their a+b sides, like act 1, 2, 3 and 4. perhaps, therefore, "in pieces" can also be heard as an acoustic theater, or as a radio play without words, or as a soundtrack without a film, or as a film without a picture, or simply as an order of changing sound events.

"off the record"
in "off the record" taumel meets other musicians and develops albums in collaboration. here different forms of musical interaction can be tried out. in this case of "in pieces" the collaboration with the "ensemble adapter" consisted in these sessions, which form the basic framework and skeleton for the whole album.

order from Drone Records HERE:
https://www.dronerecords.de/album.view.html?album=20419

TAUMEL - In Pieces Vol. One  (A-Side)

E​.​B​.​A​.​N​.​I. Drones  by SILICON RELIC
GH Records / GH 151 CD 
BUY →https://ghrecords.es/

The UFO phenomenon shows a constant tendency to adapt itself to the technological imaginary of the historical period in which it occurs. From the first mechanical forms of the last century, we have progressively reached the current energetic and intangible manifestations, of which the E.B.A.N.I. can be considered the most spectacular and disturbing expression. With the term E.B.A.N.I. are defined a whole series of aerial phenomena, which present characteristics that can be compared in appearance to living beings, in form as well as in movements. Is this perhaps the final adaptation, in the middle of the information age, of a living occult reality that hides behind our technological dream, before its definitive revelation?

"E.B.A.N.I. Drones" is the sound transposition of these celestial apparitions, beyond any will of interpretation of the phenomenon or easy cataloging. A dreamlike and surreal journey between sidereal anxieties and apocalyptic suggestions, in the contemplation of these new angelic legions made of luminous tubular structures and floating liquid metal.

SILICON RELIC is a new Italian industrial drones / dark-ambient project, which aims to describe and portray in music the remains and parodies of the sacred and the spirit in the age of disenchantment. The group - composed of Moreno Padoan and Cristian Luise, active for years in the industrial / experimental scene with various monickers - wishes to return with this project to the origins of the genre, combining genuine aesthetic and sound research with a solid conceptual and philosophical approach.

:DI NUOVO RICERCA:
:DI NUOVO PENSIERO:

E​.​B​.​A​.​N​.​I. Drones

Radiating Spheres from E​.​B​.​A​.​N​.​I. Drones by SILICON RELIC

From ABBILDUNG's They Shall Wake.
A low frequency attack 2021 dark ambient.

ABBILDUNG - Aeons (Demo)

VA - Twelfth Listen Teaser [2021]

Tales from the Algorithm 
release date 08/01/2022
https://dragonandjettenbach.bandcamp.com/

Tales from the Algorithm - Preview trailer

this set is part of the @beatsdonor charity campaign, in which electronic music artists encourage people to register with bone marrow donor bases to save the lives of children suffering from leukemia. #beatsdonor

What is bone marrow donation and registration process in the donor database? full info here :
🇵🇱 https://www.dkms.pl/
🇬🇧 https://www.dkms.org.uk/
🇩🇪 https://www.dkms.de/
🇺🇲 https://www.dkms.org/

Chris Liberator started djing back in 1991 playing his first ever party in a squat in North London (organised with the fledgling Liberator crew featuring himself, Julian and Aaron). Liberator soon made a name for themselves putting on parties in and around North East London in squats and underground venues, and it wasn’t long before they began hooking up
with other crews doing similar stuff including Bedlam, Full On, Zero Gravity and Megadog who they all played regularly for with their firebrand mix of Acid, hard Techno and Rave. Getting involved with the illegal raves kicking off in the UK at the time (including Lechlade and Castle Morton) via their numerous traveller connections saw them hook up with crews out in Europe from Prague and Holland and they began travelling internationally as well. In 1993 they began their label Stay Up Forever to represent their own unique style, and as it progressed and they met more producers like DDR, D.A.V.E. The Drummer, Gizelle, Geezer and Lawrie Immersion, the sound of London Techno and Acid Techno as we know it was born. Chris went on to start the SUF Collective (which he runs with Aaron Liberator) and began DJing across the world including places as far flung as Brazil, Venezuela, Japan, South Africa and Australia, and his name quickly became synonymous with the sound of the London Techno he represented. Meanwhile he continued to support his roots playing thousands of squat parties and underground raves in London, UK and Europe, keeping it firmly ‘real’ despite making DJ mag’s top 100 dj list on several occasions and producing some of the era’s most popular Acd Techno mix cds. Musically he has been behind some of the scenes biggest anthems including ONE NIGHT IN HACKNEY (with D.A.V.E.The Drummer), LONDON ACID CITY (with Lawrie Immersion) , CROYDON GIRL (with Sterling Moss and Rackitt), SCUM LIKE US (with Sterling Moss), X RAY OK , SOUL MANTRA and many, many more. Chris was originally a punk on the early eighties Anarcho punk scene and carries his sense of DIY and anti system
principles from then, and still plays in 2 punk bands (Dogshite and Hagar The Womb) as well as DJ ing classic punk and reggae sets. Chris still only plays on vinyl and is just as dedicated to his art and philosophy as he was when he started 30 years ago!!!

Chris Liberator - Beats Donor [011]

It was a privilege to play at MEGADOG's 30th birthday party. Amazing crowd, amazing night. My all time favourite club in the world.

I dropped Access and looked up to see over 2000 ecstatic people with their hands in the air, something I will always remember. 

Tracklist:

Space Shanty - Leftfield
The Mayans Are Coming Back (Original Mix) - Future Disciple
Mind - The Aloof
Girl On Boy (Original Mix) - Wolfgang Gartner
Dark & Long [Dark Train] [Jerome Isma-Ae & Maor Levi Remix] - Underworld
Super Space - K90
Two Full Moons & A Trout (14" mix) - Union Jack
Techno Me (Omega Drive Remix) - Jo Psarados
Storm 2010 (Mark Sherry & Dr Willis's 'Flashback' Mix) - Storm
Access (John Askew Remix) - DJ Tim, Misjah 
Dreams (LRU Mix) V1master - Quench

Big love to Michael, Bob, Rob T-Bag, Eamon, Rachel & all the crew. 
Till next time....

Templehead Live at MEGADOG 30th Anniversary Show, 21st November 2015, Manchester Academy

Wanderlust

07. Calling Ghosts

The Start Will Never Come And There's No End For It
The End Will Never Come Before The Start
Never Had This Moment And Never Had These
Coax Me And Coax Me And Coax Me And Coax
Tap Me For Your Life Drain My Soul For Your Hate
Stay On Amount Of The Dust That You Dig To Bury Me
Make Me Fly And Shoot Me In The Sky
Hate Me As Much As You Love Me
Bury Me
I Can't Sleep, I Can't Feel, I Can't Touch, I Can't See Your Illusion That's About Your Hatred
Coax Me And Coax Me And Coax Me And Coax
Before Your Murdering Starts 
Coax Me
Before The End 
Coax Me 
Before The Darkness
Coax Me
Before Getting Buried Lie To Me 
And Coax Me And Coax Me And Coax

Vocal: Azade Shaker

Live: https://vimeo.com/153261875

EL ULTIMO SOL ➜ bit.ly/33JE5Fv / GH Records
+ + +
EL ULTIMO SOL is a encounter between worlds.
A cross roads between realities, vibrations and sounds, where the old, the past and the present come together to form a time less space.

Time is diluted creating a sacred circle.
For usitisan intimate and personal link, a relation ship with the wild, with the mysterious of this apparently ordinary world, and of other worlds hidden from view, and that converge at the same point, at the same moment.
An oasis in the middle of a life that pushes you to run, to not have time to feel.
A place where everything stops to reconnect with the essential, with the primitive and instinctive, returning to the origin.

In this project Gemma A. and Daniel P. are involved.Daniel P. is founding member of Arnica, Wihinei Rita, Ghazghkull, and collaborator both in studio and live with bands such as Death In June, Allerseelen, Blood Axis, Traum´er Leben, among others.

Entre Mundos

EL ULTIMO SOL - REGRESO

The first half of the lockdown live tribute stream to MEGADOG, featuring a blinding set from the legend that is MICHAEL DOG.

Recorded Friday 27th November 2020 on https://www.twitch.tv/djtemplehead/

Featuring DJ sets from:

Orpheus - Coming In Mix (0O:00-45:00) 
Templehead - Dub, Space Rock & Bouncy Tunes Mix (45:00-01:30) 
Michael Dog - Acid Ska & Big Beat Mix (01:30-03:04) 
Templehead - Coming Up Mix (03:04-03:48) 

Plus vocal samples from MC T-Bag.

A huge thank you to Michael for his blinding acid ska mix & Rob for his vocal samples & for sharing the BBC Radio 1 MEGADOG feature from 1994 (03:04-03:12).

MEGADOG FOREVER!

ONE LOVE X

Mmm...MEGADOG, I Love You 2020

Winter-Light is a record label and online store based in Noord-Holland, The Netherlands, specialising in deep ambient, experimental and drone soundscapes.

Our goal is to release new and interesting music within these genres without imposing limitations on the possibilities. Exploring new areas, pushing at known boundaries, or working within current structures can always produce beautiful and interesting results.

Working in conjunction with Midnight Sun Studio, we create visual pieces to accompany our releases. The creation of motion graphics, put to out there and interesting electronic music; that is adding another dimension altogether.

07. Calling Ghosts

Winter-Light

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