this is really good, great textures and mood. The voices work wonders.

Love this. The abstract sounds mix perfectly with the musicality. Great linear progression and the voice treatment is really cool

This part is a remix of Wire Fence - Rabbit Heugh, a contact microphone recording of a fence. Sounds were generated from midi conversions from the sound spectrum of the  field recording, part of the open :zoviet*france: soundwork "Hidden-by-the-Wall", commissioned by Green Croft Arts as part of its Collision and Conflict project: 

soundcloud.com/zoviet-france/sets/hidden-by-the-wall-open-remix?fbclid=IwAR23eVCF-8yRxJ3BPAw3kh5poKlArMhxfqr8chJf62vwLgqG1_yf2JoEYXo

More on Collision and Conflict:
www.greencroftonthewall.com/collision-and-conflict

The recordings are made available under creative commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) (creativecommons.org/licenses/by-nc-sa/4.0/)

:zoviet*france:  Wire Fence - Rabbit Heugh - Second Harmonic Generation Remix

https://archive.org/details/IP-010
https://innerspaceprod.bandcamp.com/
https://soundcloud.com/innerspaceprod

Another Side

Free Reign

News from the RSH Impro course. While certainly not a techno track, at least it works with beats…
Claudio Huerta Honores, accordion; Natalie Schönberger, clarinet; Qirici Ermir, French horn (most of the beats are processed horn sounds); Hyeongjin Oh, tuba (the high "sky sound" that runs through most of the track); Joaquim Simões, guitar; Anastasia Deligiannik, violoncello; Ella Sternstedt, bass guitar; recording Benedikt Wild; additional tracks, producing & mixing Hubertus Dreyer

DistantSummer

This is the tenth piece in a series of Concrete Music pieces. The source is hits and scratches on metal, wood and stone. The music is generative. The source-code can be found at github.com/danielstahl/concrete-music-10.

Concrete Music 10

More on this 565th weekly Disquiet Junto project – Musical Folly (The Assignment: Make a piece of music inspired by this architectural concept) – at: https://disquiet.com/0565/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0565-musical-folly/

Richard Preston's House (disquiet0565)

Composed and performed by DD (june/july/september 2022)
Upright piano, synthesizers, upright bass, orchestral (strings) samples, acoustic drums

Photo by Karim MANJRA


This particular track is a pure experiment, I was recording my acoustic piano, using some mechanical rubber mutes for a different project, and did this take just for me as a test.
I didn't know what to do with it, and abandoned.
Then, I overdubbed many different instruments over the past few months, an upright bass+acoustic drums rhythm section, an unexpected old-schools synth. Later I added an orchestral section.

There's a lot of work on this track but still I don't know where it's going nor what was i attempting when I started it. An experiment, a true one.

For this challenge:
https://llllllll.co/t/disquiet-junto-project-0569-think-thank/

An Undertow Of Resilience (disquiet0569)

Disquiet Junto Project 0569: Think Thank
The Assignment: Make music inspired by something or someone you’re thankful for

Laurie Andersons "Big Science" was one of the first "avantgarde" LPs I owned in a time, when teens like me used to listen to Kim Wilde or so. I remember listening endlessly to especially "From The Air", "O Superman" and "Example #22". 

Since then the beginning of the "voice sample" from "Example #22" is what I speak into microphones to test them. And as I had a podcast recording this week, I started the track with a sample from this recording. 

I noodled it thru some granulators and added some other stuff. I absolutely wanted to add some "O superman"-vocoder-oh-ohs with a XILS V+ I bought last week (don't miss the 75% sales, especially the XILS 4 https://www.xils-lab.com/products/xils-4-p-148.html, and no, I'm not connected to Monsieur Oudin) and it nearly drove me insane to get Reaper and the V+ to run as a vocoder. But it worked. 

The resulting track may be considered as what I have in mind when I think of these tracks from Laurie Anderson, which I am thankful for. Please notice that it is 40 years since "Big Science" – wtf am I old …

--

More on this 569th weekly Disquiet Junto project — Think Thank (The Assignment: Make music inspired by something or someone you’re thankful for) — at: https://disquiet.com/0569/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0569-think-thank/

krakenkraft disquiet

Beispiel #23 [disquiet0569]

[PCLEP 027] Oë - FréYàa  Teaser [2023]

Melting

sem peaks and clouds

Ambient electronica, Berlin School, Chillout & Kosmische Space Musik from Munich, Germany. ► Soundcloud is my musical diary - expect lightfooted drafts, soundchecks, playthings & misfits here. ► Go Bandcamp for finished pieces & more serious musical works.

Beispiel #23 [disquiet0569]

Krakenkraft & Etherkraken

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