Superinertia

Super Inertia

10 000 Russos - Super Inertia

Dark Bells - Wildflower from the album The Reverb Conspiracy - Volume II released by Fuzz Club and The Reverberation Appreciation Society.

Dark Bells - Wildflower

From the album "Sunrunner" - out NOW on Trouble In Mind Records (www.troubleinmindrecs.com)

Verma - Hologrammer

Joel Gion is best known for being the colorful and animated tambourine man for psychedelic-rock innovators The Brian Jonestown Massacre. In addition to his duties with BJM, he’s currently putting the finishing touches on his proper solo debut, entitled Apple Bonkers, coming this summer.

The Reverberation Appreciation Society is proud to release the debut single by Joel Gion, in partnership with The Committee To Keep Music Evil. This limited edition release of only 1000 copies packaged in screen printed jackets is online: http://www.austinpsychfest.com/store/rvrb-017-joel-gion-overthrow-7/

Joel Gion - Night Of The Living Deadbeats

Echo Lake's second LP 'Era' is released 2nd March 2015 through No Pain In Pop.

Buy iTunes - hyperurl.co/7jcyjo 
Buy CD/limited LP via NPIP - bit.ly/1yUr4UZ

LIVE DATES:
12/3 - ‘Era’ London launch show - Hoxton Bar Kitchen (Tickets: bit.ly/1y4nK8z)
19/3 - ’Era’ Birmingham hometown launch show - Hare & Hounds (Tickets: bit.ly/1C3Gfem)
4/4 - Cardiff - Wales Goes Pop! (Tickets: http://bit.ly/1GCCsVR)
25/4 - Brighton - The Hope (Tickets: http://bit.ly/1DTZ1Uz)
 
http://echolakeband.com
www.facebook.com/echolakeband
twitter.com/echolakeband
@echo-lake

Echo Lake - 'Dröm'

Yonatan Gat - 0

LeRoy Dub Edit  of "Shadow of a Doubt"  by Sonic Youth
from the Album "Evol" 
1986

Sonic Youth / Shadow of a Doubt   (LeRoy Dub edit)

Buy Now - https://pinkflag.greedbag.com/buy/nocturnal-koreans-0/

Wire’s new mini-album, Nocturnal Koreans, is striking in its diversity, the band fluently negotiating an expansive stylistic range, from immensely catchy pop to ambient introspection and beyond. Chronicling a sleepless night that Wire spent in a seedy Boston-area hotel on their 2013 US tour, the title track is the kind of charging, urgent tune that’s always been vocalist-songwriter Colin Newman’s forte. The lyrics, by bassist Graham Lewis, make this one of guitarist Matthew Simms’s favourites on the record, largely because of the associated memories: “It’s a great snapshot of touring America and when I hear or play that song, it reminds me of the many weird and wonderful times, places and people that cross your path.”

Nocturnal Koreans

Recorded by Adrien Gauthier at Mains d'Œuvres
Mixed by Aaron Bastinelli
Mastered by Mathieu Bameulle / SB Mastering

03 - No Right Time

Public Practice is reanimating the spirit of late ‘70s New York with their intoxicating  brand of no wave-tinged dark disco. The band came in hot with their punchy balance of punk, funk, and pop on the critically acclaimed Distance is a Mirror EP in 2018, paving the way for their highly anticipated freshman record. Now, after a year of intimate and experimental songwriting in their home studio, they have fleshed out the energetic, playfully oblique sound captured on their debut full-length Gentle Grip. 

Together, the foursome creates bold, slinky rhythms and groove-filled hooks that get under your skin and into your dancing shoes. The musicians’ unique chemistry and approach to songwriting is part of what makes their world so intriguing. Magnetic singer and lyricist Sam York and guitarist and principal sonic architect Vince McClelland, who were creative music partners for years prior to Public Practice’s formation, come to the table with an anarchic perspective that aims to eradicate creative barriers by challenging the very idea of what a song can be. Paradoxically, Drew Citron, on bass/vocals/synth, and drummer/producer Scott Rosenthal are uncannily adept at working within the framework of classic pop structures. But instead of clashing, these contrasting styles challenge and complement one another, resulting in an album full of spiraling tensions and unexpected turns.

Inspired by influential New York bands like Liquid Liquid and ESG, the foursome has a natural inclination toward music that sounds rough-hewn. “We were thinking about classic New York dance albums, and the thing that stuck out is that many sounded like they were recorded in less-than-ideal situations,” McClelland says. “There was always something about them that felt somewhat home-cooked.” McClelland has spent the past few years constructing a home studio with carefully chosen and occasionally hand-made equipment in an effort to recreate that “cobbled together” sound. As three quarters of Public Practice are engineers as well as instrumentalists, their collection of gear, combined with the recording rig McClelland built, allowed the band to record Gentle Grip largely at their own hybrid practice space/studio in Brooklyn. “Having a space and setup that is unique, you're always going to have more of a signature sound,” McClelland explains. They spent the better part of 2019 playing with sounds, riffing on McClelland’s demos, and recording a number of songs live to tape. Although a handful of sessions occurred in traditional recording studios, the band’s autonomy and ability to record themselves imbues their music with a sense of freedom and gives it a distinct character — a home-cooked sound that is purely Public Practice.

BUY LP/CD

Public Practice - Compromised (From the 'Gentle Grip' album out 5/15)

Volage - Horses

Since their formation in London in 1976, the members of Wire have maintained and advanced a musical project which treats the creative potential of a rock band as a fluid, amorphous medium. As removed from self-conscious intellectualism as they are from the inherent conservatism of much rock music, Wire employ their unique, endlessly restless and risk-taking creativity to question every aspect of songwriting, recording and performance. They delight and disturb in equal measure, troubleshooting the circuitry of perfect pop, or patrolling the limits of focused experimentalism. In terms of working together as Wire, the group's members disbanded in 1980, reformed in 1985, disbanded in 1992 and reformed for the second time in 2000. Such sabbaticals from their career as Wire have served to sharpen the group's edge and focus, updating the tactics with which they pursue this shared project.

see more - www.pinkflag.com

Nocturnal Koreans

WireHQ

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