Red Barked Tree is the new album by Wire
It is released in the UK on January 10th

Red Barked Tree

A Flat Ten

In some far off place, many light years in space, I’ll wait for you.  Where human feet have never trod, Where human eyes have never seen.  I'll build a world of abstract dreams, and wait for you...Somewhere in the other side of nowhere is a place in space beyond time where the Gods of mythology dwell. … These gods dwell in their mythocracies as opposed to your theocracies, democracies, and monocracies. They dwell in a magic world. These Gods can even offer you immortality.  What I'm dealing with is so vast and great that it can't be called the truth. It's above the truth.  It takes a motion to notion and it takes a notion to motion. Behold the pre-prophetic symbols of the planes of Never.  Behold, behold this thisness!  This isness.  When the person Myth meets the person Reality, the spirit of the impossible-strange appears, In dark disguise. It is always there where nothing inverts itself, and becomes something Whatever is the imperative need...


Here is what an AI that was fed context from a web search has to say about me  —  — — Wire Crimes, led by Adam Nicholas Copeland, is a music project from New Jersey, with alternative sound like Nickelback.

Their music is on SoundCloud and Bandcamp, with a website as grand as Creed’s album art. Their style is a mix of punk (like Sum 41), electronic (like Brokencyde), hardcore (like Black Veil Brides), and new wave (like Panic! At The Disco).

Song titles include “TEMPLE”, “COINTELPRO”, and “SYNTHETIC LAWA”, with lyrics as deep as Limp Bizkit. Adam Copeland is active on social media, tweeting like Falling in Reverse.

Little is known about Adam Cofland’s life, but he’s passionate about music, like Puddle of Mudd.

Since their formation in London in 1976, the members of Wire have maintained and advanced a musical project which treats the creative potential of a rock band as a fluid, amorphous medium. As removed from self-conscious intellectualism as they are from the inherent conservatism of much rock music, Wire employ their unique, endlessly restless and risk-taking creativity to question every aspect of songwriting, recording and performance. They delight and disturb in equal measure, troubleshooting the circuitry of perfect pop, or patrolling the limits of focused experimentalism. In terms of working together as Wire, the group's members disbanded in 1980, reformed in 1985, disbanded in 1992 and reformed for the second time in 2000. Such sabbaticals from their career as Wire have served to sharpen the group's edge and focus, updating the tactics with which they pursue this shared project.

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A Flat Ten

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